Narrative mapping: Listening with health, healing, and illness narratives in the classroom

2017 ◽  
Vol 33 (2) ◽  
pp. 132-138 ◽  
Author(s):  
Marie Thompson
2021 ◽  
pp. 004208592098729
Author(s):  
Amalia Z. Dache ◽  
Keon M. McGuire

The purpose of this study is to illustrate how in the span of three decades, a working-class Black gay male college student residing in a post-industrial city navigated college. Through a postcolonial geographic epistemology and theories of human geography, we explore his narrative, mapping the terrain of sexual, race and class dialects, which ultimately led to Marcus’s (pseudonym) completion of graduate school and community-based policy research. Marcus’s educational human geography reveals the unique and complex intersections of masculinity, Blackness and class as identities woven into his experiences navigating the built environment.


2006 ◽  
Vol 25 (2) ◽  
pp. 241-254 ◽  
Author(s):  
Shlomith. Rimmon-Kenan

2004 ◽  
Vol 79 (4) ◽  
pp. 351-356 ◽  
Author(s):  
Sayantani DasGupta ◽  
Rita Charon

2018 ◽  
Vol 45 (4) ◽  
pp. 399-405 ◽  
Author(s):  
Giovanni Biglino ◽  
Sofie Layton ◽  
Matthew Lee ◽  
Froso Sophocleous ◽  
Susannah Hall ◽  
...  

The arts can aid the exploration of individual and collective illness narratives, with empowering effects on both patients and caregivers. The artist, partly acting as conduit, can translate and re-present illness experiences into artwork. But how are these translated experiences received by the viewer—and specifically, how does an audience respond to an art installation themed around paediatric heart transplantation and congenital heart disease? The installation, created by British artist Sofie Layton and titled Making the Invisible Visible, was presented at an arts-and-health event. The piece comprised three-dimensional printed medical models of hearts with different congenital defects displayed under bell jars on a stainless steel table reminiscent of the surgical theatre, surrounded by hospital screens. The installation included a soundscape, where the voice of a mother recounting the journey of her son going through heart transplantation was interwoven with the voice of the artist reading medical terminology. A two-part survey was administered to capture viewers’ expectations and their response to the piece. Participants (n=125) expected to acquire new knowledge around heart disease, get a glimpse of patients’ experiences and be surprised by the work, while after viewing the piece they mostly felt empathy, surprise, emotion and, for some, a degree of anxiety. Viewers found the installation more effective in communicating the experience of heart transplantation than in depicting the complexity of cardiovascular anatomy (p<0.001, z=7.56). Finally, analysis of open-ended feedback highlighted the intimacy of the installation and the privilege viewers felt in sharing a story, particularly in relation to the soundscape, where the connection to the narrative in the piece was reportedly strengthened by the use of sound. In conclusion, an immersive installation including accurate medical details and real stories narrated by patients can lead to an empathic response and an appreciation of the value of illness narratives.


2019 ◽  
Vol 15 (2) ◽  
pp. 16
Author(s):  
Gabriele Kitzmüller

Hope and life courage in illness narratives after stroke This essay illuminates the meaning of hope and life courage in the narratives of Tomas and Maria, a couple who had experienced the life changing consequences of Maria’s stroke. Hope is supported by the couple’s strong and loving relationship and by empathy and caring in their relationships with professional caregivers. In this way, the relational component of hope is revealed as the most important prerequisite for maintaining hope. The analysis demonstrates that life courage and hope are strongly needed for trust in the future and rehabilitation efforts. However, careless and unprofessional attitudes and practices of clinicians may lead to loss of control, poorer self-image and hopelessness. To support the hope of patients and relatives, clinicians must show caring attitudes and use both medical and humanistic knowledge. They should not devalue the phenomenon of hope as unrealistic.


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