scholarly journals FUNCTIONAL ANALYSIS OF SWIM-BLADDER MUSCLES ENGAGED IN SOUND PRODUCTION OF THE TOADFISH

1961 ◽  
Vol 10 (4) ◽  
pp. 187-200 ◽  
Author(s):  
C. R. Skoglund

A functional analysis of the striated swim-bladder muscles engaged in the sound production of the toadfish has been performed by simultaneous recording of muscle action potentials, mechanical effects, and sound. Experiments with electrical nerve stimulation were made on excised bladder, while decerebrate preparations were used for studies of reflex activation of bladders in situ. The muscle twitch in response to a single maximal nerve volley was found to be very fast. The average contraction time was 5 msec. with a range from 3 to 8 msec., the relaxation being somewhat slower. The analysis of muscle action potentials with surface electrodes showed that the activity of the muscle fibers running transversely to the long axis of the muscle was well synchronized both during artificial and reflex activation. With inserted metal microelectrodes monophasic potentials of 0.4 msec. rise time and 1.2 to 1.5 msec. total duration were recorded. The interval between peak of action potential and onset of contraction was only 0.5 msec. Microphonic recordings of the characteristic sound effect accompanying each contraction showed a high amplitude diphasic deflection during the early part of the contraction. During relaxation a similar but smaller deflection of opposite phase could sometimes be distinguished above the noise level. The output from the microphone was interpreted as a higher order derivative function of the muscle displacement. This interpretation was supported by complementary experiments on muscle sound in mammalian muscle. The dependence of the sound effects on the rate of muscle contraction was demonstrated by changing the temperature of the preparation and, in addition, by a special series of experiments with repeated stimulation at short intervals. Results obtained by varying the pressure within the bladder provided further evidence for the view that the sound initiated in the muscle is reinforced by bladder resonance. Analysis of spontaneous grunts confirmed the finding of a predominant sound frequency of about 100 per second, which was also found in reflexly evoked grunts. During these, muscle action potentials of the same rate as the dominant sound frequency were recorded, the activity being synchronous in the muscles on both sides. Some factors possibly contributing to rapid contraction are discussed.

2001 ◽  
Vol 24 (9) ◽  
pp. 1232-1235 ◽  
Author(s):  
G.L. Morren ◽  
S. Walter ◽  
H. Lindehammar ◽  
O. Hallböök ◽  
R. Sjödahl

2009 ◽  
Vol 250 (2) ◽  
pp. 293-300 ◽  
Author(s):  
Ben Selvan ◽  
Srinivasa Babu ◽  
M J. Paul ◽  
Deepak Abraham ◽  
Prasanna Samuel ◽  
...  

1960 ◽  
Vol 106 (442) ◽  
pp. 281-287 ◽  
Author(s):  
Irene Martin

Any particular system which is being conditioned is likely to maintain a certain level of background activity throughout the experimental procedure; either of a discontinuous nature, as, for example, with eyeblink, heart rate and respiratory cycle, or continuously, as in the case of basal skin resistance and muscle tonus. This background activity or level of arousal does not remain constant but usually varies in time, presumably as a result of underlying neural excitation or inhibition. It may increase throughout an experiment if the subject becomes highly motivated, as with the gradients of muscle action potentials observed by Bartoshuk (1955), or decrease, if the subject becomes more relaxed and familiar with the set-up, as Duffy and Lacey (1946) found with level of skin conductance.


1979 ◽  
Vol 80 (1) ◽  
pp. 69-81 ◽  
Author(s):  
R. K. JOSEPHSON ◽  
D. YOUNG

1. Body temperatures during singing were measured in the cicada, Cystosoma saundersii Westwood, both in the field and in tethered animals indoors. 2. The temperature of the sound-producing tymbal muscle rises rapidly during singing to reach a plateau approximately 12°C above ambient. This produces a temperature gradient in the abdominal air sac which surrounds the muscle. When singing stops, the tymbal muscle cools exponentially. 3. Heat production during singing, estimated from the cooling curve, is 4.82 cal min−1 g muscle−1. Generation of the same temperature excess in the air sac by an artificial heat source yields an estimated heat production of 54.4 cal min−1 g muscle−1. This discrepancy may be caused by air mixing in the air sac during singing. 4. As temperature rises, tymbal muscle twitch contractions become faster and stronger. This and heat transfer to the thorax cause changes in the song pattern: a marked decrease in the interval between the two sound pulses produced by a single tymbal buckling and a lesser decrease in the interval between bucklings. The fundamental sound period remains unaltered. These effects are consistent with earlier data on sound production. Note: Present address: Department of Developmental and Cell Biology, University of California, Irvine, California 92717, U.S.A.


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