The Untranslatable Image: A Mestizo History of the Arts in New Spain. Alessandra Russo. Trans. Susan Emanuel. Joe R. Teresa Lozano Long Series in Latin American and Latino Art and Culture. Austin: University of Texas Press, 2014. xiv + 358 pp. + 16 color pls. $60.

2015 ◽  
Vol 68 (1) ◽  
pp. 253-254
Author(s):  
Clara Bargellini
1990 ◽  
Vol 1 (1) ◽  
pp. 5-22
Author(s):  
V. A. Bashilov ◽  
V. I. Gulyaev

The study in the Union of Soviet Socialist Republics of the earliest history of native Latin Americans falls into two distinct periods. The first, associated with an interest in the ancient Mexican and Peruvian civilizations, can be divided into two stages: the 1920s to the early 1940s, when Soviet scholars first acquainted themselves with antiquities from the region and used them for historical parallels; and the late 1940s and early 1950s, when Soviet historians turned to an analysis of Latin American materials. The second period went through three stages: the first, from the early 1950s to the early 1960s, mainly was dominated by Yury Knorozov, who was engaged in deciphering the language of the Maya, and Rostislav Kinzhalov, who studied their art and culture. During the second stage, the early 1960s to the mid-1970s, more scholars and research institutions undertook studies of the early cultures of Latin America. The thematic range became wider as well, covering—besides Mesoamerica and the central Andean region—the Intermediate region and the Caribbean. The third stage, which started in the late 1970s and continues to the present day, witnesses ethnographers and archaeologists pooling their efforts in studying the region. There were several conferences in which specialists engaged in various fields of Latin American studies participated. Their contacts with foreign colleagues became wider; Soviet archaeologists and ethnologists took part in fieldwork in Latin America. The primary aims today are to introduce Soviet readers to archaeological materials from a number of cultural-historical regions (such as the southern fringes of Mesoamerica, Amazonia, the southern Andes, etc.), to detail Soviet studies of cultural complexes and historical processes in ancient America, and to compare them to the processes that took place in the Old World, with the aim of establishing shared historical “laws” and patterns.


2012 ◽  
Vol 69 (2) ◽  
pp. 237-254
Author(s):  
Susan Schroeder

Over the course of the past half century, the field of colonial Latin American history has been greatly enriched by the contributions of Father Stafford Poole. He has written 14 books and 84 articles and book chapters and has readily shared his knowledge at coundess symposia and other scholarly forums. Renowned as a historian, he was also a seminary administrator and professor of history in Missouri and California. Moreover, his background and formation are surely unique among priests in the United States and his story is certainly worth the telling.


2012 ◽  
Vol 19 (3) ◽  
pp. 164 ◽  
Author(s):  
Bernardo Batiz Lazo ◽  
J. Julián Hernández Borreguero ◽  
J. Carles Maixé Altés ◽  
Miriam Nuñez Torrado

<span lang="EN-US" style="line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: ES; mso-bidi-font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA;">There are conflicting and even contradictory claims as to when exactly double entry bookkeeping arrived to New Spain as well as its diffusion during the colonial era. Although we fail to present evidence from Mexican private enterprise, we address the apparent contradictions while putting forward the idea that the history of “modern” accounting practice in Latin America should be framed by developments in its former colonial power. Our conclusion is that the history of Latin American accounting should be wary of extrapolating everyday practice by interpreting bibliographic material and proceed to pay greater attention to the appropriation of accounting technology through the examination of surviving company documents as well as informal educational practices amongst organizations based in Spain and its colonies.</span>


2020 ◽  
pp. 61-81
Author(s):  
Eduardo Herrera

This chapter focuses on the dynamics and overlaps between the history of CLAEM and U.S. philanthropy, cultural diplomacy, and foreign policy during the 1950s and 1960s, decades shaped by the Cold War and the Cuban Revolution. By tracing the constitutive networks that led to the initial CLAEM grant, this chapter seeks to destabilize the concept of philanthropy as a preexisting third force between the public and private sectors. Instead, it argues for its examination as an emerging domain that results from complex entanglements, webs of relations and ideas, all being mediated and enacted as the result of human, institutional, discursive, and material actors. The chapter argues that CLAEM was one of the most successful projects in the arts supported by the Rockefeller Foundation during the 20th century and that few if any had such broad repercussions in the musical scene of a whole region.


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