KIM BOWES and MICHAEL KULIKOWSKI, editors. Hispania in Late Antiquity: Current Perspectives. Translated by KIM BOWES and MICHAEL KULIKOWSKI. (The Medieval and Early Modern Iberian World, number 24.) Boston: Brill. 2005. Pp. xii, 645. $223.00

Resum: A l’antiga Grècia i Roma els epitalamis actuaven com a preludi eròtic de la nit nupcial. Claudià, a l’antiguitat tardana, va tractar el motiu del desflorament com a pugna amoris amb lasciu refinament. A partir del Quattrocento italià, l’Europa moderna va reprendre amb profusió aquesta tradició laudatòria d’erotisme estilitzat amb cants consagrats a la unió de les famílies il·lustres. El poeta barroc Francesc Fontanella (1622-1682/83) va compondre quatre magnífics epitalamis dedicats a les noces d’un enigmàtic personatge: el ‘galant Alba’. Diversos estudis han intentat, sense èxit, desvelar-ne la identitat. En aquestes composicions, Fontanella va emprar un llenguatge refinat i metafòric per descriure gradualment els estadis que porten a la unió carnal entesa com a lluita amorosa: els versos, rics en imatges florals i minerals, s’han de reconvertir al seu sentit concret a través d’una doble lectura. L’estudi inclou l’edició crítica dels textos i la contextualització del cicle dins del corpus epitalàmic europeu, així com una argumentació sobre la possible identitat dels protagonistes. Paraules clau: literatura catalana moderna; poesia barroca; epitalami; Francesc Fontanella Abstract: In ancient Greece and Rome, epithalamia acted as an erotic prelude to the wedding night. In Late Antiquity, Claudian explored the theme of deflowering as pugna amoris with lascivious refinement. As of 15th century Italian poets, modern Europe recommenced this laudatory tradition of stylised eroticism with songs devoted to the union of illustrious families. The Baroque poet Francesc Fontanella (1622-1682/3) composed four magnificent epithalamia dedicated to the wedding of an enigmatic character: ‘gallant Alba’, of whom several studies have tried, unsuccessfully, to reveal his identity. In these compositions, Fontanella employed refined, metaphorical language to gradually describe the stages of carnal union understood as a love battle: the verses, rich in floral and mineral imagery, must be transformed into their particular meaning through double reading. The study includes the critical edition of the texts and a contextualisation of the series within the European corpus of epithalamia, as well as an argument on the possible identity of the protagonists. Keywords: Early modern Catalan literature; Baroque poetry; epithalamium; Francesc Fontanella

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Calvin B. Kendall, Oliver Nicholson, William D. Phillips, Jr., and Marguerite Ragnow (Eds.), Conversion to Christianity from Late Antiquity to the Modern Age: Considering the Process in Europe, Asia, and the Americas [Minnesota Studies in Early Modern History 1]. Center for Early Modern History, Minneapolis 2009, x + 449 pp. ISBN 9780979755903. US$95.

Church History and Religious Culture ◽

10.1163/18712411-1x609441 ◽

2011 ◽

Vol 91 (3-4) ◽

pp. 418-420

Author(s):

Christian Grosse

Keyword(s):

Early Modern ◽

Late Antiquity ◽

Modern History ◽

Early Modern History ◽

Modern Age

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Nemesius of Emesa on Human Nature

10.1093/oso/9780198856962.001.0001 ◽

2021 ◽

Author(s):

David Lloyd Dusenbury

Keyword(s):

Early Modern ◽

Human Nature ◽

Human Dignity ◽

Late Antiquity ◽

Early Modern Period ◽

Early Christian ◽

Christian Anthropology ◽

European Universities ◽

Modern Period

Nemesius of Emesa’s On Human Nature (De Natura Hominis) is the first Christian anthropology. Written in Greek, circa 390 CE, it was read in half a dozen languages—from Baghdad to Oxford—well into the early modern period. Nemesius’ text circulated in two Latin versions in the centuries that saw the rise of European universities, shaping scholastic theories of human nature. During the Renaissance, it saw a flurry of print editions, helping to inspire a new discourse of human dignity. This is the first monograph in English on Nemesius’ treatise. On the interpretation offered here, the Syrian bishop seeks to define the human qua human. His early Christian anthropology is cosmopolitan. ‘Things that are natural’, he writes, ‘are the same for all’. In his pages, a host of texts and discourses—biblical and medical, legal and philosophical—are made to converge upon a decisive tenet of Christian late antiquity: humans’ natural freedom. For Nemesius, reason and choice are a divine double-strand of powers. Since he believes that both are a natural human inheritance, he concludes that much is ‘in our power’. Nemesius defines humans as the only living beings who are at once ruler (intellect) and ruled (body). Because of this, the human is a ‘little world’, binding the rationality of angels to the flux of elements, the tranquillity of plants, and the impulsiveness of animals. This book traces Nemesius’ reasoning through the whole of On Human Nature, as he seeks to give a long-influential image of humankind both philosophical and anatomical proof.

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