Cold ion chemistry within a Rydberg-electron orbit: Test of the spectator role of the Rydberg electron in the $\textrm{He}(n) + \textrm{CO} \rightarrow \textrm{C}(n^\prime) + \textrm{O} + \textrm{He}$ reaction

Â Â Â Â Â Â Â Â Â The capacity for computer-like simulations to be generated by massive information processing from electron-spin potentials supports Bostromâ€™s hypothesis that matter and human cognition might reflect simulations. Quantitative analyses of the basic assumptions indicate the universe may display properties of a simulation where photons behave as pixels and gravitons control the structural organization. The Lorentz solution for the square of the light and entanglement velocities converges with the duration of a single electron orbit that ultimately defines properties of matter. The approximately one trillion potential states within the same space with respect to the final epoch of the universe indicate that a different simulation, each with intrinsic properties, has been and will be generated as a type of tractrix defined by Â±2 to 3 days (total duration 5 to 6 days). It may define the causal limits within a simulation. Because of the intrinsic role of photons as the pixel unit, phenomena within which flux densities are enhanced, such as human cognition (particularly dreaming) and the cerebral regions associated with those functions, create the conditions for entanglement or excess correlations between contiguous simulations. The consistent quantitative convergence of operations indicates potential validity for this approach. The emergent solutions offer alternative explanations for the limits of predictions for multivariate phenomena that could be coupled to more distal simulations.

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NATURAL SCIENTISTS AND RUSSIAN SCIENTIFIC FILMMAKING IN THE PRE-REVOLUTIONARY PERIOD (SCIENCE DIVISION OF THE A.A. KHANZHONKOV COMPANY)

THE LIFE OF THE EARTH ◽

10.29003/m1488.0514-7468.2020_42_3/355-368 ◽

2020 ◽

Vol 42 (3) ◽

pp. 355-368

Author(s):

YEVGENIY ALEKSANDROV

Keyword(s):

Information Transfer ◽

Delayed Reaction ◽

Russian Scientific ◽

Physical Problems ◽

Education Community ◽

Future System ◽

The Future ◽

The Spectator ◽

Revolutionary Period

The aim of the article is to recall the fi steps of comprehension by the scientific community of possibilities of a newly born means of the reality reflection. The means was initially oriented for obtaining reliable information and supposing a delayed reaction of the spectator in the process of communication. Recollection and understanding become more important under the distance education condition. Pre-revolutionary Russia lived anticipating changes, and the filmmaking was considered by the society as one of those progressive phenomena evidencing the coming of a new age. The scientists’ activity during the development of scientific fi in pre-revolutionary Russia was long hushed up and wasn’t considered as forming a basis for the future system of educational audio-visual communication. In this process there participated striking, creative personalities, mostly belonged to the community of Imperial Moscow University, which activity was during the age of changes. The significant contribution of pleiad of eminent scientists’ activity to the new direction formation was a reason to unify in one paper both their whole professional life data and information about their time-limited period of scientific fi In the future a more profound study of their achievements are considered to be promising. In the introduction the anterior period of the Russian fi appearance, where the scientific and education community of Russia was exploring the possibilities of a new means of information transfer for education purposes, is considered. Two main units are dedicated to the role of scientists in the development of scientific filmmaking for research and popularization of biomedical and physical problems.

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Ion chemistry of transition metals in hydrocarbon flames. II. Cations of Sc, Ti, V, Cr, and Mn

Canadian Journal of Chemistry ◽

10.1139/v88-353 ◽

1988 ◽

Vol 66 (9) ◽

pp. 2219-2228 ◽

Cited By ~ 12

Author(s):

John M. Goodings ◽

Quang Tran ◽

Nicholas S. Karellas

Keyword(s):

Transition Metals ◽

Metal Atom ◽

Chemical Ionization ◽

Metallic Ions ◽

Ion Chemistry ◽

Hydrocarbon Flames ◽

Basic Series ◽

First Time ◽

Isomeric Structures

The same fuel-rich, premixed, conical, methane–oxygen flame at 2200 K and atmospheric pressure used for studies of Fe, Co, Ni, Cu, and Zn in Part I (1) is doped with the same concentration (~1 ppm) of Sc, Ti, V, Cr, and Mn to complete the first row of ten transition metals. Metallic ions of these metals and their compounds formed by chemical ionization reactions with H3O+ are observed by sampling the flame through a nozzle into a quadrupole mass spectrometer. Concentration profiles of individual and total cations are measured as a function of distance along the flame axis, and also mass spectra at a fixed point in the burnt gas. If A is the metal atom, the observed ions can be represented by four hydrate series including (a) A+•nH2O, (b) AOH+•nH2O, (c) AO+•nH2O, and (d) AO2H+•nH2O with n = 0–3 or 4, giving a maximum of four ligands around the metal atom. However, alternative isomeric structures are possible for each of the four basic series (e.g. AO+•2H2O ~ A(OH)2+•H2O ~ A(OH)3H+). The ions observed with Cr and Mn, in common with those of Fe, Co, Ni, and Cu, strongly favour series (a). On the other hand, Sc is completely different; the ions of series (c) are dominant. All four series are observed with each of Ti and V. Series (b) dominates for Ti and series (c) for V; ions from series (d) were observed for the first time. The ion chemistry of these metals is discussed in detail with emphasis on the probable chemical ionization reactions responsible for metallic ion formation. The pre-eminent role of proton transfer processes is apparent.

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Il bambino abusato diventa adulto: riflessioni su alcune situazioni trattate

TERAPIA FAMILIARE ◽

10.3280/tf2009-091010 ◽

2009 ◽

pp. 161-182

Author(s):

Stefano Cirillo

Keyword(s):

Sexual Abuse ◽

Child Sexual Abuse ◽

Traumatic Event ◽

Clinical Population ◽

Female Victims ◽

The Spectator ◽

Clinical Cases

- The author analyses some clinical cases in order to reflect upon the varying consequences of child sexual abuse on the development of abused males. Three distinct cases observed in clinical population are discussed. The typical victim's transformation into offender, the persistent tendency in victims to perpetuate the role of victim and the persistent tendency in the brothers' female victims to perpetuate the role of the spectator. The attachment system (provided both by the protective parent and by the abusing parent) plays a key role in the abused child's development related to the dimension of fear produced by the traumatic event.

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Are magicians specialists at identifying deceptive motion? The role of expertise in being fooled by sleight of hand.

10.21203/rs.3.rs-818944/v2 ◽

2021 ◽

Author(s):

Elias Garcia-Pelegrin ◽

Clive Wilkins ◽

Nicola Clayton

Keyword(s):

The Other ◽

Diverse Range ◽

The Real ◽

The Spectator ◽

Attention And Perception ◽

Inherent Ambiguity ◽

Blind Spots

Abstract The use of magic effects to investigate the blind spots in the attention and perception and roadblocks in the cognition of the spectator has yielded thought-provoking results elucidating how these techniques operate. However, little is known about the interplay between experience practising magic and being deceived by magic effects. In this study, we performed two common sleight of hand effects and their real transfer counterparts to non-magicians, and to magicians with a diverse range of experience practising magic. Although, as a group, magicians identified the sleights of hand as deceptive actions significantly more than non-magicians; this ability was only evidenced in magicians with more than 5 years in the craft. However, unlike the rest of the participants, experienced magicians had difficulty correctly pinpointing the location of the coin in one of the real transfers presented. We hypothesise that this might be due to the inherent ambiguity of this transfer, in which, contrary to the other real transfer performed, no clear perceptive clue is given about the location of the coin. We suggest that extensive time practising magic might have primed experienced magicians to anticipate foul play when observing ambiguous movements, even when the actions observed are genuine.

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Arte interativa: quem é o autor e onde está o espectador?

AVANCA | CINEMA ◽

10.37390/ac.v0i0.4 ◽

2020 ◽

Author(s):

António Cardoso

Keyword(s):

Linear Structure ◽

Global Dimension ◽

Point Of View ◽

Interactive Art ◽

Traditional Role ◽

External Observer ◽

Theatrical Performance ◽

Symbolic Meanings ◽

The Spectator

This article examines how the emergence of interactive art brought about the necessity of re-positioning the traditional role of the spectator and led to the re-formulation of the notion of authorship. The non-linear structure of interactive artworks empowers the spectator with the (apparent) control of its narrative and creates a relational space filled with an input-output dynamic. It is suggested that this elevates the spectator to the realm of co-authorship of the work of art that he/she is interacting with, because the specificity of each interaction generates symbolic meanings that the original author cannot anticipate.It is also argued that the input required from the spectator to interact with the artwork could be compared to a theatrical performance. Thus, an analogy between the spectator-in-action of an interactive artwork and the figure of an actor is established. This brings us to the question concluding the article: as the reception of interactive art implies an action from its spectator, the compatibility between action and contemplation is questioned.Finally, the article concludes that the corpus of an interactive artwork has to include the spectator that acts and creates the input needed for the interaction to be established. Therefore, only from the point of view of an external observer one can gain access to its global dimension, that is, as meta-spectators.

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The Role of the Spectator and Reader

Shakespeare and Reception Theory ◽

10.5040/9781350112131.ch-002 ◽

2020 ◽

Keyword(s):

The Spectator

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Orwell’s Execution

Literature and the Remains of the Death Penalty ◽

10.5422/fordham/9780823282302.003.0003 ◽

2018 ◽

pp. 41-60 ◽

Cited By ~ 1

Author(s):

Peggy Kamuf

Keyword(s):

Literary Text ◽

Short Text ◽

The Spectator

The question of the chapter is the role of the witness in a capital execution. In contrast to Foucault, who asserted the becoming-invisible of punishment, Derrida insists that “By definition, there will never have been any invisibility for a legal putting to death . . . the spectacle and the spectator are required.” George Orwell’s early short text “A Hanging” is read very closely here to discern how this essential trait of non-secrecy is put to the test when the witness’s testimony is consigned to a literary text and thus to a set of sealed traces.

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The Role of Movies/TV Series in Building Country/City/Destination Brands

Brand Culture and Identity ◽

10.4018/978-1-5225-7116-2.ch064 ◽

2019 ◽

pp. 1204-1217

Author(s):

Ramazan Pars Şahbaz ◽

Ali Turan Bayram

Keyword(s):

Destination Image ◽

Current Image ◽

Effective Media ◽

The Subject ◽

The Spectator

TV series and movies which have become one of the most effective media tools, has a fairly determinative power on perceptions, opinions, reactions, and behaviours. The effect of movies and TV series on destination advertising can be appeared as informing, offering a perspective for the spectator, creating an image and directing the image. The places where the film is located in or the places that are told in the film take place relatedly in the spectators' minds. Accordingly, a destination can obtain an image and become a brand by presenting in a film or locating in a film. In that sense, this part is important in terms of analysing the role of TV series and movies on promotion of country and building a destination image, stressing that the power should be used to create an image about the region where is located or told in the film or to change the current image in individuals' minds by destinations efficiently. This part mainly inclines on these points and the subject will be analysed profoundly.

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