Jewish American Cinema

2021 ◽  
Author(s):  
Marat Grinberg
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Culture Wars ◽  
American Jews ◽  
David Mamet ◽  
Woody Allen ◽  
American Cinema ◽  
History Of ◽  
The 1960S ◽  
The One

There is an intricate, long, and rich history of Jewish presence in Hollywood, from executives to producers to directors to screenwriters to performers. It starts with the Jewish moguls who were at the helm of most major studios in the 1920s and 30s and tried to separate as much as possible from their Jewish heritage and past. This preponderance of Jews prompted an anti-Semitic response in the American entertainment scene which could hardly be ignored. The result was an overt timidity in the representation of Jews and Jewish topics on screen, with some Jewish actors perceived as “too Jewish” for the general taste. The changes in the perception of identity in the 1960s, marked by culture wars and the Civil Rights movement, on the one hand, and the flourishing of American Jewish literature and the pride many American Jews took in Israel’s triumph in the Six-Day War of 1967, on the other, enabled a much more open and unabashed embrace of Jewishness in Hollywood. Consequently, the late 1960s usher in the New Jewish Wave, when the issues of Jewish identity and experience start to dominate the screen and are defined by such auteurs as Woody Allen, Mel Brooks, Sidney Lumet, and Paul Mazursky, and such actors as Dustin Hoffman, Barbra Streisand, Richard Dreyfuss, Eliot Gould, George Seagal, and Woody Allen throughout the 1970s and 80s. The Jewish representation grows in the 1990s and 2010s with such directors as the Coen brothers, Darren Aronofsky, David Cronenberg, David Mamet, Jonathan Glazer, Stephen Spielberg, and the Safdie brothers.

Introduction

Troublemakers ◽  
2019 ◽  
pp. 1-10
Author(s):  
Kathryn Schumaker
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
The United States ◽  
Board Of Education ◽  
Chicano Movement ◽  
Legal Principles ◽  
History Of ◽  
The 1960S ◽  
Relationship Of ◽  
The Relationship

The introductionexplains how and why student protest became common in the United States in the late 1960s and places these protests in the context of shifts in the history of education and in broader social movements, including the civil rights movement, the Chicano Movement, and black power activism. The introduction also situates students’ rights within the context of children’s rights more broadly, explaining the legal principles that justified age discrimination and excluded children and students from the basic protections of American constitutional law. The introduction identifies the two decades between the 1960s and 1980s as a constitutional moment that revolutionized the relationship of students to the state. It also connects students’ rights litigation to the issue of school desegregation and the legacy of Brown v. Board of Education.

scholarly journals British Black Power: The anti-imperialism of political blackness and the problem of nativist socialism

2019 ◽  
Vol 67 (5) ◽  
pp. 945-967 ◽  
Author(s):  
John Narayan
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Black Power ◽  
British History ◽  
Black Power Movement ◽  
Black Activism ◽  
The Us ◽  
History Of ◽  
The 1960S

The history of the US Black Power movement and its constituent groups such as the Black Panther Party has recently gone through a process of historical reappraisal, which challenges the characterization of Black Power as the violent, misogynist and negative counterpart to the Civil Rights movement. Indeed, scholars have furthered interest in the global aspects of the movement, highlighting how Black Power was adopted in contexts as diverse as India, Israel and Polynesia. This article highlights that Britain also possessed its own distinctive form of Black Power movement, which whilst inspired and informed by its US counterpart, was also rooted in anti-colonial politics, New Commonwealth immigration and the onset of decolonization. Existing sociological narratives usually locate the prominence and visibility of British Black Power and its activism, which lasted through the 1960s to the early 1970s, within the broad history of UK race relations and the movement from anti-racism to multiculturalism. However, this characterization neglects how such Black activism conjoined explanations of domestic racism with issues of imperialism and global inequality. Through recovering this history, the article seeks to bring to the fore a forgotten part of British history and also examines how the history of British Black Power offers valuable lessons about how the politics of anti-racism and anti-imperialism should be united in the 21st century.

Before Chicano

2018 ◽  
Author(s):  
Alberto Varon
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Cultural Production ◽  
Mexican Americans ◽  
Mexican American ◽  
Cultural Life ◽  
Government Documents ◽  
History Of ◽  
The 1960S ◽  
Unpublished Manuscripts

Before Chicano: Citizenship and the Making of Mexican American Manhood, 1848-1959 is the first book-length study of Latino manhood before the civil rights movement of the 1960s. Mexican Americans are typically overlooked or omitted from American cultural life of the nineteenth and early twentieth centuries, despite their long-standing presence in the U.S. This book dislodges the association between Mexican Americans and immigration and calls for a new framework for understanding Mexican American cultural production and U.S. culture, but doing so requires an expanded archive and a multilingual approach to U.S. culture.Working at the intersection of culture and politics, Mexican Americans drew upon American democratic ideals and U.S. foundational myths to develop evolving standards of manhood and political participation. Through an analysis of Mexican American print culture (including fiction, newspapers and periodicals, government documents, essays, unpublished manuscripts, images, travelogues, and other genres), it demonstrates that Mexican Americans in the 19th and 20th centuries envisioned themselves as U.S. national citizens through cultural depictions of manhood. Before Chicano moves beyond the resistance paradigm that has dominated Latino Studies and uncovers a long history of how Latinos shaped—and were shaped by—American cultural life.

Black Power in Philadelphia: Selective Patronage and the Effectiveness of Direct Action Protest

2017 ◽  
Vol 48 (4) ◽  
pp. 373-390 ◽  
Author(s):  
Justin Gammage
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Black Power ◽  
Direct Action ◽  
African American Community ◽  
Racial Justice ◽  
Local Networks ◽  
The Core ◽  
History Of ◽  
The 1960S

Black Power during the 1960s is a shift in direct action protest with its aim at procuring power (economic, political, educational, etc.). The manifestation of Black Power in Philadelphia in the late 1960s provides us an elaborate model of direct action protest that included central components of the African American community. Moreover, the selective patronage movement successfully maintained organization and momentum without the prototypical one leader model that was prominent in the civil rights movement that preceded it. Much like the Black Lives Matter movement, the selective patronage movement in Philadelphia drew on the national outcry for racial justice but largely built the core of its strength on local networks. This article explores the history of the selective patronage movement in Philadelphia during the early 1960s. Next, it assesses the strengths and weakness of the movement. Lastly, it provides recommendations for future movements aimed at economic development.

From protests to practice: Confronting systemic racism in LIS

2021 ◽  
pp. 1-14
Author(s):  
Renate L. Chancellor ◽  
Paige DeLoach ◽  
Anthony Dunbar ◽  
Shari Lee ◽  
Rajesh Singh
Keyword(s):  
United States ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
The United States ◽  
Police Brutality ◽  
Systemic Racism ◽  
National Response ◽  
Real Change ◽  
History Of ◽  
The 1960S

The death of George Floyd, at the hands of the Minnesota police on May 25, 2020, sparked a global uproar that many have argued has not occurred since the Civil Rights movement of the 1960s. It is unclear why this particular incident elicited such a visceral and widespread response, especially in light of the fact that police brutality towards Blacks in America is not a new phenomenon. This paper examines the national response to Floyd’s death within the contexts of CRT, the history of systemic racism in the United States, and questions how race and inequity issues have been addressed in LIS. The authors provide actionable measures that could go a long way in moving the discipline toward a shift in thinking. However, they find that these efforts need to be sustained, because one-shot events, training sessions, or activities rarely result in any real change. Real progress, they conclude, will require more than new laws. It will also require a seismic societal shift in attitude.

Something in the air: the rise of the Troops Out Movement

2016 ◽  
Author(s):  
Aly Renwick
Keyword(s):  
Northern Ireland ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Student Protests ◽  
Political Work ◽  
The Us ◽  
History Of ◽  
The 1960S ◽  
The Many ◽  
The Uk

An inspiration for the many student’ protests and workers’ industrial struggles of the 1960s came from the black civil rights struggle in America and the worldwide opposition to the US war in Vietnam. When a civil rights struggle then started in Northern Ireland, many sixties activists in the UK began to make this a focus for their political work. In the early 1970s a number of them came together to form the Troops Out Movement (TOM). This chapter contributes to a history of the TOM that is yet to be written. Set in the context of 1960s activism, it examines the start of TOM in late 1973 in relation to the situation that erupted in Northern Ireland. This included the Civil Rights Movement and the Unionist reaction to it, discrimination and the Special Powers Act, the work of the Campaign for Democracy in Ulster at Westminster, and early protests in the UK against British political and military involvement. The chapter goes on to discuss the TOM’s campaign for the withdrawal of British troops, our work with the Labour Movement, and our influence on public opinion in Britain, including the evidence of polls indicating popular support for British withdrawal.

scholarly journals Another Cinema

2021 ◽  
Vol 7 (1) ◽  
pp. 90-114
Author(s):  
Hayley O’Malley
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
James Baldwin ◽  
Black Communities ◽  
Independent Film ◽  
Revisionist History ◽  
History Of ◽  
Key Sites ◽  
The 1960S ◽  
History Of Race

James Baldwin was a vocal critic of Hollywood, but he was also a cinephile, and his critique of film was not so much of the medium itself, but of the uses to which it was put. Baldwin saw in film the chance to transform both politics and art—if only film could be transformed itself. This essay blends readings of archival materials, literature, film, and print culture to examine three distinct modes in Baldwin’s ongoing quest to revolutionize film. First, I argue, literature served as a key site to practice being a filmmaker, as Baldwin adapted cinematic grammars in his fiction and frequently penned scenes of filmgoing in which he could, in effect, direct his own movies. Secondly, I show that starting in the 1960s, Baldwin took a more direct route to making movies, as he composed screenplays, formed several production companies, and attempted to work in both Hollywood and the independent film scene in Europe. Finally, I explore how Baldwin sought to change cinema as a performer himself, in particular during his collaboration on Dick Fontaine and Pat Hartley’s documentary I Heard It Through the Grapevine (1982). This little-known film follows Baldwin as he revisits key sites from the civil rights movement and reconnects with activist friends as he endeavors to construct a revisionist history of race in America and to develop a media practice capable of honoring Black communities.

Not as It Is Written

2020 ◽  
Vol 42 (2) ◽  
pp. 78-100
Author(s):  
Benjamin Houston
Keyword(s):  
African American ◽  
Civil Rights ◽  
Oral History ◽  
Civil Rights Movement ◽  
International Exhibition ◽  
Black Experience ◽  
American Perspective ◽  
History Of ◽  
Black Life ◽  
Made In

This article discusses an international exhibition that detailed the recent history of African Americans in Pittsburgh. Methodologically, the exhibition paired oral history excerpts with selected historic photographs to evoke a sense of Black life during the twentieth century. Thematically, showcasing the Black experience in Pittsburgh provided a chance to provoke among a wider public more nuanced understandings of the civil rights movement, an era particularly prone to problematic and superficial misreadings, but also to interject an African American perspective into the scholarship on deindustrializing cities, a literature which treats racism mostly in white-centric terms. This essay focuses on the choices made in reconciling these thematic and methodological dimensions when designing this exhibition.

Borat, Multiculturalism,Mnogonatsional'nost

Slavic Review ◽  
2008 ◽  
Vol 67 (1) ◽  
pp. 19-34 ◽  
Author(s):  
Steven S. Lee
Keyword(s):  
Civil Rights ◽  
The Other ◽  
Final Part ◽  
Jewish American ◽  
Third Way ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
History Of ◽  
The One

In this article, Sacha Baron Cohen'sBoratappears as just the latest in a decades- long exchange between American and Soviet models of minority uplift: on the one side, civil rights and multiculturalism; on the other,druzhba narodov(the friendship of peoples) andmnogonatsional'nost’(multi-national- ness). Steven S. Lee argues diat, with Borat, multiculturalism seems to have emerged as the victor in this exchange, but that the film also hearkens to a not-too-distant Soviet alternative. Part 1 shows how Borat gels with recent leftist critiques of multiculturalism, spearheaded by Slovenian philosopher Slavoj żižek. Part 2 relates Borat to a largely submerged history of American minorities drawing hope from mnogonatsional'nost', as celebrated in Grigorii Aleksandrov's 1936 filmCircus.The final part presents Borat as choosing neither multiculturalism nor mnogonatsional'nost', but rather the continued opposition of the two, if not a “third way.” For a glimpse of what this might look like, the paper concludes with a discussion ofAbsurdistan(2006) by Soviet Jewish American novelist Gary Shteyngart.

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