The Bön Tradition of Dzogchen

Author(s):  
Jean-Luc Achard

Dzogchen (“Great Perfection”) is a philosophical and yogic tradition largely developed within the Bönpo tradition of Tibetan Buddhism. Its first datable sources surface on the religious scene of Tibet sometime around the late 10th to the early 11th century with the discoveries of Treasure text (gter ma) that are supposed to have been hidden during the 8th century and earlier, as well as with the seminal composition of texts and commentaries that are based on these Treasures. Some of its teachings are also presented as having been transmitted orally from archaic, undatable times through an uninterrupted lineage of masters. Groups of lay Bönpo practitioners, later followed by monastics of the same tradition, started to gather around the discoverers and authors of these works, thus creating the first postdynastic religious communities of Bön dispersed throughout Tibet. Deeply enriched by the integration of a vast amount of traditional Buddhist literature, the Bön tradition absorbed teachings from all other Tibetan Buddhist lineages. The core of these teachings is made up of profoundly secret instructions said to enable practitioners to reach the state of total Buddhahood in a single lifetime. The quintessence of these teachings focuses upon yogic techniques centered on the contemplation of light sources, such as the sun, the moon, or a butter lamp. Particular methods are also applied in a completely dark room in which special visualizations are combined with yogic devices that lead to visionary experiences which are unique throughout Buddhist teachings. These practices based on colored visions produce various signs manifesting at the end of the practitioner’s life such as the famed Rainbow Body (‘ja’ lus).

2012 ◽  
Vol 174-177 ◽  
pp. 2608-2612
Author(s):  
Hong Da Nie ◽  
Qin Shu Cui

Through symbolical building images of “the sky were round and the earth square”, “the sun and the moon shines together” etc, the core area of Hangzhou CBD created an specially architectural landscape. It provides an fantastic life scene for us. This article researches on the space and environment formed by Hangzhou Citizen Center, Hangzhou Grand Theatre, Hangzhou International Conference Center, “the Cultural Plaza”, “Civic Square”, “City Balcony” and emphatically analyzes the design methods and space characteristics and offers an reference for architectural environment design.


2018 ◽  
Vol 3 (2) ◽  
pp. 207-216 ◽  
Author(s):  
David Fisher ◽  
Lionel Sims

Claims first made over half a century ago that certain prehistoric monuments utilised high-precision alignments on the horizon risings and settings of the Sun and the Moon have recently resurfaced. While archaeoastronomy early on retreated from these claims, as a way to preserve the discipline in an academic boundary dispute, it did so without a rigorous examination of Thom’s concept of a “lunar standstill”. Gough’s uncritical resurrection of Thom’s usage of the term provides a long-overdue opportunity for the discipline to correct this slippage. Gough (2013), in keeping with Thom (1971), claims that certain standing stones and short stone rows point to distant horizon features which allow high-precision alignments on the risings and settings of the Sun and the Moon dating from about 1700 BC. To assist archaeoastronomy in breaking out of its interpretive rut and from “going round in circles” (Ruggles 2011), this paper evaluates the validity of this claim. Through computer modelling, the celestial mechanics of horizon alignments are here explored in their landscape context with a view to testing the very possibility of high-precision alignments to the lunar extremes. It is found that, due to the motion of the Moon on the horizon, only low-precision alignments are feasible, which would seem to indicate that the properties of lunar standstills could not have included high-precision markers for prehistoric megalith builders.


2017 ◽  
Vol 8 (1-2) ◽  
pp. 137-160 ◽  
Author(s):  
Cathy Cantwell

The iconic dimension of holy books has drawn increasing scholarly attention in recent years (e.g. Iconic Books and Texts, James Watts, ed., London, Equinox, 2013). Asian Buddhism provides rich material for considering the ritualization of engagement with sacred texts. In Tibetan Buddhism, this aspect of book culture is perhaps especially pronounced (see, for instance, Schaeffer 2009, especially Chapter 6; Elliott, Diemberger and Clemente 2014). This paper explores the topic in relation to the engagement of the senses in Tibetan context, through seeing, touching, holding and tasting texts. It would seem that it is not the sensory experience in itself, but rather the physical experience of a transmission and incorporation of the sacred qualities from the books into the person which is emphasized in these practices. Parallels and contrasts with examples from elsewhere are mentioned, and there is some consideration of the breadth of the category of sacred books in the Tibetan context in which Dharma teachings may take many forms.


2011 ◽  
Vol 1 (1) ◽  
pp. 85-103
Author(s):  
Burkhard Scherer

Western Tibetan Buddhist movements have been described as bourgeois and puritanical in previous scholarship. In contrast, Ole Nydahl’s convert lay Karma Kagyu Buddhist movement, the Diamond Way, has drawn attention for its apparently hedonistic style. This article addresses the wider issues of continuity and change during the transition of Tibetan Buddhism from Asia to the West. It analyses views on and performances of gender, sexual ethics and sexualities both diachronically through textual-historical source and discourse analysis and synchronically through qualitative ethnography. In this way the article demonstrates how the approaches of contemporary gender and sexualities studies can serve as a way to question the Diamond Way Buddhism’s location in the ‘tradition vs modernity’ debate. Nydahl’s pre-modern gender stereotyping, the hetero-machismo of the Diamond Way and the mildly homophobic tone and content of Nydahl’s teaching are interpreted in light of Indian and Tibetan Buddhist sexual ethics and traditional Tibetan cultural attitudes on sexualities. By excavating the emic genealogy of Nydahl’s teachings, the article suggests that Nydahl’s and the Diamond Way’s view on and performance of gender and sexualities are consistent with his propagation of convert Buddhist neo-orthodoxy.


1967 ◽  
Vol 71 (2) ◽  
pp. 215
Author(s):  
Earle R. Caley ◽  
Andre Emmerich
Keyword(s):  
The Sun ◽  

2011 ◽  
Vol 366 (1565) ◽  
pp. 697-702 ◽  
Author(s):  
M. Dacke ◽  
M. J. Byrne ◽  
E. Baird ◽  
C. H. Scholtz ◽  
E. J. Warrant

Prominent in the sky, but not visible to humans, is a pattern of polarized skylight formed around both the Sun and the Moon. Dung beetles are, at present, the only animal group known to use the much dimmer polarization pattern formed around the Moon as a compass cue for maintaining travel direction. However, the Moon is not visible every night and the intensity of the celestial polarization pattern gradually declines as the Moon wanes. Therefore, for nocturnal orientation on all moonlit nights, the absolute sensitivity of the dung beetle's polarization detector may limit the precision of this behaviour. To test this, we studied the straight-line foraging behaviour of the nocturnal ball-rolling dung beetle Scarabaeus satyrus to establish when the Moon is too dim—and the polarization pattern too weak—to provide a reliable cue for orientation. Our results show that celestial orientation is as accurate during crescent Moon as it is during full Moon. Moreover, this orientation accuracy is equal to that measured for diurnal species that orient under the 100 million times brighter polarization pattern formed around the Sun. This indicates that, in nocturnal species, the sensitivity of the optical polarization compass can be greatly increased without any loss of precision.


2009 ◽  
Vol 5 (S260) ◽  
pp. 514-521
Author(s):  
Ilias M. Fernini

AbstractThe Islamic society has great ties to astronomy. Its main religious customs (start of the Islamic month, direction of prayer, and the five daily prayers) are all related to two main celestial objects: the Sun and the Moon. First, the start of any Islamic month is related to the actual seeing of the young crescent after the new Moon. Second, the direction of prayer, i.e., praying towards Mecca, is related to the determination of the zenith point in Mecca. Third, the proper time for the five daily prayers is related to the motion of the Sun. Everyone in the society is directly concerned by these customs. This is to say that the major impetus for the growth of Islamic astronomy came from these three main religious observances which presented an assortment of problems in mathematical astronomy. To observe these three customs, a new set of astronomical observations were needed and this helped the development of the Islamic observatory. There is a claim that it was first in Islam that the astronomical observatory came into real existence. The Islamic observatory was a product of needs and values interwoven into the Islamic society and culture. It is also considered as a true representative and an integral par of the Islamic civilisation. Since astronomy interested not only men of science, but also the rulers of the Islamic empire, several observatories have flourished. The observatories of Baghdad, Cairo, Córdoba, Toledo, Maragha, Samarqand and Istanbul acquired a worldwide reputation throughout the centuries. This paper will discuss the two most important observatories (Maragha and Samarqand) in terms of their instruments and discoveries that contributed to the establishment of these scientific institutions.


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