7. Stoicism, then and now

Author(s):  
Brad Inwood

‘Stoicism, then and now’ describes how, despite the contrast between the contemporary reception of Stoicism and the study of the ancient school that inspires it, by looking at the history of Stoicism’s influence since its rediscovery in the Renaissance we have seen one way these approaches can be brought into contact with each other: the prominence of Epictetus and Marcus Aurelius (and to a lesser degree Seneca) in the contemporary reception of Stoicism has made it natural to focus primarily on its potential as a source for moral advice and self-improvement. But what about Stoic physics? How does the modern Stoic deal with the now obsolete science of our world?

Author(s):  
Christopher Brooke

This is the first full-scale look at the essential place of Stoicism in the foundations of modern political thought. Spanning the period from Justus Lipsius's Politics in 1589 to Jean-Jacques Rousseau's Emile in 1762, and concentrating on arguments originating from England, France, and the Netherlands, the book considers how political writers of the period engaged with the ideas of the Roman and Greek Stoics that they found in works by Cicero, Seneca, Epictetus, and Marcus Aurelius. The book examines key texts in their historical context, paying special attention to the history of classical scholarship and the historiography of philosophy. The book delves into the persisting tension between Stoicism and the tradition of Augustinian anti-Stoic criticism, which held Stoicism to be a philosophy for the proud who denied their fallen condition. Concentrating on arguments in moral psychology surrounding the foundations of human sociability and self-love, the book details how the engagement with Roman Stoicism shaped early modern political philosophy and offers significant new interpretations of Lipsius and Rousseau together with fresh perspectives on the political thought of Hugo Grotius and Thomas Hobbes. The book shows how the legacy of the Stoics played a vital role in European intellectual life in the early modern era.


Classics ◽  
2011 ◽  
Author(s):  
David Potter

The history of the Roman Empire is the history of one of the largest and most enduring multiethnic states in the history of the world, making it an area of study that continues to have great relevance to the modern world. Principal areas of investigation for those drawn to the study of the Roman Empire include the development of institutions needed to govern such a state, the behavior of those institutions, the dialogue of cultures within the empire (especially issues of assimilation, resistance, and evolution between dominant and subaltern groups), and the relationship between Rome and its neighbors. It is also a period that saw significant developments in art, literature, and the history of thought, shaping the heritage of classical Antiquity that has survived through the Middle Ages to help shape the Western tradition of rational thought. It is also a very colorful period, whose leading figures, ranging from Marcus Aurelius and Jesus of Nazareth to Nero and Commodus, continue to excite great interest for their own sake.


Author(s):  
S.M. Rubtsov

The article is devoted to the military action of the Roman Empire in the Middle-Danube valley in the early spring 170 year 2-nd centuries A.D. The main aim of this article consists in reconstruction one of the important events in Roman wars against the Germans tribe marcomanni, who lived on the territory of modern-day Czechia (ancient Boygemia). The author uses the analytical and comparative methods, analyzing the historical works of Roman authors and epigraphic facts. One of the main new aspects of article consists in chronology of events. The author tries to prove that defeat of Roman army and death of praefectus Marc Macrinius Vindex took place at the same time in early spring 170 year 2-nd centuries A.D.. This defeat had the important influence on the other military operations in the next time. Marcomanni and his allies seriously threatened the Roman province of Pannonia situated on the right bank of the Danube. The emperor Marcus Aurelius (161 — 180 A.D) waged several wars against the marcomanni and their allies quadi in 167 — 180 A.D. In winter 169 A.D. Marcus Aurelius became the sole emperor. He came back in Carnuntum in Upper Pannonia and began to complete the army for the offensive against marcomanni. The legatus Augusti Marc Macrinius Avitus Catonius Vindex with vexillationes of five Pannonia's legions and a few auxiliums forced a crossing the Danube in the early spring 170 A.D. Marcomanni defeated the Roman army and killed the legatus Augusti. The Germans captivated many soldiers from legions and auxiliums, burned several war-camps in Upper and Lower Pannonias. They reached the borders of the North Italy and besieged the Aquileja again. The author comes to the conclusion, that in result of the defeat of Marc Macrinius Vindex the Roman troops in the Middle and Lower Danube stood on the defensive.


Author(s):  
Michael Choref ◽  

Under the Bosporan king Eupator, sestercii were issued with two busts on the obverse: an elderly bearded man in a ray crown and a woman in a high openwork crown, as well as two men: a young one, with or without a beard, and an elderly, bearded one. All men have long hair. The elderly man is no doubt Eupator. Together with him, as is commonly believed, they portrayed Aphrodite Urania and Marcus Aurelius. But this is hardly the case. After all, a very similar image of a woman, framed by the legend “Β … ΕΥΝΟΜΙΑC”, is imprinted on the reverse of the Bosporan sesterces with two male busts on the obverse. But the figures of the deities on the Bosporan coins were not signed. Judging by the crown, this was a Sarmatian queen. We believe that Eunomia, who is mentioned in the coin legend, was the wife and co-ruler of Eupator. The Roman emperors on the Bosporan coins were always depicted with short hair. We believe that the studied sestercii had portraits of Eupator, his wife Eunomia, and also their son, who ruled the Bosporus from 170/171 to 174/175 without the sanction of Rome and, as a result, did not receive the right to issue coins and did not leave lapidary inscriptions.


2003 ◽  
Vol 22 (1) ◽  
pp. 55-91 ◽  
Author(s):  
Emily Gowers

Horace's first book of Satires is his poetic debut, and has traditionally been read as a reliable account of the poet's coming of age and arrival in society. Recently, scholars have taken a more skeptical view of the authenticity of this account and have argued that Horace's self-portrait is generically determined, with the author invisible behind a composite of comic stereotypes. Nonetheless, this collection of casual and scattered fragments can, according to a less literal and more flexible definition of autobiography, be regarded as a coherent life history or self-presentation. This paper attempts to rehabilitate and expand the notion of the autobiographical in Satires I, and indeed to treat autobiography as the driving impulse of the book. Close readings of individual passages, some of them more overtly autobiographical than others, reveal striking patterns in the telling of this life-story, with special prominence given to the elements of self-preservation, socialization, and development of speech. Horace repeatedly replays various formative acts of emergence - from speechlessness, from his birthplace, from Philippi - even though these are referred to only indirectly. Critical events that are apparently underplayed in the book - Horace's official pardoning and his rebirth as a civil servant - are signaled instead by means of metaphor, displaced activity, or moral advice; they can also be found concealed beneath the trivial-seeming or circumstantial incidents Horace records from his daily life. As for the more obviously autobiographical highlights of the book - Horace's moral lessons at his father's knee or his first interview with Maecenas - these are not just isolated "moments," but can be shown to conflate an entire aspect of the poet's development, linguistic, moral, or social, in all its different stages. Other passages, apparently dealing with non-personal subjects - human behavior, the progress of civilization, Roman history, or the history of satire - can also be read as narratives of Horace's own civilizing process.


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