The Third Dimension: A Comparative History of Mountains in the Modern Era

2012 ◽  
Vol 17 (3) ◽  
pp. 690-692
Author(s):  
J. E. Taylor
2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Vyara Popova ◽  

The text is based on Hubert Damish’s thesis in „A theory of (cloud): toward a history of painting“ (2002), where the cloud is interpreted as non-inclusive, not participating in the perspective model as a painting system. Respectively, the cloud as an anachronism of the picturesque as opposed to a linear (perspective) dominant Western norm (in Damish terminology) is traced as functioning in Eastern, Chinese painting itself as a kind of cultural and historical rudiment. And it is through the synthesis of painting and word in Chinese painting: 1 / it is demonstrated in contrast to Foucault’s thesis in “This is not a pipe“ how it is possible for a verbal sign and visual representation to be given simultaneously; 2) the historical origin of the letter is displayed as a sign from the image as a hieroglyphic symbol; 3) demonstrates how the third dimension is constructed not in perspective, but in a meaningful depth, and precisely through the clouds as a metaphor for the Maya (illusion) of the visible and all-in-one nature of things; 4) so summarizing: the cloud rises from scenic scope and instrument to the level of universal cultural metaphor.


1958 ◽  
Vol 11 (1) ◽  
pp. 14-17
Author(s):  
E. Roessger

The regulations governing visual avoidance of collision in the air and the carriage of aircraft lights were originally based on marine practice and extended to include the third dimension in aviation. These regulations were established first by the International Convention for Air Navigation and finally by the International Civil Aviation Organization.


1996 ◽  
Vol 157 ◽  
pp. 273-285 ◽  
Author(s):  
D. Pfenniger

AbstractRecent observational constraints restrict the strict applicability of stellar dynamics in spirals to a few rotation periods. However, stellar dynamics concepts such as periodic orbits are invaluable for understanding the various dynamical processes occurring during much more periods. A distinction of two instability types in stellar systems is pointed out, the first one being well illustrated by the bar instability, and the second one by the bar bending instability. In bars the third dimension brings essential dynamical effects which modify the views about the history of bulges and the spiral secular evolution. Bars may grow, bend, thicken, and dissolve into spheroidal bulges, and spirals may evolve along the Hubble sequence in the sense Sd→Sa. This leads to a much more dynamical picture of isolated galaxies than imagined before.


Author(s):  
Anders Dræby Sørensen

The article discusses the paradoxical role that the serial killer has taken in our present socio-cultural order as a limit figure which at once represents the villain and the hero. In a historical perspective the article examines why the serial killer has been given this role through 5 tracks: First, it is argued that the historical condition of the modern idea of the serial killer is a particular kind of historicalmythologizing of the serial murders. Then it is shown how the idea of serial killer is made widely known because a new type of criminal is introduced by the FBI as an internal enemy of the state. In the third dimension it is shown how this introduction is linked to the conceptualization of the serial killer in criminology and forensic science. The fourth dimension in the history of the idea of the serial killer is the story of how the serial killer is identified as a modern version of a monster by forensic psychiatry and popular culture and is associated with a revitalization of the concept of evil. In the final dimension the spread of the idea of the serial killer is connected to our existential dealing with ourselves.


Author(s):  
Stefano Caprio ◽  

The coincidence of the symbol with reality is an ancient question, which in Vyacheslav Ivanov’s symbolism is re-proposed as absolutely current, at the beginning of the 20th century and even more so today, in the third millennium. Ivanov’s reflection on “form” begins with the mystical search for the “inner form” that characterized the history of the Symbolist movement, and in general of the whole “silver century” of Russian culture. The common sentiment led to changing the cultural and social forms, and at the same time to the rediscovery of the sources and the authentic nature of the Russian soul and its poetic and literary expressions, but also theological and ecclesial ones. The union of soul and body, of being and essence, in the movement of reality is the encounter of the divine and the human, which gives meaning to the existence of the universe: it is the movement of the “Stars Nocchieri [Pilot Stars]”, title of the first collection of poems by Ivanov. Faith is not a denial of power, as Nietzsche argued, but it is the act in which the whole power of being manifests itself in the form of living beings. In the post-modern era, the Nietzschean objection is taken up in an even more radical and nihilistic form, for which there is no unity between form and matter, since the essence of both one and the other is excluded: the divine origin of every being is not denied, the being of every reality is denied. It is therefore more necessary than ever to rediscover the meaning of the existence of things, not to save the divine, but not to completely lose the human. Keywords: symbol, reality, form, material, energy, Silver


Author(s):  
Didier Debaise

Which kind of relation exists between a stone, a cloud, a dog, and a human? Is nature made of distinct domains and layers or does it form a vast unity from which all beings emerge? Refusing at once a reductionist, physicalist approach as well as a vitalistic one, Whitehead affirms that « everything is a society » This chapter consequently questions the status of different domains which together compose nature by employing the concept of society. The first part traces the history of this notion notably with reference to the two thinkers fundamental to Whitehead: Leibniz and Locke; the second part defines the temporal and spatial relations of societies; and the third explores the differences between physical, biological, and psychical forms of existence as well as their respective ways of relating to environments. The chapter thus tackles the status of nature and its domains.


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