Review. The Faces of Time: Portrayal of the Past in Old French and Latin Historical Narrative of the Anglo-Norman 'Regnum'. Blacker, Jean

1996 ◽  
Vol 50 (2) ◽  
pp. 182-182
Author(s):  
D. A. TROTTER
Keyword(s):  
Old French ◽  
Historical Narrative ◽  
The Past ◽  
Anglo Norman

Historical Narratives and Understanding

2021 ◽  
Vol 13 (1) ◽  
pp. 33-44
Author(s):  
Stefan Petkov ◽  
Keyword(s):  
Historical Narrative ◽  
Historical Narratives ◽  
Distinctive Features ◽  
The Past ◽  
Epistemic Criteria

This paper defends the view that narratives that bring understanding of the past need not be exhaustively analyzable as explanatory inferences, nor as causal narratives. Instead of treating historical narrative as explanations, I argue that understanding of history can be analyzed by the general epistemic criteria of understanding. I explore one such criterion, which is of chief importance for good historical narratives: potential inferential power. As a corollary, I dispute one of the distinctive features of narratives described by some philosophers: the non-aggregativity of narrative histories. Instead, I propose that historical narratives modestly aggregate and this aggregation depends on the success of the colligatory concepts they offer.

Looking backward to the future: Counter-memory as oppositional knowledge-production in the Israeli–Palestinian conflict

2016 ◽  
Vol 65 (1) ◽  
pp. 54-72 ◽  
Author(s):  
Yifat Gutman
Keyword(s):  
Knowledge Production ◽  
Historical Narrative ◽  
Temporal Shift ◽  
Palestinian Refugees ◽  
The Past ◽  
Historical Justice ◽  
New Information ◽  
The Future ◽  
Peace Activism ◽  
Activist Groups

This article examines a strategy of peace activism that gained visibility in the last decades: memory activism. Memory activists manifest a temporal shift in transnational politics: first the past, then the future. Affiliated with the globally-circulating paradigm of historical justice, memory activist groups assume that a new understanding of the past could lead to a new perception of present problems and project alternative solutions for the future. Based on ethnographic fieldwork and discourse analysis among memory activists of the 1948 war in Israel since 2001, the article examines the activist production of counter-memory during active conflict. Using Coy et al.’s typology of oppositional knowledge-production, the article shows how the largest group of memory activism in Israel produced ‘new’ information on the war, critically assessed the dominant historical narrative, offered an alternative shared narrative, and began to envision practical solutions for Palestinian refugees. However, the analysis raises additional concerns that reach beyond the scope of the typology, primarily regarding the unequal power relations that exist not only between the dominant and activist production of oppositional knowledge, but also among activists.

scholarly journals Warfare, Ethics, Ethology: evolutionary fundamentals for conflict and cooperation

2020 ◽  
Author(s):  
Daniel Barreiros
Keyword(s):  
Phylogenetic Tree ◽  
Common Ancestor ◽  
Homo Sapiens ◽  
Social Ethics ◽  
Historical Narrative ◽  
Conflict And Cooperation ◽  
African Apes ◽  
The Past ◽  
Cognitive Capability ◽  
The Social

The aim of this article is to set a macro-historical narrative concerning the emergence of warfare and social ethics as symplesiomorphic features in the lineage of Homo sapiens. This means that these two behavioral aspects, representative of a very selected branch in the phylogenetic tree of the Primate order, are shared by the two lineages of great African apes that diverged from a common ancestor around six million years in the past, leading to extant humans and chimpanzees. Therefore, this article proposes an ethological understanding of warfare and social ethics, as both are innate to the social high-specialized modular mind present in the species of genera Pan and Homo. However behavioral restraints to intersocietal coalitionary violence seems to be an exclusive aspect of the transdominial modular cognition that characterizes modern humans. Thus, if in the evolutionary long durée, warfare and restrictions to intrasocial violence both appear to be ethologically common to humans and chimpanzees to a certain extent, an ethics of warfare - and, of course, the cognitive capability for intersocietal peace - seems to be distinctly human.

scholarly journals The fiction of History: recalling the past and imagining the future with Caesar at Troy.

2010 ◽  
Vol 23 (1/2) ◽  
pp. 143-160
Author(s):  
Richard Alston
Keyword(s):  
Cultural Memory ◽  
Political Power ◽  
Human Mind ◽  
Historical Narrative ◽  
Cultural Trauma ◽  
Historical Account ◽  
Historical Discourse ◽  
The Past ◽  
The Future ◽  
A Site

This essay considers the nature of historical discourse through a consideration of the historical narrative of Lucan’s Pharsalia. The focus is on the manner in which Lucan depicts history as capable of being fictionalised, especially through the operation of political power. The discourses of history make a historical account, but those discourses are not, in Lucan's view, true, but are fictionalised. The key study comes from Caesar at Troy, when Lucan explores the idea of a site (and history) which cannot be understood, but which nevertheless can be employed in a representation of the past. yet, Lucan also alludes to a ‘true history’, which is unrepresentable in his account of Pharsalus, and beyond the scope of the human mind. Lucan’s true history can be read against Benjamin and Tacitus. Lucan offers a framework of history that has the potential to be post-Roman (in that it envisages a world in which there is no Rome), and one in which escapes the frames of cultural memory, both in its fictionalisation and in the dependence of Roman imperial memory on cultural trauma.

scholarly journals Is history of economic thought a "serious" subject?

2008 ◽  
Vol 1 (1) ◽  
pp. 107 ◽  
Author(s):  
Maria Cristina Marcuzzo
Keyword(s):  
Research Methods ◽  
Theoretical Framework ◽  
Economic Thought ◽  
Historical Narrative ◽  
Contextual Analysis ◽  
History Of Economic Thought ◽  
Textual Exegesis ◽  
The Past ◽  
History Of ◽  
The Subject

The purpose of this paper is to clarify the nature of research methods in the history of economic thought. In reviewing the "techniques" which are involved in the discipline, four broader categories are identified: a) textual exegesis; b) "rational reconstructions"; c) "contextual analysis"; and d) "historical narrative". After examining these different styles of doing history of economic thought, the paper addresses the question of its appraisal, namely what is good history of economic thought. Moreover, it is argued that there is a distinction to be made between doing economics and doing history of economic thought. The latter requires the greatest possible respect for contexts and texts, both published and unpublished; the former entails constructing a theoretical framework that is in some respects freer, not bound by derivation, from the authors. Finally, the paper draws upon Econlit records to assess what has been done in the subject in the last two decades in order to frame some considerations on how the past may impinge on the future.

scholarly journals Reviving Stories And Space Of The Past: Exploring New Opportunities In Mixed Media Storytelling

2021 ◽  
Author(s):  
Dawsyn Borland
Keyword(s):  
Augmented Reality ◽  
Informal Learning ◽  
Mixed Media ◽  
Historical Narrative ◽  
Proof Of Concept ◽  
Communication Tool ◽  
House Museums ◽  
The Past ◽  
Historic House ◽  
Multisensory Interactions

This project presents the idea that historic house museums (HHMs) can use Augmented Reality (AR) and physical interactive space to bring stories and characters of the past back to life. Designed to foster self-directed discovery and informal learning of the space and story, this project uses a historically factual AR character to reanimate the sense of human presence within the space. Rather than disrupting the traditional narratives of HHMs, this mixed media storytelling experience extends historical stories by making them more personal and relatable. Using tangible stories, multisensory interactions, and an AR experience to extend the historical narrative, this form of museological work creates more opportunities for empathic character-driven storytelling. Lastly, I identify that this proof of concept could be used in multiple applications, as both a storytelling medium and a communication tool.

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