scholarly journals The fiction of History: recalling the past and imagining the future with Caesar at Troy.

2010 ◽  
Vol 23 (1/2) ◽  
pp. 143-160
Author(s):  
Richard Alston
Keyword(s):  
Cultural Memory ◽  
Political Power ◽  
Human Mind ◽  
Historical Narrative ◽  
Cultural Trauma ◽  
Historical Account ◽  
Historical Discourse ◽  
The Past ◽  
The Future ◽  
A Site

This essay considers the nature of historical discourse through a consideration of the historical narrative of Lucan’s Pharsalia. The focus is on the manner in which Lucan depicts history as capable of being fictionalised, especially through the operation of political power. The discourses of history make a historical account, but those discourses are not, in Lucan's view, true, but are fictionalised. The key study comes from Caesar at Troy, when Lucan explores the idea of a site (and history) which cannot be understood, but which nevertheless can be employed in a representation of the past. yet, Lucan also alludes to a ‘true history’, which is unrepresentable in his account of Pharsalus, and beyond the scope of the human mind. Lucan’s true history can be read against Benjamin and Tacitus. Lucan offers a framework of history that has the potential to be post-Roman (in that it envisages a world in which there is no Rome), and one in which escapes the frames of cultural memory, both in its fictionalisation and in the dependence of Roman imperial memory on cultural trauma.

Looking backward to the future: Counter-memory as oppositional knowledge-production in the Israeli–Palestinian conflict

2016 ◽  
Vol 65 (1) ◽  
pp. 54-72 ◽  
Author(s):  
Yifat Gutman
Keyword(s):  
Knowledge Production ◽  
Historical Narrative ◽  
Temporal Shift ◽  
Palestinian Refugees ◽  
The Past ◽  
Historical Justice ◽  
New Information ◽  
The Future ◽  
Peace Activism ◽  
Activist Groups

This article examines a strategy of peace activism that gained visibility in the last decades: memory activism. Memory activists manifest a temporal shift in transnational politics: first the past, then the future. Affiliated with the globally-circulating paradigm of historical justice, memory activist groups assume that a new understanding of the past could lead to a new perception of present problems and project alternative solutions for the future. Based on ethnographic fieldwork and discourse analysis among memory activists of the 1948 war in Israel since 2001, the article examines the activist production of counter-memory during active conflict. Using Coy et al.’s typology of oppositional knowledge-production, the article shows how the largest group of memory activism in Israel produced ‘new’ information on the war, critically assessed the dominant historical narrative, offered an alternative shared narrative, and began to envision practical solutions for Palestinian refugees. However, the analysis raises additional concerns that reach beyond the scope of the typology, primarily regarding the unequal power relations that exist not only between the dominant and activist production of oppositional knowledge, but also among activists.

scholarly journals Other Stories: Experimental Forms of Contemporary Historying at the Crossroads Between Facts and Fictions

2018 ◽  
Vol 14 (1) ◽  
pp. 5-15
Author(s):  
Małgorzata Sugiera
Keyword(s):  
New Wave ◽  
Main Argument ◽  
Historical Discourse ◽  
Avant Garde ◽  
The Past ◽  
Academic History ◽  
The Future ◽  
Rhetorical Dimension ◽  
Hayden White ◽  
Experimental History

Summary The process of questioning the authority of academic history—in the form in which it emerged at the turn of the 19th century—began in the 1970s, when Hayden White pointed out the rhetorical dimension of historical discourse. His British colleague Alun Munslow went a step further and argued that the ontological statuses of the past and history are so different that historical discourse cannot by any means be treated as representation of the past. As we have no access to that which happened, both historians and artists can only present the past in accordance with their views and opinions, the available rhetorical conventions, and means of expression. The article revisits two examples of experimental history which Munslow mentioned in his The Future of History (2010): Robert A. Rosenstone’s Mirror in the Shrine (1988) and Hans Ulrich Gumbrecht’s In 1926 (1997). It allows reassessing their literary strategies in the context of a new wave of works written by historians and novelists who go beyond the fictional/factual dichotomy. The article focuses on Polish counterfactual writers of the last two decades, such as Wojciech Orliński, Jacek Dukaj, and Aleksander Głowacki. Their novels corroborate the main argument of the article about a turn which has been taking place in recent experimental historying: the loss of previous interest in formal innovations influenced by modernist avant-garde fiction. Instead, it concentrates on demonstrating the contingency of history to strategically extend the unknowability of the future or the past(s) and, as a result, change historying into speculative thinking.

scholarly journals Architecture of memory

2021 ◽  
Author(s):  
Zohra Akbari
Keyword(s):  
Collective Knowledge ◽  
The Past ◽  
The Future ◽  
Successive Change ◽  
Successful Approach ◽  
A Site ◽  
The Way

Buildings and city forms are restructured and reused through time in response to evolving contexts, with each successive change leaving traces of the past that accumulate as layers. Collective knowledge and memory are strongly tied to these artifacts, which provide the depth and continuity necessary for the affirmation of identity. Dramatic changes in the contemporary city have prompted a reconsideration of the way architecture adapts, and highlights the need for a creative approach to change and advancement. A successful approach would meaningfully engage the past and memory to record and transmit vital aspects of culture and history while simultaneously using them to inform future actions. The palimpsest as an evolving record provides a productive framework for this kind of transformation, and uncovers the tangible and intangible layers of a site to protect and project the future layers.

Savoring Polishness: History and Tradition in Contemporary Polish Food Media

2021 ◽  
pp. 088832542110634
Author(s):  
Agata Bachórz ◽  
Fabio Parasecoli
Keyword(s):  
Material Culture ◽  
Collective Memory ◽  
Cultural Memory ◽  
Media Representations ◽  
The West ◽  
Attitudes And Practices ◽  
The Past ◽  
The Future ◽  
Current Concerns ◽  
Food Media

This article examines the future-oriented use of the culinary past in Poland’s food discourse through a qualitative analysis of popular food media (printed magazines and TV). We analyze how interpretations of food and culinary practices from the past are connected to contemporary debates. We contend that media representations of the culinary past co-create projects of Polish modernization in which diverse voices vie for hegemony by embracing different forms of engagement with the West and by imagining the future shape of the community. We distinguish between a pragmatic and a foodie type of culinary capital and focus on how they differently and at times paradoxically frame cultural memory and tradition. We observe the dynamics of collective memory and oblivion, and assess how interpretations of specific periods in Poland’s past are negotiated in the present through representations of material culture and practices revolving around food, generating not only contrasting evaluations of the past but also diverging economies of the future. Finally, we explore tradition as a set of present-day values, attitudes, and practices that are connected with the past, but respond to current concerns and visions of the future.

scholarly journals HISTORY AS FUTURE—TIME, PREDICTION, AND HISTORICAL NARRATIVE IN THE ZUO ZHUAN

Early China ◽  
2018 ◽  
Vol 41 ◽  
pp. 29-86 ◽  
Author(s):  
Piotr Gibas
Keyword(s):  
Historical Narrative ◽  
Future Time ◽  
The Past ◽  
Time Prediction ◽  
Course Of Action ◽  
The Future ◽  
Moral Qualities ◽  
Zuo Zhuan

AbstractThis article demonstrates that historical narrative in the Zuo zhuan is founded on the concept of “timeliness,” that is, on the understanding of time as being endowed with moral qualities. The choice between a “timely” (shi 時) or “untimely” (bu shi 不時) course of action determines the success or failure of the person involved in it. The origins of the ideas of time that shape the historical narrative of Zuo zhuan can be traced to mantic literature of the same period, such as almanacs.Early Chinese writers of history—like diviners—strove to explain the past in order to predict the future. Seen in this light, “knowing history” implies understanding and mastering the mechanisms that drive it; and looking into the past is tantamount to “knowing” the future.

History as trauma and the possibility of the future: Theo Angelopoulos’ Voyage to Cythera

2019 ◽  
Vol 5 (1) ◽  
pp. 3-19 ◽  
Author(s):  
Sean Homer
Keyword(s):  
Civil War ◽  
Traumatic Event ◽  
Psychoanalytic Theory ◽  
Narrative Structure ◽  
The Other ◽  
Political Prisoners ◽  
Cultural Trauma ◽  
Fundamental Characteristic ◽  
The Past ◽  
The Future

Theo Angelopoulos has described Taxidi sta Kythira (Voyage to Cythera) (1984) as an attempt to ‘exorcise the past’ and offer the Greek audience a possibility to face the future without the traumas of the past. This article explores the question of the extent to which we can exorcise the past and asks if a future is possible without acknowledging the traumas of the past. Drawing upon cultural trauma theory, the article analyses the Greek Civil War (1946‐49) as a cultural trauma for the Greek Left, especially concerning the recognition of political prisoners and exiles. Psychoanalytic theory, on the other hand, suggests that a fundamental characteristic of trauma is the un-representability of the event itself, as a traumatic event is only known through its persistent reiterations. Through its multi-layered narrative structure and aesthetic strategies of deferral and displacement Voyage to Cythera stages the trauma of the Greek Civil War for both the returning exiles and the generation that followed. As a representation of presence through absence, the article considers Voyage to Cythera in terms of Thomas Elsaesser’s concept of the parapractic text and Max Silverman’s notion of palimpsestic memory whereby the film does not exorcise the past as such but reveals a past haunting the present. The article concludes with the reflection that a traumatic past has a tendency to return however much we may wish to lay it rest.

Ecologies of Oil and Trauma of the Future in Curse of the Black Gold

2019 ◽  
Vol 7 (1) ◽  
pp. 69-91
Author(s):  
Cajetan Iheka
Keyword(s):  
Niger Delta ◽  
Ecological Footprint ◽  
Fossil Fuel ◽  
Trauma Studies ◽  
Ecological Degradation ◽  
The Past ◽  
The Future ◽  
To Come ◽  
The One ◽  
A Site

Mineral extraction in Africa has exacerbated ecological degradation across the continent. This article focuses on the example of the Niger Delta scene of oil exploration depicted in Michael Watts and Ed Kashi’s multimedia project, Curse of the Black Gold: 50 Years of Oil in the Niger Delta. Analyzing the infringement on human and nonhuman bodies due to fossil fuel extraction, I read the Delta, inscribed in Watts and Kashi’s image-text, as an ecology of suffering and as a site of trauma. Although trauma studies tend to foreground the past and the present, I argue that Curse of the Black Gold invites serious consideration of trauma of the future, of-the-yet-to-come, in apprehending the problematic of suffering in the Delta. I conclude with a discussion of the ethics of representing postcolonial wounding, which on the one hand can create awareness of ecological degradation and generate affect, but which on the other hand, exploits the vulnerability of the depicted and leaves an ecological footprint.

Visions and ruins

2018 ◽  
Author(s):  
Joshua Davies
Keyword(s):  
Visual Culture ◽  
Middle Ages ◽  
Cultural Production ◽  
Cultural Memory ◽  
Social Identities ◽  
Subject Formation ◽  
Medieval Period ◽  
The Past ◽  
A Site ◽  
The Middle Ages

This book is a study of cultural memory in and of the British Middle Ages. It works with material drawn from across the medieval period – in Old English, Middle English and Latin, as well as material and visual culture – and explores modern translations, reworkings and appropriations of these texts to examine how images of the past have been created, adapted and shared. It interrogates how cultural memory formed, and was formed by, social identities in the Middle Ages and how ideas about the past intersected with ideas about the present and future. It also examines how the presence of the Middle Ages has been felt, understood and perpetuated in modernity and the cultural possibilities and transformations this has generated. The Middle Ages encountered in this book is a site of cultural potential, a means of imagining the future as well as imaging the past. The scope of this book is defined by the duration of cultural forms rather than traditional habits of historical periodization and it seeks to reveal connections across time, place and media to explore the temporal complexities of cultural production and subject formation. It reveals a transtemporal and transnational archive of the modern Middle Ages.

Gatekeepers of (Non-)Knowledge: Aleksei Balabanov’s Morphine (2008)

2016 ◽  
Author(s):  
Vlad Strukov
Keyword(s):  
Cultural Memory ◽  
The Self ◽  
The Other ◽  
Cultural Discourse ◽  
The Past ◽  
The Future ◽  
The Subject ◽  
Self Organisation ◽  
The Continuum

Balabanov’s Morphine is concerned with cultural memory conceived as a continuum; not as identity but rather subjectivity in construction. The concepts relates to Badiou’s study of subjectivity. It determines existence in a world where the horizon of knowledge is always disappearing and is never available to us in its integrity whereby the subject is barred from the infinite. Different directions and speeds of movement generate the transcendental subject in that the subject is in relation to the variations of the lived. One of such states implies a continuum, or becoming without determination, whilst the other, refers to the imperative to construct knowledge out of the elements of the continuum. Such assemblages, rituals and rites allow the subject to access the ‘beyond’, a different realm, where the elements of the past are positioned towards the future. The transcendence of the subject is coded as an unstoppable flow of imagery—a hallucination—divided into sequences by reiterations and references to the cultural discourse: an introspective vision produces not self-organisation but self-destruction as the subject becomes aware of its own infiniteness. I showcase how Balabanov’s Morphine captures the brutality of such openings and the self-annihilating impact of nothingness.

The Past Is Not Past; or, On Repairing the Modern Time Regime

2020 ◽  
pp. 201-223
Author(s):  
Aleida Assmann
Keyword(s):  
Cultural Memory ◽  
Modern Time ◽  
Entire Spectrum ◽  
The Past ◽  
Straight Line ◽  
The Future ◽  
Time Regime

This chapter argues for the repair of the modern time regime. It shows that saving the past by means of a “culture of preservation” is itself a central part of Western modernization. However, there is as yet no straight line leading from this compensatory culture of preservation to the entire spectrum of practices, problems, and controversies associated with the “cultures of memory.” Under the paradigm of cultural memory, the past in particular is no longer the exclusive domain of the historian, nor can the use made of it be reduced to the function of a comforting medium of deceleration. The new entanglement of the past with the future—of the space of experience with the horizon of expectation—that characterizes the present time regime has implications, requirements, and effects that are much more far-reaching. New perspectives on and interests in the past now have important roles to play. The modern time regime therefore needs not only compensation, but also repair.

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