22. Searching for the causes of crime

2021 ◽  
pp. 669-689
Author(s):  
Steve Case ◽  
Phil Johnson ◽  
David Manlow ◽  
Roger Smith ◽  
Kate Williams

This chapter addresses the causes of crime, the exploration of which has been a high priority within criminology as the main way of explaining crime and of informing responses to crime. The chapter begins by considering how criminologists understand crime and the causes of crime, comparing interpretivism with positivism as ways of exploring and thinking about crime. A central motivation for identifying causes is to validate the factors targeted through criminological responses such as sentencing, crime reduction and prevention activity, and policy. The dominance of positivist experimentation within criminology and the associated search for causes has been re-animated in the 21st century by the growing popularity of experimental criminology in the US, most notably the ‘what works’ experimental method of evaluating crime prevention programmes. The chapter then looks at contemporary challenges to the experimental ‘what works’ approach, namely realistic evaluation, the theory of change model, and chaos theory.

2021 ◽  
Vol 13 (04) ◽  
pp. 92-106
Author(s):  
Vitaly KOZYREV

The recent deterioration of US–China and US–Russia relations has stumbled the formation of a better world order in the 21st century. Washington’s concerns of the “great power realignment”, as well as its Manichean battle against China’s and Russia’s “illiberal regimes” have resulted in the activated alliance-building efforts between Beijing and Moscow, prompting the Biden administration to consider some wedging strategies. Despite their coordinated preparation to deter the US power, the Chinese and Russian leaderships seek to avert a conflict with Washington by diplomatic means, and the characteristic of their partnership is still leaving a “window of opportunity” for the United States to lever against the establishment of a formal Sino–Russian alliance.


2018 ◽  
Vol 29 (3) ◽  
pp. 266-282 ◽  
Author(s):  
Amy Thornton ◽  
Aiden Sidebottom ◽  
Jyoti Belur ◽  
Lisa Tompson ◽  
Kate Bowers
Keyword(s):  

Author(s):  
Corival Alves Do Carmo ◽  
Cristina Soreanu Pecequilo

The first decade of the 21st century was characterized by Brazil’s action in South America. However, since 2011, there was a setback in the country´s strategic, economic and political investments in integration, allowing the projection of the US and China. The aim of this article is to analyze this context. 


2009 ◽  
Vol 3 (2) ◽  
pp. 245-250
Author(s):  
William Storrar

AbstractSince Public Theology for the 21st Century was first published, the world has witnessed the terrorist events of 9/11 and is now experiencing a growing economic crisis. While the contributors to the volume could not have addressed these events specifi cally, the discussions within the book contain valuable analyses of democracy, active citizenship and the notion of social capital that are highly pertinent in the current climate. Public theology must grapple with and adapt to these changed and changing social and political circumstances.


Author(s):  
Andy Willis

The 21st century revival in Spanish horror film production has seen both a resurgence of interest in the genre’s Iberian past and an interest in transnational film remakes for North American audiences. This chapter will consider the cultural politics of remaking Spanish horror through two case studies - Quarantine (2008), the US remake of [REC] (2007), and Come Out and Play (2012), the Mexican remake of Who Can Kill a Child? (1976). The chapter argues that Who Can Kill a Child? might profitably be read as an engagement with the legacy of Francoist Spain, and that [REC] could be productively understood in relation to Spain’s recent tensions surrounding immigration. Through a discussion of the potential political readings of these films, the chapter argues that the North American remakes are divested of the most urgent political aspects of their Spanish counterparts in an endeavour to create globally marketable horror films.


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