Towards a Discourse Approach to Critical Lexicography

2019 ◽  
Vol 32 (3) ◽  
pp. 362-388
Author(s):  
Wenge Chen

Abstract Ideology and power, the vital concerns of critical lexicography, are aspects of a dictionary that a lexicographer and a discerning dictionary user have to encounter in any serious lexicographical enterprise (Kachru 1995); however, critical lexicography as a theme did not receive much attention until Kachru and Kahane (1995). This term later appeared in Hornscheidt (2011) and Moon (2014). However, to date there has not been any systematic theoretical exemplification of what critical lexicography is and how critical lexicographical research is done. Additionally, the scope and function of critical lexicography is relatively limited when we consider the global context, since it fails to take into account theoretical and methodological inspirations from other disciplines such as Critical Discourse Studies and/or Postcolonial Studies, which would make it more theoretically robust and analytically explanatory. With this gap in mind, this paper proposes a discourse approach to Critical Lexicography, termed Critical Lexicographical Discourse Studies (CLDS), as a response to the call for lexicographers’ ‘social accountability’. Specifically, the article puts forward a definition of CLDS and its key concepts, denotes its ontological, epistemological and methodological orientations, delineates its principles, proposes a tentative analytic framework and demonstrates a simplified case study. The article argues that a discourse approach to critical lexicography opens up space to understand different meaning-making practices and contestation in lexicography. In doing so, this article contributes to the development of international (English) lexicography and the language(s) it represents.

2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Jacopo Castaldi

AbstractThe paper proposes the integration of Audience Research in Multimodal Critical Discourse Studies to investigate media discourse. The novel approach is exemplified through a case study: the media interaction between one viewer and the text of his choice, BBC’s travel documentary Burma with Simon Reeve. The qualitative research design incorporates a pre- and after-viewing questionnaire, an interview and the multimodal textual analysis. The analytical focus is on the representation of social actors and it is argued that, through this integrated approach, it is possible to explore media effects on an audience by using the cognitive concepts of contextual effects, adapted from Relevance Theory, and ideological effects, a concept derived from the former and modelled around van Dijk’s definition of ideology.


2018 ◽  
Vol 14 (1) ◽  
pp. 45-68 ◽  
Author(s):  
Majid KhosraviNik ◽  
Eleonora Esposito

AbstractThe communicative affordances of the participatory web have opened up new and multifarious channels for the proliferation of hate. In particular, women navigating the cybersphere seem to be the target of a disproportionate amount of hostility. This paper explores the contexts, approaches and conceptual synergies around research on online misogyny within the new communicative paradigm of social media communication (KhosraviNik 2017a: 582). The paper builds on the core principle that online misogyny is demonstrably and inherently a discourse; therefore, the field is envisaged at the intersection of digital media scholarship, discourse theorization and critical feminist explications. As an ever-burgeoning phenomenon, online hate has been approached from a range of disciplinary perspectives but has only been partially mapped at the interface of meaning making contents/processes and new mediation technologies. The paper aims to advance the state of the art by investigating online hate in general, and misogyny in particular, from the vantage point of Social Media Critical Discourse Studies (SM-CDS); an emerging model of theorization and operationalization of research combining tenets from Critical Discourse Studies with scholarship in digital media and technology research (KhosraviNik 2014, 2017a, 2018). Our SM-CDS approach to online misogyny demarcates itself from insinuation whereby the phenomenon is reduced to digital communicative affordancesper seand argues in favor of a double critical contextualization of research findings at both digital participatory as well as social and cultural levels.


2017 ◽  
Vol 11 (5) ◽  
pp. 498-514 ◽  
Author(s):  
Ramona Kreis

In this study, I examine the online discourse of the European refugee crisis on the micro-blogging platform, Twitter. Specifically, I analyze 100 tweets that include #refugeesnotwelcome, and explore how this hashtag is used to express negative feelings, beliefs and ideologies toward refugees and (im)migrants in Europe. Guided by critical discourse studies, I focus on Twitter users’ discursive strategies as well as form and function of semiotic resources and multimodality. Twitter users who include this particular hashtag use a rhetoric of inclusion and exclusion to depict refugees as unwanted, criminal outsiders. These tendencies align with current trends in Europe where nationalist-conservative and xenophobic right-wing groups gain power and establish a socially accepted discourse of racism.


2016 ◽  
Vol 15 (4) ◽  
pp. 399-421 ◽  
Author(s):  
Cinzia Padovani

Abstract In light of the rise of ultra-right ideologies in Europe, this article offers an in-depth analysis of the discourse on immigration presented by CasaPound Italia (CPI), a self-defined fascist organization in Italy. This case study illustrates the importance of media and communication activism for the promotion of contemporary ultra-right movements. Specifically, the analysis focuses on how CPI reported one of the first widely covered immigration-related disaster in the Mediterranean, on 3 October 2013, and on the audience interactions that followed on the organisation’s website. In this article, I argue that CasaPound Italia’s online communiqué and its members’ comments need to be considered as one discursive event in which the encoding/decoding processes at play can be explored in detail. The examination, which draws from critical discourse studies, reveals audiences’ contributions in unpacking the implicit message contained in the original communiqué and underlines the active role that “rank and file” members play in the promotion of ultra-right ideologies.


2018 ◽  
Vol 65 (5) ◽  
pp. 591-607 ◽  
Author(s):  
Elisa Bellè ◽  
Caterina Peroni ◽  
Elisa Rapetti

The aim of this article is to furnish insights of the Italian public debate on the recognition of LGBTQ rights, which can be understood as an interesting case study of the complex relationship between (multi)secularisation processes and re/definition of citizenship models. More specifically, the article analyses two political events related to this debate that took place in Rome in June 2015. The first is the Family Day demonstration, promoted by conservative Catholic groups; the second is the LGBTQ Pride parade, promoted by various gay, lesbian and transsexual/gender associations. We analyse the official statements issued by the two organising committees of the demonstrations, adopting the framework and methods of the Critical Discourse Analysis. Above and beyond an evident political conflict between the two discourses, we try to shed light on their mutual construction on the basis of what we call ‘naturalization’ and ‘universalization’ processes.


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