Duped or duplicitous?

Author(s):  
Lynn Catterson

Abstract Deriving from material in the state and city archives of Florence relating to the Florentine dealer Stefano Bardini as well as material in the Berlin Zentralarchiv, this paper presents a case-study that illustrates the ways in which Bardini & Co. wilfully contaminated the art-historical canon. The bas-relief of the so-called Madonna della Rosa, often attributed to Donatello, exists in at least five versions, but four have a provenance dating no earlier than the nineteenth or very early twentieth century. This composition was first published by Wilhelm von Bode in 1892 with an attribution to Donatello. Thereafter, the literature was amended to accommodate art-market tastes. Archival evidence indicates that Bardini & Co. used photographs and plaster casts to produce at least some of the versions. The various reliefs of the Madonna della Rosa are but one example of the dubious objects put into circulation by Bardini, and then written into the scholarly literature by Bode. These objects raise questions about their relationship and the real agency of Bode.

1965 ◽  
Vol 39 (4) ◽  
pp. 527-556 ◽  
Author(s):  
Miguel S. Wionczek

Increased state participation in the economy has been a basic trend in twentieth-century Latin America. In the process, however, once-protected private interests may fall—as in this case-study from Mexico.


2018 ◽  
Vol 4 (1) ◽  
Author(s):  
Gert J Van Klinken

During the nineteenth and early twentieth century, Jewish mission became an established branch of Protestant mission in general. As the Jewish converts to Protestantism remained fairly few in numbers, these converts were expected to engage in missionary efforts too, among their fellow Jews. One of the results of the ensuing polarization was the exclusion of baptized Jews from the citizenship of the State of Israel, where they were considered traitors by a majority of society. This article argues that programmes for Jewish-Christian dialogue in the State of Israel came under pressure to bar the Jewish Christians from taking part, and explores the question whether the ensuing policies can be ranked as examples of discrimination against this group.


2015 ◽  
Vol 41 (2) ◽  
pp. 82-99 ◽  
Author(s):  
Retief Muller

The role of the Dutch Reformed Church’s mission policies in the development of apartheid ideology has in recent times come under increased scrutiny. In terms of the formulation of missionary theory within the DRC, the controversial figure of Johannes du Plessis played a significant role in the early twentieth century. In addition to his work as a mission theorist, Du Plessis was a biblical scholar at Stellenbosch University who was found guilty of heresy by his church body, despite having much support from the rank and file membership. This article asks questions regarding the ways in which his memory and legacy are often evaluated from the twin, yet opposing perspectives of sacralisation and vilification. It also considers the wider intellectual influences on Du Plessis such as the missiology of the German theologian, Gustav Warneck. Du Plessis’s missionary theory helped to lay the groundwork for the later development of apartheid ideology, but perhaps in spite of himself, he also introduced a subverting discourse into Dutch Reformed theology. Some of the incidental consequences of this discourse, particularly in relation to the emerging theme of indigenous knowledge, are furthermore assessed here.


Author(s):  
Meredith Martin

This chapter looks closely at the rise of state-funded English education to uncover the disciplinary role that poetry played. It shows how the naturalization of English “meter” was a crucial part of the English literary curriculum. “Meter” is placed in quotation marks because the “meter” that emerges in the state-funded classroom has little to do with the prosody wars going on outside its walls. Educational theorist Matthew Arnold's cultural metrics, in which poetry by Shakespeare, for instance, will subtly and intimately transform a student into a good citizen, is replaced by a patriotic pedagogy wherein verses written in rousing rhythms are taught as a naturally felt English “beat.” It suggests that poet and educational theorist Henry Newbolt's figure of the “drum” performed a naturalized rhythm that brought England together as a collective. The collective mass identification with (and proliferation of) patriotic verses created an even sharper divide between the high and low, elite and mass, private and public cultures of poetry in the early twentieth century.


Author(s):  
Thomas A. Hose

Many of the stakeholders involved in modern geotourism provision lack awareness of how the concept essentially ermeged, developed and was defined in Europe. Such stakeholders are unaware of how many of the modern approaches to landscape promotion and interpretation actually have nineteeth century antecedents. Similarly, many of the apparently modern threats to, and issues around, the protection of wild and fragile landscapes and geoconservation of specific geosites also first emerged in the ninetheeth century; the solutions that were developed to address those threats and issues were first applied in the early twentieth century and were subsequently much refined by the opening of the twenty-first century. However, the European engagement with wild and fragile landscapes as places to be appreciated and explored began much earlier than the nineteenth century and can be traced back to Renaissance times. The purpose of this chapter is to provide a summary consideration of this rather neglected aspect of geotourism, initially by considering its modern recognition and definitions and then by examining the English Lake District (with further examples from Britain and Australia available at the website) as a particular case study along with examples.


Love, Inc. ◽  
2019 ◽  
pp. 83-112
Author(s):  
Laurie Essig

Getting engaged now requires more emotional and financial resources than ever before. Here Essig traces the history of engagements from the birth of companionate marriages in the nineteenth century to the invention of rituals like the bended knee and fetish items like the diamond ring in the early twentieth century. But the real change happened at the beginning of the twenty-first century, as engagements became “spectacular,” requiring not just highly staged events but also highly produced videos and images that could then be disseminated to the larger world.


Author(s):  
Gregory Wood

This chapter explores early-twentieth-century employers' opposition to smoking in the workplace, focusing on a case study of smoking practices and shop floor disputes at the Hammermill Paper Company in Erie, Pennsylvania, during the long, hot summer of 1915. Uniquely detailed reports of working conditions and workers' behaviors in this large mass-production factory, written by a pair of curious labor spies, documented nicely the ongoing efforts of many workers to circumvent the company's prohibition of smoking. In response to the refusal of management to allow smoking, workers improvised an assortment of surreptitious strategies that would allow them to smoke at work and enjoy time away from their jobs. As the Hammermill case illustrates, the wide extent of worker subversion made the no-smoking rule a dead letter, much to the constant frustration of management and the spies themselves.


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