The best ghost story in the world

1897 ◽  
Vol s8-XI (278) ◽  
pp. 338-338
Author(s):  
C. F. S. Warren
Keyword(s):  
Author(s):  
Patrick Griffin

This chapter examines the role played by Charles and George Townshend in the transition of British colonies from patriotic resistance toward a desire for independence. In 1777, an anonymously written ghost story entitled Dialogues in the Shades was printed in London. The pamphlet presented three discourses on the war between Britain and its colonies. One discourse features the ghostly Charles Townshend, showing the futility of his belief in how the world worked. The chapter considers how making revolution entailed new patterns of the ways history turned Charles Townshend into a ghost. It also explores how the Townshend Duties contributed to the movement for American Independence and how George, like Charles in America, also vanished in both the Irish and the broader imperial story. Finally, it discusses the politicization of slaves in America and of Catholics in Ireland, George Townshend's death, and what would have happened had the Townshends not come to power.


2015 ◽  
Vol 84 (3) ◽  
pp. 625-629
Author(s):  
Alexandra Kaloyanides

Like many historians, I am working on a ghost story. This one begins in 1813, the beginning of the American Baptist mission to Burma. Like those told by John Modern and Mark Noll, this story is contoured by war—the American Civil War and a series of Anglo-Burmese Wars waged between 1824 and 1885. Its specters appear in missionary letters and diaries, newspapers reports, illustrated travelogues, and concurrently produced Burmese royal chronicles and ritual networks. As I chase these ghosts, I am continually haunted by a bellow I hear coming from historians who have reclaimed evangelicalism as the determining subject of American religious history.


1897 ◽  
Vol s8-XII (313) ◽  
pp. 501-502
Author(s):  
J. P. Owen
Keyword(s):  

Tikkun ◽  
2015 ◽  
Vol 30 (3) ◽  
pp. 2-2

1897 ◽  
Vol s8-XII (290) ◽  
pp. 57-57
Author(s):  
John Pickford
Keyword(s):  

Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region’s filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? How has this cult tradition developed over time? Why does it hold such fascination for “serious” cinephiles and cult fans alike? And how have Hong Kong horror movies shaped the genre internationally? This book provides answers to such questions, celebrating the classics of the genre while introducing readers to lesser known films. Hong Kong Horror Cinema is the first book about this delirious and captivating cinematic tradition.


2019 ◽  
pp. 49-63
Author(s):  
Nina Sirković

Even in the world of fiction, it would be unusual for a European country to experience the war at the end of 20th century, fall apart and disappear. This exactly happens in Josip Novakovich’s novel April Fool's Day. It is a Bildungsroman about life, death and the afterlife of Ivan Dolinar, a Croatian citizen of Yugoslavia, whose life undergoes unbelievable twists and changes as the social and political situation in the country deteriorates until it falls apart and a new homeland, Republic of Croatia, is formed. On the basis of historical facts, the author develops a story about a fictional hero, who himself is a personified disintegrated country: the instability of the main character shows the instability of the state. During his life, driven by the fate and historical forces, Ivan becomes a political prisoner, a murderer, a rapist, an adulterer, a thief and finally, a ghost. Only when considered dead, he can be a master of his life. Ivan Dolinar finds harmony in his afterlife: as a ghost he is liberated from all the living inherences, in his death he feels free, important and unique, what he did not succeed during his living days. The novel is simultaneously a war and a ghost story with strong satirical impulse and black humour targeted towards human vanity and imperfection, lust, hatred and absurdity of war in general. The aim of this paper is to explore the interconnection between the fact and fiction in the novel, which intended to be, according to Novakovich, “an obituary to Yugoslavia in a personal form“. This fictional story that describes details about life and death of Ivan Dolinar is a story of a war-torn country which can only live in the form of a ghost until it completely disappears from our minds.


2021 ◽  
Vol 6 (1) ◽  
pp. 354-369
Author(s):  
Marina V. Frolova

The paper about the Indonesian “zombie” pocong examines specific features of the ghost stories in Indonesia, tracks the etymology of the words hantu (“ghost,” “undead”) and pocong (“wrapped in shroud”), and includes a translation of a typical ghost story (“Pocong and a Cart Hawker”). It introduces the hitherto understudied material in Russia that counts only a small number of Indonesian and Anglophone works. The aims of this paper include collecting data about this mythological creature from Indonesian sources, studying the image of pocong and contemporary narratives about him, searching his closest parallels in the world folklore, and interpreting the meanings of the character discovered in modern Indonesian culture. For religious people, pocong is a symbol of the frailty of life. Some traditional Muslims in modern Indonesia practice pocong related rituals (“Pocong’s oath,” pesugihan). Nowadays, the image of pocong is demythologized as it circulates in urban flesh-mobs, pranks, and horror films. The typology of this scary image is surprisingly similar not to Muslim genies but to from Chinese hopping vampires. Modern zombie studies shed light on the genealogy of pocong as a walking dead. Todd K. Platts discusses the spectrum of potential underpinnings of the zombie that include racism, terrorism, class inequality, disintegration of a nuclear family, consumer culture etc that may be applied to pocong as well. Pocong symbolizes oppressed common folk and this image is frequently used in mass political protests. Interpretation of pocong as a marginalized figure is relevant for the folklore studies in Indonesia, as well as for the study of horror-discourse in general.


2018 ◽  
Vol 41 ◽  
Author(s):  
Ana Gantman ◽  
Robin Gomila ◽  
Joel E. Martinez ◽  
J. Nathan Matias ◽  
Elizabeth Levy Paluck ◽  
...  

AbstractA pragmatist philosophy of psychological science offers to the direct replication debate concrete recommendations and novel benefits that are not discussed in Zwaan et al. This philosophy guides our work as field experimentalists interested in behavioral measurement. Furthermore, all psychologists can relate to its ultimate aim set out by William James: to study mental processes that provide explanations for why people behave as they do in the world.


2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.


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