Bureaucrats Bewildered

2021 ◽  
pp. 133-153
Author(s):  
Jeff Eden

Using Kazakhstan as a case study, this chapter shows how the atheist officials charged with policing religion in the Soviet Union quickly lost track of the religious policies they were tasked with enforcing. Meanwhile, bureaucrats at local levels were often oblivious or even indifferent to those policies. Beyond the bureaucratic confusion and malaise, there was also significant confusion among officials over the very nature of Islam in the Soviet Union. What was the point of “registering” mosques, for example, if Kazakh Muslims, with their legacy of nomadism, did not need mosques? What was the point of monitoring mullas and other Islamic leaders when each Muslim is, according to tradition, ritually autonomous and self-sufficient? By showing the grey areas where enforcement met devotional practice, this chapter argues that Soviet Muslims were given a broad space for religious activity not only thanks to Stalin’s policies, but also through bureaucratic incompetence, indifference, and bewilderment.

Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 19
Author(s):  
Izabela Kozłowska ◽  
Eryk Krasucki

Central and Eastern European countries were subjugated to the Soviet Union in the second half of the 20th century. In this new political environment, defined as the period of dependency, the concept of space gained a new denotation as a space of dependence, in both social and physical terms. The political changes that took place after 1989 enabled these spaces to be emancipated. In this work, we aim to delineate the complex relationship between architecture and politics from the perspective of spaces of dependence and their emancipation. Through a case study of two squares, plac Żołnierza Polskiego (the Square of the Polish Soldier) and plac Solidarności (Solidarity Square) in Szczecin, we gained insights into the processes and strategies that promoted their evolution into spaces of emancipation within architectural and urban narratives. Szczecin’s space of dependence was created by an authoritarian state that had a monopoly on defining architecture and urban planning in the country and the state as a whole. In a process orchestrated by economic factors, as well as the scale of architectural and urban degradation, the squares under discussion have transitioned from spaces of dependency to spaces of emancipation. As a result, an architectural-urban structure characterized by new cultural and identity values has been created.


Author(s):  
Juliane Fürst

Flowers through Concrete: Explorations in Soviet Hippieland does what the title promises. It takes readers on a journey into a world few knew existed: the lives and thoughts of Soviet hippies, who in the face of disapproval and repression created a version of Western counterculture, skilfully adapting, manipulating, and shaping it to their late socialist environment. This book is a quasi-guide into the underground hippieland, situating the world of hippies firmly in late Soviet reality and offering an unusual history of the last Soviet decades as well as a case study in the power of transnational youth cultures. It tells the almost forgotten story of how in the late sixties hippie communities sprang up across the Soviet Union, often under the tutelage of a few rebellious youngsters coming from privileged households at the heart of the Soviet establishment. Flowers through Concrete recounts not only a compelling story of survival against the odds—hippies were harassed by police, shorn of their hair by civilian guards, and confined in psychiatric hospitals by doctors who believed nonconformism was a symptom of schizophrenia. It also advances a surprising argument: despite obvious antagonism the land of Soviet hippies and the world of late socialism were not incompatible. Indeed, Soviet hippies and late socialist reality meshed so well that the hostile, yet stable, relationship that emerged was in many ways symbiotic. Ultimately, it was not the KGB but the arrival of capitalism in the 1990s that ended the Soviet hippie sistema.


1976 ◽  
Vol 3 (1) ◽  
pp. 91-107
Author(s):  
Paul Marantz

AbstractThere has been a great deal of controversy among Western scholars concerning the direction of Soviet foreign policy in the final years and months of Stalin's rule.1 One of the crucial questions at issue is whether or not there were significant divisions of opinion within the Politburo over foreign policy matters. This article attempts to explore this particular question through an examination of a doctrinal controversy that surfaced during Stalin's last years. In one of his most famous works, Imperialism: The Highest State of Capitalism, Lenin argued that war was an inevitable concomitant of the capitalist system. He contended that the unending struggle for markets meant that periodic wars among the capitalist powers were unavoidable and inevitable.2 Stalin adhered to this view throughout his long reign, and it was not until three years after Stalin's death, in Khruschchev's speech to the Twentieth Party Congress, that it was finally revised. Yet despite Stalin's strict adherence to the Leninist analysis of imperialism, and despite the harsh discipline that characterized his rule, there is evidence that the official interpretation was being publicly questioned even while Stalin was still alive. Given the nature of esoteric communication in the Soviet Union,and the close connection between doctrinal and policy debates, an examination of the controversy concerning the inevitability of war can provide important evidence having a direct bearing upon our understanding of this period.3


Author(s):  
Jason García Portilla

AbstractThe anti-clerical elements of the Revolution helped Cuba succeed in various indicators (e.g. education quality and coverage, equality, health). The Cuban regime seized, dismantled, and limited the institutional influence of Roman Catholicism on these areas of public life. However, a strong cultural influence of a highly syncretised Roman Catholicism persists in Cuba even if its institutional influence has been curbed. Also, the Communist regime, by adopting Marxism, “threw the baby out with the bathwater” through persecuting all types of religion, including Protestant liberals. Finally, the Cuban regime conveniently turned to Rome to legitimise itself after the collapse of the Soviet Union and to silence Protestantism with a corporatist strategy. The socialist legal tradition had an effect opposite to its claims (e.g. lack of freedom, corruption), even if its anti-clerical element was an advantage. Comparing the Cuban experience to other Latin American countries with leftist dictatorships (e.g. Venezuela) helps understand their failure to achieve the Cuban indicators (e.g. education). The crucial factor in this regard is whether or not the power and influence of the Roman Church-State are reduced.


2021 ◽  
pp. 135918352110524
Author(s):  
Triin Jerlei

In the 1960s, tourism in the Soviet Union underwent radical changes. While previously the focus had been on showcasing the rapid modernization of the empire, this new type of tourism focused on introducing foreigners to the regional vernacular culture in the Soviet Union. As the number of tourists increased, the need for wider mass production of souvenirs emerged. This research focuses on the identity of souvenirs produced in Baltic states as a case study for identifying the existence and nature of regionalism within the Soviet system. This study found that within Baltic souvenir production, two separate types of identities manifested. Firstly, the use of national or vernacular symbols was allowed and even promoted throughout the Soviet Union. A famous slogan of the era was ‘Socialist in content, national in form’, which suggested that national form was suitable for conveying socialist ideals. These products were usually made of local materials and employed traditional national ornament. However, this research identified a secondary identity within the souvenirs manufactured in the Baltic countries, which was based on a shared ‘European past’. The symbol often chosen to convey it was the pre-Soviet Old Town, which was in all three states based on Western and Central European architectural traditions. This research suggests that this European identity validated through the use of Old Town as a recurring motif on souvenirs, distinguished Baltic states from the other regions of the Soviet Union. While most souvenirs manufactured in the Soviet Union emphasized the image of locals as the exotic ‘Other’, Baltic souvenirs inspired by Old Town conveyed the idea of familiarity to European tourists.


Author(s):  
Elidor Mëhilli

This chapter shows how Soviet inventions became an Albanian national story. It looks at the Soviet advisers who came to lift the country from poverty in the 1950s. The Soviet Union became associated with industrial methods, including Stakhanovism (workers surpassing production norms). Socialism thus came with physical acts that required proper verbal identification and repetition, allowing Albanian peasants to make claims about themselves, their past, and their future. “Soviet experience” stood in contrast to “old ways,” which were backward, pre-socialist techniques, property regimes, traditional conventions and social mores, and religion. Rather than looking at the Soviet-Albanian encounter in terms of oppression and resistance, it is useful to see how it created modes of interpretation. The chapter’s core case study is the Stalin textile mills outside of the capital city Tirana.


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