The Negro Buildings

Author(s):  
Nathan Cardon

Chapter 2 examines the creation of and role played by the Negro Buildings at the Atlanta and Nashville fairs. These African American–run buildings gave southern black professionals and clerics an opportunity to voice their own story of the South’s past, present, and future. The buildings presented an image of a “New Negro” who was well versed in the modern techniques of industry and agriculture. The Negro Building exhibits presented black southerners as a progressive and future-oriented people who challenged much of the evolutionary thinking and racial science of the late nineteenth century. At the same time, the Negro Buildings make clear the ways some African American leaders embraced the language of progress and civilization to accommodate white southern society.

Author(s):  
Tobias Harper

This chapter examines the creation of new orders at the beginning of the twentieth century, which was the culmination of a prolonged period of “unprecedented honorific inventiveness” starting in the late nineteenth century. In Britain the new Order of the British Empire was branded the “Order of Britain’s Democracy” in recognition of the fact that it extended far deeper into non-elite classes in British society than any previous honour. Between 1917 and 1921 more than 20,000 people in Britain and throughout the British Empire were added to this new Order. This was an unprecedented number, orders of magnitude larger than honours lists in previous years. While the new Order was successful in reaching a wider, more middle-class audience than the honours system before the war, which was socially narrow, there was a substantial backlash to what was widely perceived by elites to be an excessive (and diluting) opening-up of the “fount of honour.” This backlash was connected to political controversies about the sale of honours that eventually helped bring about Lloyd George’s downfall. This chapter also contains a brief description of all the components of the British honours system at the beginning of the twentieth century.


2007 ◽  
Vol 17 (3) ◽  
pp. 231-252 ◽  
Author(s):  
Bart Ooghe

Since the creation of its first disciplinary histories in the late nineteenth century, Near Eastern archaeology has perceived its origins largely in terms of individual breakthroughs, following the common precepts of a pre-Annales historiography. The founding figures mentioned in the works of Rogers, Hilprecht, Budge or Parrot were either great explorers, great scholars or, most importantly, great excavators. From Della Valle's first tentative explorations at Babylon in 1616 to the major excavations at Nineveh and Babylon three centuries later, Near Eastern archaeology saw itself as the fruit of individual discovery. ‘Real’ archaeology was furthermore perceived as a natural rather than a human science and subsequently taken to have originated in nineteenth-century positivism; earlier accounts were hinted at in only the briefest fashion.


Target ◽  
1999 ◽  
Vol 11 (2) ◽  
pp. 245-262 ◽  
Author(s):  
Rachel Weissbrod

Abstract Beginning in the late nineteenth century, Hebrew underwent a process of revival. Despite the growing stratification of the language, literary translations into Hebrew were governed by a norm which dictated the use of an elevated style rooted in ancient Hebrew texts. This norm persisted at least until the 1960s. Motivated by the Hebrew tradition of employing the elevated style to produce the mock-epic, translators created mock-epic works independently of the source texts. This article describes the creation of the mock-epic in canonized and non canonized adult and children's literature, focusing on the Hebrew versions of Henry Fielding's Joseph Andrews, Damon Runyon's Guys and Dolls, Peter O'Donnell's Modesty Blaise and A.A. Milne's Winnie-the-Pooh and The House at Pooh Corner.


2020 ◽  
pp. 1-16
Author(s):  
Jeremy Schipper

Much of the recent scholarship on Noah’s curse (Genesis 9:20–27) has focused on how the myth of Ham has factored into debates over slavery and other anti-Black biblical interpretations. Yet Sylvester A. Johnson argues convincingly that in the late nineteenth century, the “myth of Ham” was used primarily to explain racial origins rather than to justify or condemn slavery. To provide nuance to Johnson’s point, this article argues that some influential nineteenth-century African American scholars whom Johnson discusses interpreted the story of racial origins in the myth of Ham as an outgrowth of a divine blessing that Ham shared with his brothers in Genesis 9:1–19. This blessing, they argued, was unrelated to Noah’s curse of Canaan in Genesis 9:20–27. This article focuses on the exegetical arguments made by James W. C. Pennington, Alexander Crummell, Benjamin Tucker Tanner, and George Washington Williams.


2012 ◽  
Vol 39 ◽  
pp. 97-122 ◽  
Author(s):  
Harmony S. O'Rourke

Abstract:In 1947, the colonial government in British Cameroon established an Islamic court in the Grassfields to try cases involving the region's Muslim population, primarily comprised of Fulani and Hausa diaspora communities that had settled the area since the late nineteenth century. Colonial debates over the creation and purview of the court reveal uncertainties that permeated Indirect Rule's legal categories of native and non-native, or tribe and race, which were to be governed by customary and civil law, respectively. Comparing legal regimes in British Cameroon with Northern Nigeria, the homeland of “native” Hausa and Fulani, shows that Islamic law sat uneasily across the divide between customary and civil law. With the importation of the court to the Grassfields, where Fulani and Hausa transformed into “native foreigners,” the delineation between customary and civil law was rendered even more obscure, illustrating that it could never neatly correspond to constructions of race and tribe.


1979 ◽  
Vol 13 (2) ◽  
pp. 247-264 ◽  
Author(s):  
Anand A. Yang

The late nineteenth century was a period of selective institution-building by the British in India. Government's efforts were directed primarily towards the development of a more effective control and communications infrastructure. The initial impetus for such changes in Bengal came during the energetic administration of Sir George Campbell, the Lieutenant Governor from 1871 to 1874. Under his auspices, attempts were made to extend the administrative machinery down to the sub-district levels by the creation of sub-deputy collectorships and the revitalization of such local officials as kanungos (registrars), patwaris (village accountants) and chaukidars (village watchmen). Better connections to local society were also sought through institutions which linked government to its allies, such as municipal, local, and district boards, and the Court of Wards.


Author(s):  
Thomas L. Riis

Riis takes up the complicated conventions and troubled history of late-nineteenth-century blackface minstrelsy as it was blended and interwoven into the activities among a largely unknown contingent of thousands of African American (and mostly midwestern) musicians and entertainers. He explores how nineteenth-century entertainers understood their business, including the moniker “minstrel” itself, and what for them constituted original, creative work. In this essay, the questions of identity have less to do with personal stories than the importance of the group and how its activities have been lost to history. Knowledge of these forgotten show people, and the sources where more information about them might be found, can help us combat the persistence of degrading stereotypes used to provide oversimplified explanations of black musical and theatrical activity.


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