“A Girl in a Million, Just Like a Million”

2021 ◽  
pp. 49-78
Author(s):  
Alexandra M. Apolloni
Keyword(s):  
Emotional Expression ◽  
Early Career ◽  
Tv Program ◽  
Selling Point ◽  
Crucial Part ◽  
A Performance

Sandie Shaw’s singing was inconsistent: often breathy, out of tune, and uncertain. Reception of her performances reveals that, to listeners and critics, these qualities made her seem like an ordinary girl navigating the path to adulthood. For Shaw, ordinariness was a selling point, a crucial part of her performing persona. This chapter examines what it meant for Sandie Shaw to sound “ordinary,” and how the sound of ordinariness was part of a performance of whiteness. The chapter opens with discussion of the sound of Shaw’s voice in the context of adolescent vocal change and the conflicting implications of emotional expression. This discussion then informs readings of a series of episodes in Shaw’s career: her early career appearance on the TV program Shindig!, her 1967 Eurovision performances and the controversy regarding her respectability that informed them, her 1968 TV program The Sandie Shaw Supplement, and, finally, her 1969 self-produced cover record Reviewing the Situation.

Choreographic practice research and emotional labour through the x-ray of affective dissonance

2020 ◽  
Vol 11 (1) ◽  
pp. 59-74 ◽  
Author(s):  
Shantel Ehrenberg
Keyword(s):  
Cultural Politics ◽  
Critical Reflection ◽  
Institutional Context ◽  
Early Career ◽  
Practice Research ◽  
X Ray ◽  
Emotional Labour ◽  
Early Career Researcher ◽  
A Performance

In this writing I offer critical illuminations and diffractions with(in) researching, producing and performing a piece of choreographic practice research titled (in)fertile territories: a performance lecture. I utilize the concept of affective dissonance as x-ray to get closer to feelings and emotional labour as an early-career researcher in an institutional context. The writing is grounded in the cultural politics of emotion, and presents choreographic practice research, feminist critical reflection, and writing as technologies mobilized in the hopes of birthing something anew with significantly personal choreographic material.

The Social Origins and Provenance of the English Bishops during the Reign of Edward II

1959 ◽  
Vol 9 ◽  
pp. 51-79
Author(s):  
K. Edwards
Keyword(s):  
Middle Ages ◽  
Social Background ◽  
Early Career ◽  
The Political ◽  
Social Origins ◽  
Political Activities ◽  
Edward Ii ◽  
The Social ◽  
Complete Study ◽  
History Of

During the last twenty or twenty-five years medieval historians have been much interested in the composition of the English episcopate. A number of studies of it have been published on periods ranging from the eleventh to the fifteenth and early sixteenth centuries. A further paper might well seem superfluous. My reason for offering one is that most previous writers have concentrated on analysing the professional circles from which the bishops were drawn, and suggesting the influences which their early careers as royal clerks, university masters and students, secular or regular clergy, may have had on their later work as bishops. They have shown comparatively little interest in their social background and provenance, except for those bishops who belonged to magnate families. Some years ago, when working on the political activities of Edward II's bishops, it seemed to me that social origins, family connexions and provenance might in a number of cases have had at least as much influence on a bishop's attitude to politics as his early career. I there fore collected information about the origins and provenance of these bishops. I now think that a rather more careful and complete study of this subject might throw further light not only on the political history of the reign, but on other problems connected with the character and work of the English episcopate. There is a general impression that in England in the later middle ages the bishops' ties with their dioceses were becoming less close, and that they were normally spending less time in diocesan work than their predecessors in the thirteenth century.

Beeinträchtigtes Erkennen emotionaler Gesichtsausdrücke durch psychiatrische Patientinnen bei Alexithymie

2013 ◽  
Vol 61 (1) ◽  
pp. 7-15 ◽  
Author(s):  
Daniel Dittrich ◽  
Gregor Domes ◽  
Susi Loebel ◽  
Christoph Berger ◽  
Carsten Spitzer ◽  
...  
Keyword(s):  
Emotion Recognition ◽  
Emotional Expression ◽  
Depression Scale ◽  
Facial Emotion Recognition ◽  
Facial Emotion ◽  
Check List ◽  
Psychosomatische Erkrankungen ◽  
Psychiatrische Patienten ◽  
Symptom Check List ◽  
Tas 20

Die vorliegende Studie untersucht die Hypothese eines mit Alexithymie assoziierten Defizits beim Erkennen emotionaler Gesichtsaudrücke an einer klinischen Population. Darüber hinaus werden Hypothesen zur Bedeutung spezifischer Emotionsqualitäten sowie zu Gender-Unterschieden getestet. 68 ambulante und stationäre psychiatrische Patienten (44 Frauen und 24 Männer) wurden mit der Toronto-Alexithymie-Skala (TAS-20), der Montgomery-Åsberg Depression Scale (MADRS), der Symptom-Check-List (SCL-90-R) und der Emotional Expression Multimorph Task (EEMT) untersucht. Als Stimuli des Gesichtererkennungsparadigmas dienten Gesichtsausdrücke von Basisemotionen nach Ekman und Friesen, die zu Sequenzen mit sich graduell steigernder Ausdrucksstärke angeordnet waren. Mittels multipler Regressionsanalyse untersuchten wir die Assoziation von TAS-20 Punktzahl und facial emotion recognition (FER). Während sich für die Gesamtstichprobe und den männlichen Stichprobenteil kein signifikanter Zusammenhang zwischen TAS-20-Punktzahl und FER zeigte, sahen wir im weiblichen Stichprobenteil durch die TAS-20 Punktzahl eine signifikante Prädiktion der Gesamtfehlerzahl (β = .38, t = 2.055, p < 0.05) und den Fehlern im Erkennen der Emotionen Wut und Ekel (Wut: β = .40, t = 2.240, p < 0.05, Ekel: β = .41, t = 2.214, p < 0.05). Für wütende Gesichter betrug die Varianzaufklärung durch die TAS-20-Punktzahl 13.3 %, für angeekelte Gesichter 19.7 %. Kein Zusammenhang bestand zwischen der Zeit, nach der die Probanden die emotionalen Sequenzen stoppten, um ihre Bewertung abzugeben (Antwortlatenz) und Alexithymie. Die Ergebnisse der Arbeit unterstützen das Vorliegen eines mit Alexithymie assoziierten Defizits im Erkennen emotionaler Gesichtsausdrücke bei weiblchen Probanden in einer heterogenen, klinischen Stichprobe. Dieses Defizit könnte die Schwierigkeiten Hochalexithymer im Bereich sozialer Interaktionen zumindest teilweise begründen und so eine Prädisposition für psychische sowie psychosomatische Erkrankungen erklären.

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