Jewish Displacement as Experience and Metaphor in 20th-Century European Thought

2018 ◽  
Author(s):  
Vivian Liska
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Emmanuel Levinas ◽  
Maurice Blanchot ◽  
Paul Celan ◽  
Political Issue ◽  
Philosophical Concept ◽  
The Earth ◽  
European Thought

This chapter examines discursive developments in twentieth-century European thought with respect to the question of the reality, metaphoricity, and exemplarity of Jewish displacement. Throughout the centuries, the Jews have been the epitome of the displaced, wandering, and exposed stranger, the rootless intruders, or an example embodying the forfeiting of fixity, dominance, and ownership associated with territorial emplacement. In modernity, Jewish exile, beyond being a theological, historical, and political issue, became a discursive theme, a literary motif, and a loaded philosophical concept. As an embodiment of discreditable rootlessness, it appears in the antisemitic depictions of the wandering, homeless outsider rejected from the nations of the earth. The chapter considers the views of European thinkers such as George Steiner, Bernard-Henri Lévy, Emmanuel Levinas, Maurice Blanchot, Jean-François Lyotard, Jonathan Boyarin, and Paul Celan regarding displaced Jews.

“A Fall of Snow Maintains the Warmth of the Earth”

2019 ◽  
Vol 14 (1) ◽  
pp. 54-72
Author(s):  
Hanoch Ben-Pazi
Keyword(s):  
Twentieth Century ◽  
Emmanuel Levinas ◽  
Role Models ◽  
Turn Of The Century ◽  
Cultural Discourse ◽  
Western Civilization ◽  
The Earth ◽  
Jewish Involvement ◽  
European Jewish ◽  
Shed Light

Abstract This essay attempts to shed light upon the European Jewish partnership in the second half of the twentieth century, through an analysis of the persona of the philosopher Léon Brunschvicg, one of the major teachers of Emmanuel Levinas. Beyond the inherent interest in his intellectual stature and prominence as a philosopher, our study will reveal an additional aspect of the French-Jewish partnership at the turn of the century, and will reconsider the import of assimilation—as an enabler of Jewish involvement in Western civilization. The moral and intellectual appreciation that Emmanuel Levinas had for his teacher, Léon Brunschvicg, motivated him to call for a return to Jewish cultural discourse, and to honor the role models whose Judaism found expression not through their national or religious commitments, but rather through their universal concerns.

The Rise of Prophecy: Figural Neuter, Desert of Allegory

Sodomscapes ◽  
2017 ◽  
Author(s):  
Lowell Gallagher
Keyword(s):  
Twentieth Century ◽  
Emmanuel Levinas ◽  
Maurice Blanchot ◽  
Late Modern

Chapter two lingers on Maître François’ design, treating its suggestive ambiguity as a premonitory witness to the twentieth-century postwar turns to the Sodom archive in Maurice Blanchot and Emmanuel Levinas’ delicate yet fraught philosophical conversation about the ethical aptitude of artworks. The Sodom archive’s figural suggestiveness guides Blanchot and Levinas’s shared predisposition to identify the primordial affinity of artworks with the disruptive urgency of prophecy and its figural analogue, the desert. Lot’s wife’s subliminal association with the prophecy/desert nexus becomes the site of an ecumenical settlement between Blanchot and Levinas over the captivating and dislocating aesthetic power of artworks. On this note, Maître François’ image and the late modern moment of philosophical hospitality between Blanchot and Levinas speak to each other across centuries. Through different registers of discernment, the two scenes conjure the figure of Lot’s wife as the material remains of a thinking beyond the limit of the phenomenal face of appearances and cognition, so as to give witness to the radiant and interruptive force of artworks’ worlding and unworlding dimensions.

МОДА ЯК ВИДОВИЩЕ: ЕТНОКУЛЬТУРНІ ТА МІФОЛОГІЧНІ ВИМІРИ

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
Twentieth Century ◽  
Young People ◽  
Everyday Life ◽  
Cultural Influences ◽  
Ethnic Culture ◽  
The Earth ◽  
The Everyday ◽  
Variety Show

Прослідковуються урбанізаційні та дезурбанізаційні процеси в моді ХХ ст. Звернено увагу на недостатню вивченість питань естетичних та культурологічних аспектів формування моди як видовища в контексті образного простору культури повсякдення. Визначено видовищні виміри модної діяльності як комунікативної сцени. Наголошено на необхідності актуалізації народних мотивів свята, творчості в гурті, певної стилізації у митців та дизайнерів моди мистецтва ностальгійного, втраченого світу з метою осягнення фольклорної, глибинної стихії моди як екомунікативного простору культури повсякдення. Ключові слова: міф, мода, етнокультура, етнос, свято, площа Ключові слова: міф, мода, етнокультура, етнос, свято, площа. According to E. Moren ethnic cultural influences take place in urbanized environment and turn it into "island ontology".Everyday life ethnic culture is differentiated, specified as a certain type of spectacle. However, all that powerful cosmologism, which used to exist as an open-air theater in settlements, near rivers, grasslands, roads, is disappearing. The everyday life culture loses imperatives, patterns, and cosmological designs, where, for example, the “plahta” contains rhombuses, squares, and rectangles - images of the earth, and the top of the costume symbolizes the sky. Yes, the symbolic marriage of earth and sky was a prerequisite for marrying young people. The article deals with traces of the urbanization and deurbanization processes in the twentieth century fashion.Key words: ethnic culture, culture of everyday life, ethnics, holidays, variety show, knockabout comedy, square.

Hotelkeepers Organize in Twentieth Century to Legitimize and Advance Profession in American Society

2021 ◽  
pp. 109634802110109
Author(s):  
Stephen B. Shiring ◽  
Elizabeth J. Shiring
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Simple Structure ◽  
American Society

Evolving from the simple structure of a colonial inn to a grandiose city hotel by the 20th century, the innkeeper likewise professionally transformed into a hotel keeper. Assisting in this growth was the emerging hotel associations. Hotel associations provided collective member strength on issues, offered fellowship, and legitimized and professionalized their positions in American society.

Italian Minor Theatre, 2000–14: the Development of ‘Short Forms’ and the Politics of the Stage

2019 ◽  
Vol 35 (03) ◽  
pp. 195-208
Author(s):  
Silvia Mei
Keyword(s):  
Twentieth Century ◽  
Visual Arts ◽  
Modern Dance ◽  
Minor Literature ◽  
Philosophical Concept ◽  
Short Forms ◽  
Research Fellow ◽  
History Of ◽  
Expressive Dimension ◽  
The University

Brevity in experimental Italian theatre is not merely an expressive dimension of scenic creation, but a forma mentis, a conceptual vocation of young companies. The 2000s produced a minor theatre in Italy – first because of the reduced stage size, and second because of the brevity of works such as installation pieces. Moving from the linguistic disintegration of the historical avant-gardes of the twentieth century, this theatre is especially inspired by the visual arts, even though its historical roots remain fragmented and art is still seen in the synthetic language of modern dance and Futurist variety. Short forms actually become a tool for crossing artistic genres and languages. Starting from Deleuze’s and Guattari’s philosophical concept of minor literature, in this article Silvia Mei explores and analyzes work by such Italian contemporary companies as gruppo nanou, Città di Ebla, Anagoor, Opera, ErosAntEros, and Teatro Sotterraneo – all representative of what can be called installation theatre, a new theatrical wave that crosses the boundaries and specificities of artistic language, leading to the deterritorialization of theatre itself, a rethinking of the artistic work as well as its relationship with the audience. Silvia Mei is Adjunct Professor of the History of Theatre Directing and Theatre Iconography at the University of Bologna, having been a Research Fellow at the University of Turin. Her recent publications include ‘La terza avanguardia: ortografie dell’ultima scena italiana’, in Culture Teatrali, No. 14 (2015), and Displace Altofest (Valletta: Malta 2018 Foundation).

scholarly journals Revolutions in the earth sciences

1999 ◽  
Vol 354 (1392) ◽  
pp. 1915-1919 ◽  
Author(s):  
Claude Allègre ◽  
Vincent Courtillot
Keyword(s):  
Earth Sciences ◽  
Quantum Mechanics ◽  
20Th Century ◽  
Plate Tectonics ◽  
Statistical Physics ◽  
Natural Sciences ◽  
Scientific Revolutions ◽  
The Earth

The 20th century has been a century of scientific revolutions for many disciplines: quantum mechanics in physics, the atomic approach in chemistry, the nonlinear revolution in mathematics, the introduction of statistical physics. The major breakthroughs in these disciplines had all occurred by about 1930. In contrast, the revolutions in the so–called natural sciences, that is in the earth sciences and in biology, waited until the last half of the century. These revolutions were indeed late, but they were no less deep and drastic, and they occurred quite suddenly. Actually, one can say that not one but three revolutions occurred in the earth sciences: in plate tectonics, planetology and the environment. They occurred essentially independently from each other, but as time passed, their effects developed, amplified and started interacting. These effects continue strongly to this day.

NATURAL HISTORY OF THE BIOSPHERE AS A KEY TO SOLVE ECOLOGICAL PROBLEMS (TO THE 90TH ANNIVERSARY OF A.N. TYURYUKANOV)

2021 ◽  
Vol 43 (1) ◽  
pp. 130-136
Author(s):  
Valeriy SNAKIN
Keyword(s):  
Natural History ◽  
20Th Century ◽  
Soil Science ◽  
Natural Scientist ◽  
The Earth ◽  
Ecological Problems ◽  
90Th Anniversary ◽  
History Of ◽  
Landscape Geochemistry ◽  
Nature Development

Anatolij Nikiforovich Tyuryukanov (1931-2001), Dr.Sci (Biol.), professor was a remarkable Russian natural scientist, who made a signifi contribution to soil science and the theory of the biosphere. Investigation of Tyuryukanov’s works shows both evolution of the author’s scientifi interests and development of natural history in Russia in 20th century. He formulated the biosphere natural history principle founded on a new fundamental category of sciences foundation in 20th century. Th principle is based on genetic soil science, biogeocenology, landscape geochemistry and main branches of the Earth biosphere and vitasphere study. Interesting and sometimes unexpected assertions of A.N. Tyuryukanovs provide food for thought about both further studies of nature, development of biosphere study and refl on the human and biosphere relationships.

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