Babbitt’s Gestural Dialectics

2021 ◽  
pp. 231-268
Author(s):  
Zachary Bernstein
Keyword(s):  
Text Setting ◽  
Twelve Tone ◽  
Array Structures ◽  
Musical Embodiment

The array structures of Babbitt’s music, which present twelve-tone series fixed in narrow registers, seem abstract and impersonal. Nevertheless, numerous commentators on Babbitt’s music have celebrated the sense of motion the music inspires in its listeners. This chapter explores the tension between the music’s static contrapuntal structures and the dynamic experience that results, drawing from research on musical embodiment by Matthew Baileyshea and Seth Monahan, Candace Brower, Arnie Cox, Robert Hatten, Mariusz Kozak, Justin London, Patrick McCreless, and Andrew Mead. An exploration of these gestural dialectics sheds light on a variety of topics: virtuosity, text setting, the liminal periodicity of Babbitt’s later rhythmic practice, anomalous deviations from serial expectations, closing rhetoric, and partitioning. The chapter ends by discussing how scholars may navigate the distinction between Babbitt’s formalistic prose and the gestural experience of his music.

Lutyens, Elisabeth (1906–1983)

2018 ◽  
Author(s):  
Joel Hawkes
Keyword(s):  
Arnold Schoenberg ◽  
Text Setting ◽  
Twelve Tone ◽  
Philosophical Text ◽  
Chromatic Scale ◽  
Dylan Thomas

(Agnes) Elisabeth Lutyens, CBE, was an English composer, credited with helping to establish the twelve-tone method of serialism in Britain. Lutyens’s first major composition using this technique, Three Pieces for Orchestra, Op. 7, was premiered in London on the first night of the blitz in 1940. Lutyens insisted she came upon this technique herself, and was not inspired by the work of Arnold Schoenberg, who is acknowledged as its pioneer. In the twelve-tone method the notes of the chromatic scale are ordered into a series that functions as a unifying principle for harmony, melody and variation—all twelve notes of the scale are sounded an equal number of times in a composition to ensure no emphasis on any one. Lutyens often coupled this specialized atonal technique with literary and philosophical text, setting to music writers such as Joyce, Wittgenstein, Beckett, and Dylan Thomas, to create a music both praised and critiqued as intellectualized.

ГЕРМЕНЕВТИКА ЛИЧНОСТИ КАК МЕТОД СОВРЕМЕННОЙ ПЕРСОНОЛОГИИ

1970 ◽  
Vol 6 (1) ◽  
pp. 32-42
Author(s):  
Елена Старовойтенко
Keyword(s):  
Text Setting ◽  
Research Setting ◽  
Textual Representations ◽  
General Scientific ◽  
Definition Of ◽  
The Individual ◽  
The Continuum

Персонологическая интерпретация текстов предполагает реализацию общенаучных, а также специфических для персонологии, герменевтических установок, к которым относятся: установка на интерпретацию текста как исследование, установка на разнообразие герменевтических действий с текстом, установка на выявление неисследованных содержаний текста, установка на творческое постижение тайн текста, установка на целостное отношение к личности и "Я" автора текста, установка на выявление способности автора быть "практикующим феноменологом", установка на определение места изучаемого текста в континууме текстовых репрезентаций "личности", установка на соотнесение своего понимания текста с другими интерпретациями и их интеграцию, установка на раскрытие сущности авторской "идеи личности", возможное только в единстве интерпретаций, установка на построение и применение герменевтической модели, определяющей процедуру интерпретации как исследования и творчества, установка на определение места проделанного герменевтического поиска в культуре познания и жизни личности, установка на интерпретацию различных видов "текстов личности". Personological interpretation of texts suggests the implementation of the general scientific and also hermeneutical settings specific for Personology which include the setting of the interpretation of the text as a research, setting of a variety of hermeneutical actions with the text, setting to identify unexplored contents of the text, setting of the creative comprehension of the mysteries of the text, setting of the integrity of the attitude of the individual and the "I" of the author of the text, setting to reveal the author's ability to be "practicing phenomenologist", setting of the definition of the place in the text in the continuum of textual representations of the "personality", setting in the correlation of the understanding of the text with other interpretations and their integration, setting of the disclosure of the author's "ideas person" is possible only in the unity of interpretation, setting of the construction and usage of hermeneutical models defining the procedure for the interpretation of both studies and work, the setting to determine the place of hermeneutical research in culture and knowledge of a person's life, setting of the interpretation of various types of "texts of the individual."

Autism

2018 ◽  
Author(s):  
Joseph N. Straus
Keyword(s):  
Twelve Tone ◽  
Serial Music ◽  
Cognitive Deficiency

Autism and twelve-tone serial music are related, mutually reinforcing forms of cultural modernism. Both have been understood as excessively isolated or alone, with each entity self-contained and self-enclosed; as uncommunicative, or communicating in atypical ways, with an excess of private meanings and self-references; as demonstrating an unproductive preference for routines and rituals; as incongruously hypertrophied in certain respects (often hyperrational) and atrophied in others (often emotionally or expressively defective). They have also been understood as inaccessible fortresses; as incomprehensible aliens; as cold, unfeeling machines (especially computational machines); and as idiot savants (with isolated islands of excellence in a sea of cognitive deficiency).

scholarly journals Full snapshot reconstruction in hybrid architecture antenna arrays

2020 ◽  
Vol 2020 (1) ◽  
Author(s):  
Maria Trigka ◽  
Christos Mavrokefalidis ◽  
Kostas Berberidis
Keyword(s):  
Antenna Array ◽  
Antenna Arrays ◽  
Communication Systems ◽  
Linear Array ◽  
Research Work ◽  
Hybrid Architecture ◽  
Angle Of Arrival ◽  
Music Algorithm ◽  
Array Structures ◽  
Signal Sources

AbstractIn the context of this research work, we study the so-called problem of full snapshot reconstruction in hybrid antenna array structures that are utilized in mmWave communication systems. It enables the recovery of the snapshots that would have been obtained if a conventional (non-hybrid) uniform linear antenna array was employed. The problem is considered at the receiver side where the hybrid architecture exploits in a novel way the antenna elements of a uniform linear array. To this end, the recommended scheme is properly designed so as to be applicable to overlapping and non-overlapping architectures. Moreover, the full snapshot recoverability is addressed for two cases, namely for time-varying and constant signal sources. Simulation results are also presented to illustrate the consistency between the theoretically predicted behaviors and the simulated results, and the performance of the proposed scheme in terms angle-of-arrival estimation, when compared to the conventional MUSIC algorithm and a recently proposed hybrid version of MUSIC (H-MUSIC).

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