Authority and Revelation

2021 ◽  
pp. 18-98
Author(s):  
Stephen Mulhall

This chapter tracks the ascetic ideal from its religious point of origin to some of its key manifestations in the realms of morality and aesthetics. It relates Nietzsche’s original critique to Kierkegaard’s critical advocacy of Christianity, and uses Cavell to show how the latter can help us to understand twentieth-century artistic modernism as genealogically related to religious and moral concerns. It also argues that contemporary debates between moral individualists and moral philosophers influenced by Wittgenstein (such as Raimond Gaita and Cora Diamond) can be understood as arguments over contemporary manifestations of the ascetic ideal in both religion and morality. The central themes of the chapter are then brought together in a reading of a novel by William Golding.

2020 ◽  
Vol 11 (2) ◽  
pp. 125-136
Author(s):  
Mariwan Hasan ◽  
Diman Sharif

This paper reconsiders William Golding’s Lord of the Flies. Allegorical writings can illustrate ethical, social or psychological and moral issues using the manipulation of images that have stipulated meanings other than their meanings as imitations of the actual world. Allegory has been used widely throughout history in all forms of art, and comprehensible for the reader, conveys hidden meanings through symbolic figures. Lord of the Flies had been written in relation to historical circumstances of the twentieth-century and to the personal experience of William Golding. Also, it has provided a critical analysis of the novel that treated the prominent perspective and elements in it. The novel is a parallel of life in the late twentieth century, while it looks like society a stage of enhancement in technology whereas, human morality is not completely mature yet. “Lord of the Flies is an allegorical microcosm of the world. The destruction of World War II because of the dictators who initiated this war has a profound impact on William Golding himself”. In the beginning, the paper gives an introduction to Golding’s point of view on humanity with the title of how to draw attention to me through allegory and fable, two forms of imaginative literature that encouraged the reader and listener to look for hidden meanings. Then it deals with William Golding’s Lord of the Flies from the cultural approaches of that time, who is one of the most prominent literary men of postmodernism that was famous for utilizing symbolism within the novel; “he used different kinds of symbols, characters, objects, animals, colors and setting to convey his message about his main theme”, in the last section we analyzed the postmodern features in Lord of the Flies and how they are used to depict Golding’s view. The way Golding uses allegory strengthens the symbolism of his novel. Finally, it tackles the educational value through his experiences in teaching along with critical analysis of Golding’s technique.


Author(s):  
Matthew H. Kramer

H. L. A. Hartʼs The Concept of Law is, of course, primarily a work of legal philosophy. It is indeed the most influential work of legal philosophy in the English language (and perhaps in any language) published during the twentieth century. However, the immense importance of the book for philosophers of law should not prevent readers from discerning its importance for political and moral philosophers as well. Hartʼs insights into the nature of law and sovereignty are themselves of great significance for political philosophy, and the second half of The Concept of Law contains ruminations on justice and on the relationships between law and morality that deserve attention from anyone who aspires to think clearly about the problems of political philosophy.


2017 ◽  
Vol 13 (32) ◽  
pp. 109
Author(s):  
Maurice Gning

Two works of the mid-twentieth-century British literature form the corpus of this study, namely Lord of the Flies (1954) by the English William Golding and A Slight Ache (1961) by his contemporary and compatriot Harold Pinter. Based on the issue of nihilism as defined by Nietzsche and on the poststructuralist theory of the death of the subject, it aims to analyze how the two postmodern writers, Golding and Pinter, stress the emptiness of the human identity resulting from the collapse of the Western culture. The analysis shows that, in order to reveal this identity vacuity, the two authors make use of strategies at first sight different, but that prove to be basically similar. This identity emptiness is beforehand expressed by the emptiness of the fiction space, the isolation of characters and the justified absence of traditional points of reference that could constitute the base of the societies they attempt to form. The predictable collapse of these societies discloses the strange face of the individual behind it, and unveils the kingdom of nothingness foregrounded, in both works, by the image of darkness and chaos.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  

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