The right to the city during gentrification
As important and sometimes troubling as the previously described music projects can be, they are threatened with complete obliteration during gentrification in such socioeconomically depressed urban neighborhoods as the Downtown Eastside. Gentrification transforms a socioeconomically depressed urban area for middle- and upper-class use. As urban poor are displaced, this threatens their right to the city, which refers to their abilities to exercise the human rights involved in living in their chosen city area. At the same time, funding becomes more available for capability building through the arts and for professional arts. Resultantly, popular music theater has flourished during the gentrification of the Downtown Eastside. What has been the role of urban poor, and particularly participants in jams and music therapy, in the music theater productions? Which human rights regarding the right to the city have those performances supported for urban poor?