Scott Unbound

Serial Forms ◽  
2020 ◽  
pp. 69-106
Author(s):  
Clare Pettitt

‘Scott Unbound’ shows how thinking about print in the 1820s and 1830s in a disaggregated, messy and material way, and seeing it as part of a new media world of performance, text, and image, can help us to think differently about the immense cross-class popularity of Walter Scott’s work. Right from the start, Scott’s powerful Romantic presence as the literary author of books rested on ‘Scott’ as a multimedia phenomenon. Taking the nineteenth-century print serial seriously challenges assumptions about what a ‘book’ might be. By unbinding Scott’s work, this chapter disperses his texts and restores them to their original promiscuous sociability. The Romantic idea of the author is complicated through the remediations of the multi-genre productions of ‘The Magician of the North’ (a.k.a. Walter Scott), and the phenomenon of ‘Scott’ in the early nineteenth century is produced by the generative possibilities of the serial more than has been previously recognized.

2011 ◽  
Vol 21 (2) ◽  
pp. 177-198
Author(s):  
SANA HAROON

AbstractThis paper is a reconsideration of the career of the north-Indian Sayyid Ahmed Shaheed (1786–1831). I argue that Sayyid Ahmed used a Sufi devotional premise to understand and explain principles of orthodoxy. He also applied a concept of innate spiritual knowledge to reformed practice, suggesting that ordinary people, without scholarly training, could determine and apply the principles of orthodox practice of Islam for themselves and for others. His movement modified traditional seminary-centred teaching and leadership through the creation of a popular and easily transferrable system of practice rooted in the community and imprinted with the obligation to spread reformist teachings.


Author(s):  
Gordon Jackson

The ending of the Napoleonic war in 1815 was not followed by the same sort of bounding activity as followed the ending of the previous war in 1783, for two very obvious reasons. The sudden expansion after 1783 had resulted chiefly from the changed relationship between Britain and America; and the last few years of the Napoleonic war had themselves witnessed both "recovery" and prosperity in the whaling trade which preceded the normal return to peace-time activities. The year 1808 had been one of appalling depression in overseas trade when, because of restrictions imposed for war purposes, ports all over the country came virtually to a standstill. The whaling trade had suffered with the rest, and the prosperity of the early years of the century was briefly interrupted. Only fifty-six ships sailed for the Northern Fishery in 1808, and only nineteen for the Southern, though the aggregate value of their catches - as usually happened - remained disproportionately high....


2020 ◽  
pp. 115-139
Author(s):  
Sarah Clemmens Waltz

This chapter re-evaluates Felix Mendelssohn’s ‘Scottish’ works by placing them in the context of the early-nineteenth-century North German view of Scotland, especially as channelled through Mendelssohn’s mentors Johann Wolfgang von Goethe and Carl Friedrich Zelter. Such interest in Scotland was undergirded by a belief in a shared German-Celtic past and a sense that Scottish culture was not exotic but rather essentially German. Figures in Mendelssohn’s circle participated in deliberate attempts to claim a general northern antiquity for German culture, using arguments concerning the relationship of climate, race, and character. A recontextualization of Scotland as representing a lost German past may signal additional reinterpretations of Mendelssohn’s anticipations of travel, his travel experiences, and his statements concerning folk song, as well as his Fantasy, Op. 28, originally titled Sonate écossaise.


1936 ◽  
Vol 16 (2) ◽  
pp. 165-178 ◽  
Author(s):  
E. T. Leeds

From the market-place at Faringdon the Oxford road mounts steadily, passing under the north slope of the hill known variously as Faringdon Clump or Faringdon Folly. The hill is a rounded knoll, the summit of which stands 505 ft. O.D. and, besides being a well-known landmark in the Vale of White Horse, commands an extensive prospect in every direction. Like Cumnor Hurst, Shotover, Brill and others, it is one of a series of undenuded caps of Cretaceous sands overlying Berkshire oolites that crop out at intervals between Faringdon and Aylesbury. The sands are ferruginous, dark yellow with lighter sands below, divided by a layer of sandstone rock. On the summit of the hill is a clump of beeches and Scotch firs, probably planted here, as on so many similar eminences, in the late eighteenth or early nineteenth century.


2014 ◽  
Vol 90 (1) ◽  
pp. 135-153 ◽  
Author(s):  
Andrew Holmes

This article examines Presbyterian interpretations in Scotland and Ireland of the Scottish Reformations of 1560 and 1638–43. It begins with a discussion of the work of two important Presbyterian historians of the early nineteenth century, the Scotsman, Thomas McCrie, and the Irishman, James Seaton Reid. In their various publications, both laid the template for the nineteenth-century Presbyterian understanding of the Scottish Reformations by emphasizing the historical links between the Scottish and Irish churches in the early-modern period and their common theology and commitment to civil and religious liberty against the ecclesiastical and political tyranny of the Stuarts. The article also examines the commemorations of the National Covenant in 1838, the Solemn League and Covenant in 1843, and the Scottish Reformation in 1860. By doing so, it uncovers important religious and ideological linkages across the North Channel, including Presbyterian evangelicalism, missionary activity, church–state relationships, religious reform and revival, and anti-Catholicism.


2021 ◽  
Author(s):  
◽  
Sarah Chesney

<p>Connections between the Gothic and opera remain a subsidiary concern to most writers on the Gothic and on opera, if they are even addressed at all. In this study I wish to illuminate how the Gothic is presented both musically and visually on stage through the setting and thematic traits in select nineteenth-century Italian operas. A number of ideas are central to this aim. Firstly, that the ‘Gothic’ dimension of ‘Gothic opera’ is overtly represented through staging. The settings of many ‘Gothic operas’ in Scotland and England reveal the continental European fascination with northern Europe and its history. This stemmed from the influx of English and Scottish literature, most prominently the Ossian poems and the works of Walter Scott and Shakespeare. Consequently, Gothic scenes such as ruined medieval castles and rugged cliffs, masked by darkness or mist are enmeshed with a northern landscape. Tartan costuming also visually situates the Gothic scenes in Northern Europe. Furthermore, the use of musical mannerisms of Scotland and England, particularly in chorus scenes, reinforces this parallel between the Gothic and the north, linking music to the visible Gothic setting. Secondly, I will explore the way in which Gothic imaginings of both immaterial and physical incarnations of the supernatural move between the latent subconscious and conscious realisation. This is evident through the interplay between voice, orchestra and the singer’s corporeality and draws upon recent operatic studies concerning representation of ‘others’, dramatisation, and theatrical spaces. This second section positions women at the heart of the Gothic in opera, as the soprano is most often the character susceptible to other-worldly encounters and madness. The fundamental figure in this study is Gaetano Donizetti (1797-1848). A number of his operas from the 1830s, especially Lucia di Lammermoor, emphasise how the Gothic may be revealed in opera. However, I conclude with a chapter on Macbeth, the ‘Gothic opera’ of Giuseppe Verdi (1813-1901), for this work demonstrates how the configuration of the Gothic is developed in musical and dramatic terms and presents a case where the supernatural influence becomes all-empowered.</p>


Author(s):  
Michael Ledger-Lomas

Methodism was originally a loosely connected network of religious clubs, each devoted to promoting holy living among its members. It was part of the Evangelical Revival, a movement of religious ideas which swept across the North Atlantic world in the eighteenth century. This chapter charts the growth and development, character and nature, and consolidation and decline of British Methodism in the nineteenth century from five distinct perspectives. First, Methodism grew rapidly in the early nineteenth century but struggled to channel that enthusiasm in an effective way. As a result, it was beset by repeated secessions, and the emergence of rival Methodist groups, each with their own distinctive characteristics, of which Wesleyan Methodism was the largest and most influential. Second, while Methodism grew rapidly in England, it struggled to find a successful footing in the Celtic fringes of Wales, Ireland, and Scotland. Here, local preoccupations, sectarian tensions, and linguistic differences required a degree of flexibility which the Methodist leadership was often not prepared to concede. Third, the composition of the Methodist membership is considered. While it is acknowledged that most Methodists came from working-class backgrounds, it is also suggested that Methodists became more middle class as the century progressed. People were attracted to Methodism because of its potential to transform lives and support people in the process. It encouraged the laity to take leadership roles, including women. It provided a whole network of support services which, taken together, created a self-sufficient religious culture. Fourth, Methodism had a distinctive position within the British polity. In the early nineteenth century the Wesleyan leadership was deeply conservative, and even aligned itself with the Tory interest. Wesleyan members and almost all of Free Methodism were reformist in their politics and aligned themselves with the Whig, later Liberal interest. This early conservatism was the result of Methodism’s origins within the Church of England. As the nineteenth century progressed, this relationship came under strain. By the end of the century, Methodists had distanced themselves from Anglicans and were becoming vocal supporters of Dissenting campaigns for political equality. Fifth, in the late nineteenth century, Methodism’s spectacular growth of earlier decades had slowed and decline began to set in. From the 1880s, Methodism sought to tackle this challenge in a number of ways. It sought to broaden its evangelical message, and one of its core theological precepts, that of holiness. It embarked on an ambitious programme of social reform. And it attempted to modernize its denominational practices. In an attempt to strengthen its presence in the face of growing apathy, several branches of Methodism reunited, forming, in 1932, the Methodist Church in Britain. However, this institutional reorganization could not stop the steady decline of British members into the twentieth century. Instead, Methodism expanded globally, into previously non-Christian areas. It is now a denomination with a significant world presence. British Methodism, however, continues to struggle, increasingly of interest only as a heritage site for the origins of a much wider and increasingly diverse movement.


2013 ◽  
Vol 121 (1) ◽  
pp. 60-84 ◽  
Author(s):  
Ina Ferris

This essay reads the seminal historical fiction of Walter Scott in conjunction with the medical apparition discourse that flourished in the early nineteenth century. It argues that the tactics of the historical novel in this period are best understood through an “apparitional poetics” that attempts to solve the problem of the historical image.


1975 ◽  
Vol 2 ◽  
pp. 59-89 ◽  
Author(s):  
Henry H. Bucher

The Mpongwe people of the Gabon estuary live today in the immediate area of Libreville, the capital city of the Gabon Republic. Libreville is built on Mpongwe ancestral lands, and its history is only a small and comparatively recent chapter in the longer story of the Mpongwe and their neighbors. In the nineteenth century the expression “les Gabonais” or “the Gaboon people” had only one meaning—the Mpongwe of the estuary who were the coastal trading aristocracy.The Mpongwe are only one of the six peoples belonging to the Myèné-speaking group of Gabon. The other five are the Orungu, Nkomi, Galoa, Adyumba, and Enenga. Only the Mpongwe are patrilineal. Myèné is purely a linguistic classification, a subdivision of the Bantu language. All six of these societies fit into a circle whose circumference includes the three largest cities in Gabon today—Libreville, Port Gentil (formerly Cape Lopez), and Lambaréné (Map 1). From the seventeenth to the nineteenth centuries, Myèné was the coastal lingua franca between the southern Cameroun and Cabinda. The Myèné societies in general, and the Mpongwe in particular, have played a key role in Gabon's past, and continue to be an influential minority in modern Gabon. In the early nineteenth century, and for an unknown previous period, the closest non-Myèné neighbors of the Mpongwe were the Benga and the related societies to the north, and the Shekiani and Bakélé to the east. The Shekiani were the couriers in the Mpongwe trade with the Bakélé and other interior societies.


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