Ancient Rome and Victorian Masculinity

2018 ◽  
Author(s):  
Laura Eastlake
Keyword(s):  
French Revolution ◽  
Victorian Literature ◽  
Wilkie Collins ◽  
Anthony Trollope ◽  
Reception Studies ◽  
Rudyard Kipling ◽  
Ancient Rome ◽  
Education Politics ◽  
The First World War ◽  
And Gender

Ancient Rome and Victorian Masculinity examines Victorian receptions of ancient Rome from the French Revolution to the First World War, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature were at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire. The Roman parallel was used to capture the martial virtue of Wellington just as it was used to condemn the deviance and degeneracy of Oscar Wilde. Using approaches from literary and cultural studies, reception studies, and gender studies, this book is the first comprehensive examination of the importance of ancient Rome for Victorian ideas about masculinity. With chapters on education, politics, empire, and late Victorian decadence, it makes sense of the manifold and often contradictory representations of Rome—as distinct from Greece—in authors like Wilkie Collins, Anthony Trollope, H. Rider Haggard, Rudyard Kipling, and others.

scholarly journals Intertextual dialogue with Victorian literature in the novels by Sarah Ann Waters as a means of implementing feminist issues

2021 ◽  
Vol 27 (1) ◽  
pp. 141-146
Author(s):  
Anna A. Ilunina
Keyword(s):  
Henry James ◽  
Victorian Literature ◽  
Wilkie Collins ◽  
Elizabeth Barrett Browning ◽  
The Novel ◽  
The Past ◽  
Aurora Leigh ◽  
And Gender ◽  
British Culture ◽  
Intertextual Dialogue

The article presents an analysis of the implementation of the category of intertextuality in the novel «Affinity» (1999) by the British writer Sarah Ann Waters. The aim of the work was to trace how the intertextual dialogue with the Victorian literature contributes to the formation of the feminist issues of the work. It is revealed that the main pretexts when creating a novel for Waters were «Little Dorrit» by Charles John Huffam Dickens, «Aurora Leigh» by Elizabeth Barrett Browning, «The Turn of the Screw» by Henry James, and novels by William Wilkie Collins. «Affinity» has elements of Gothic narrative, a detective, a sensational novel, the Newgate novel, picaresque novel, contributing to the formation of women's issues. The dialogue with Victorianism allows Waters to raise issues of gender inequality in the past and present, the exploitation of women, and the rights of individuals to realise their sexual identity. For Waters, turning to Victorianism is a way to draw attention to issues that, according to the writer, are still topical in British culture, such as sexuality, class and gender.

Reviews: The Logic of History: Putting Postmodernism in Perspective, on the Future of History: The Postmodernist Challenge and its Aftermath, Modernism and the Ideology of History: Literature, Politics, and the Past, Postmodernism in History: Fear or Freedom?, Quoting Shakespeare: Form and Culture in Early Modern Drama, Early Modern Civil Discourses, ‘A moving Rhetoricke’: Gender and Silence in Early Modern England, Society and Culture in Early Modern England, the English Radical Imagination: Culture, Religion and Revolution, 1630–1660, An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727, Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain, the French Revolution and the London Stage, 1789–1805, Nationalism, Imperialism and Identity in Late Victorian Culture, Modernism, Male Friendship and the First World War, Bloody Good: Chivalry, Sacrifice, and the Great War, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940McCullaghC. Behan, The Logic of History: Putting Postmodernism in Perspective , Routledge, 2004, pp. viii + 212, £18.99 pbBreisachE., On the Future of History: The Postmodernist Challenge and its Aftermath , University of Chicago Press, 2003, pp. vii + 236, $16.00 pb.WilliamsL. Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past , Cambridge University Press, 2002, pp. 265, £40.SouthgateBeverley, Postmodernism in History: Fear or Freedom? Routledge, 2003, pp. xi + 211, £55, £16.99 pb.BrusterDouglas, Quoting Shakespeare: Form and Culture in Early Modern Drama , University of Nebraska Press, 2001, pp. 288, £35.50.RichardsJennifer (ed.), Early Modern Civil Discourses , Palgrave Macmillan, 2003, pp. 206, $65.00.LuckyjChristina, ‘A moving Rhetoricke‘: Gender and Silence in Early Modern England , Manchester University Press, 2002, pp. viii + 198, £40.CressyDavid, Society and Culture in Early Modern England , Variorum Collected Studies Series, Ashgate, 2003, pp. xii + 344, £57.50.McDowellNicholas, The English Radical Imagination: Culture, Religion and Revolution, 1630–1660 , Clarendon Press, 2003, pp. x + 219, £45.BurnsWilliam E., An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727 , Manchester University Press, 2002, pp. 218, £45.BergMaxine and EgerElizabeth (eds), Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods , Palgrave Macmillan, 2003, pp. xii + 259, 41 plates, £55.SweetRosemary, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain , Hambledon & London, 2004, pp. xxi + 473, £25.TaylorGeorge, The French Revolution and the London Stage, 1789–1805 , Cambridge University Press, 2002, pp. x + 263, £45.AttridgeSteve, Nationalism, Imperialism and Identity in Late Victorian Culture , Palgrave Macmillan, 2003, pp. 229, £45.ColeSarah, Modernism, Male Friendship and the First World War , Cambridge University Press, 2003, pp. 297, £40FrantzenAllen J., Bloody Good: Chivalry, Sacrifice, and the Great War , University of Chicago Press, 2004, pp. 335, £24.50.BoydKelly, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940 , Palgrave Macmillan, 2003, pp. x + 273, £60.

2005 ◽  
Vol 14 (1) ◽  
pp. 81-100
Author(s):  
Christopher Parker ◽  
David Watson ◽  
Alan Armstrong ◽  
Ben Lowe ◽  
Carrie Hintz ◽  
...  
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Cultural History ◽  
French Revolution ◽  
Early Modern England ◽  
Modern Drama ◽  
Victorian Culture ◽  
Cambridge University ◽  
The Past ◽  
The First World War

Women and the Warsaw Home Front

2017 ◽  
Author(s):  
Robert Blobaum
Keyword(s):  
Home Front ◽  
Political Rights ◽  
World War ◽  
Women And Gender ◽  
Small Minority ◽  
Military Organizations ◽  
The First World War ◽  
And Gender ◽  
First World

This chapter examines the intersection of war and gender in Warsaw. The resurrection of an independent Polish state in the aftermath of the First World War was accompanied by the establishment of equal political rights and suffrage for women, a cause that had minimal support before the war but was accepted after the war with little public debate or dissent. However, that the war itself had something to do with this important development in Polish political culture is assumed rather than established in the historiography of modern Poland and the emerging scholarship about women and gender. Moreover, in the scant literature on the role of women in wartime Poland, the focus had been placed—or misplaced—on a small minority of women who served as volunteers in auxiliary military organizations, particularly those in support of the Polish legions.

Schnitzler, Arthur (1862–1931)

2018 ◽  
Author(s):  
Katja Garloff
Keyword(s):  
Social Class ◽  
Gender Roles ◽  
Young Woman ◽  
French Revolution ◽  
Sexual Partner ◽  
Social Classes ◽  
Arthur Schnitzler ◽  
Middle Classes ◽  
Power Asymmetries ◽  
And Gender

Arthur Schnitzler was a leading exponent of Viennese modernism. The son of a Jewish laryngologist, Schnitzler studied and practised medicine before devoting himself exclusively to writing. His literary works explore the themes of love and death, reality and illusion, and changing codes of honour and morality. In his dramatic plays, Schnitzler emphasizes dialogue over action and often shows how people speak past each other. In his prose, he experiments with subjective modes of narration that give readers access to the thoughts and feelings of the characters. In 1895 Schnitzler achieved a breakthrough with Liebelei [The Reckoning], a play about love, betrayal, social class, and gender roles. Liebelei features a prototypical ‘sweet girl,’ a young woman from the lower middle classes involved in a relationship with an aristocratic man. The 1896/97 Reigen [Hands Around] was to become Schnitzler’s most controversial work. The play consists of ten dialogues between lovers, one of whom will find a new sexual partner in the next scene in each case. Linking members from different social classes into a sexual chain, the play exposes the power asymmetries between them. While Schnitzler was primarily a chronicler of his time and society, he also wrote several historical plays, including the 1899 Der grüne Kakadu [The Green Cockatoo], which is set at the beginning of the French Revolution.

The Virtues of Violence

2020 ◽  
Author(s):  
Kevin Duong
Keyword(s):  
Political Violence ◽  
French Revolution ◽  
Legal Regime ◽  
Modern Democracy ◽  
Paris Commune ◽  
Social Fabric ◽  
The People ◽  
The Social ◽  
The First World War ◽  
First World

This book uncovers an unfamiliar vision of political violence that nonetheless prevailed in modern French thought: that through “redemptive violence” the people would not rend but regenerate society. It homes in on invocations of popular redemptive violence across four historical moments in France specifically: the French Revolution, Algeria’s colonization, the Paris Commune, and the eve of the first World War. In each of these cases, the book reveals how French thinkers experienced democratization as social disintegration. Yet, before such danger, they also proclaimed that virtuous violence by the people could repair the social fabric. The path leading from an anarchic multitude to an organized democratic society required, not violence’s prohibition, but its virtuous expression by the people. Understanding this counterintuitive vision of violence in French thought offers a new vantage point on the meaning of modern democracy. It alerts readers to how struggles for democracy do not merely seek justice or a new legal regime but also liberating visions of the social bond.

Dialogues with the Blind

2017 ◽  
Author(s):  
Georgina Kleege
Keyword(s):  
Jacques Derrida ◽  
Visual Art ◽  
Wilkie Collins ◽  
Mirror Image ◽  
Rudyard Kipling ◽  
Visual Artists ◽  
Paul Auster ◽  
Raymond Carver ◽  
Artistic Process ◽  
Stock Character

This chapter surveys literary and theoretical representations pairing blindness and visual art. Jacques Derrida observes that when visual artists depict blindness they are in fact making reference to their own artistic process. The chapter examines fiction by Rudyard Kipling, Wilkie Collins, Raymond Carver, Lorrie Moore, Hilary Norman, Paul Auster, Tracy Chevalier, and others. While many of these representations follow the contours of the Hypothetical Blind Man, some authors use depictions of blindness to posit the power of language to capture the ephemeral nature of the visual. Authors update the stock character of the blind seer to offer readers a mirror image of themselves.

XIIIThe Victorian Period

2020 ◽  
Author(s):  
Kristen Pond ◽  
Elizabeth Parker ◽  
Lois Burke ◽  
Ana Alicia Garza ◽  
Helen Williams ◽  
...  
Keyword(s):  
George Eliot ◽  
Elizabeth Gaskell ◽  
Wilkie Collins ◽  
Anthony Trollope ◽  
George Gissing ◽  
Walter Pater ◽  
The Novel ◽  
Publishing History ◽  
Victorian Period

Abstract This chapter has six sections: 1. General and Prose; 2. The Novel; 3.Poetry; 4. Periodicals and Publishing History; 5. Drama; 6. Miscellaneous and Cross-Genre. Section 1 is by Kristen Pond with the assistance of Elizabeth Parker; section 2 is by Lois Burke with the assistance of Ana Alicia Garza, who writes on Dickens; section 3 is by Ana Alicia Garza; section 4 is by Helen Williams; section 5 is by Caroline Radcliffe; section 6 is by William Baker. In a departure from previous years, and in order to avoid confusion as to who has contributed what to this chapter, section 6 contains material on George Borrow, Thomas and Jane Welsh Carlyle, and Richard Jefferies previously found in the General and Prose section, and on Wilkie Collins, George Eliot, George Henry Lewes, Elizabeth Gaskell, George Gissing, Meredith, Thackeray, Anthony Trollope, and Walter Pater previously found in other sections. Also included in section 6 are miscellaneous and cross-genre items and additional items that arrived too late to be included elsewhere in this chapter. Thanks for assistance with this chapter must go to Dominic Edwards, Nancy S. Weyant, the bibliographer of Mrs Gaskell, and Patrick Scott.

Gender, Women’s History, and Social History

1989 ◽  
Vol 13 (4) ◽  
pp. 439-462 ◽  
Author(s):  
Louise A. Tilly
Keyword(s):  
Problem Solving ◽  
Social History ◽  
French Revolution ◽  
Women's History ◽  
Analytical Problem ◽  
Women And Gender ◽  
And Gender ◽  
Olympe De Gouges ◽  
Women’S History ◽  
The Revolution

Recently, I attended a seminar at which a historian of women presented a dazzling interpretation of the polemical writing of Olympe de Gouges and its (not to mention her) reception during the French Revolution. A crusty old historian of the Revolution rose during the question period and inquired, in his own eastern twang, “Now that I know that women were participants in the Revolution, what difference does it make!” This encounter suggested to me what I will argue are two increasingly urgent tasks for women’s history: producing analytical problem-solving studies as well as descriptive and interpretive ones, and connecting their findings to general questions already on the historical agenda. This is not a call for integrating women’s history into other history, since that process may mean simply adding material on women and gender without analyzing its implications, but for writing analytical women’s history and connecting its problems to those of other histories. Only through such an endeavor is women’s history likely to change the agenda of history as a whole.

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