Attentive Deviance from Standards at CraneSolutions

2020 ◽  
pp. 89-138
Author(s):  
Ronny Gey ◽  
Sarah Langer ◽  
Andrea Fried
Keyword(s):  
Social Norms ◽  
Organizational Deviance ◽  
The Social

In this chapter, Ronny Gey, Sarah Langer, and Andrea Fried draw attention to the actual enactment of standards in organizations. They describe a software developing project of the crane manufacturer CraneSolutions which is confronted with a situation where no standards are directly suitable for its niche products. The case of CraneSolutions is a striking example of mainly attentive deviance from standards. The chapter analyses how the organization succeeds in committing to standards while deviating from them attentively. Based on a structurationist framework, the analysis of CraneSolutions enables understanding of the enactment of standards as represented in the interpretative schemes, the facilities, and the social norms of the organization. Moreover, the authors explain organizational deviance from standards as a way of how organizations deal effectively with emerging asymmetries and contradictions during the enactment of standards. This chapter represents one of the two commitment-oriented types of organizational deviance introduced in the book.

Interpreting Heidegger on das Man (1995)

2017 ◽  
Keyword(s):  
Social Norms ◽  
Being And Time ◽  
The Social ◽  
Mode Of Being

In their debate over Dreyfus’s interpretation of Heidegger’s account of das Man in Being and Time, Frederick Olafson and Taylor Carman agree that Heidegger’s various characterizations of das Man are inconsistent. Olafson champions an existentialist/ontic account of das Man as a distorted mode of being-with. Carman defends a Wittgensteinian/ontological account of das Man as Heidegger’s name for the social norms that make possible everyday intelligibility. For Olafson, then, das Man is a privative mode of Dasein, while for Carman it makes up an important aspect of Dasein’s positive constitution. Neither interpreter takes seriously the other’s account, though both acknowledge that both readings are possible. How should one choose between these two interpretations? Dreyfus suggests that we choose the interpretation that identifies the phenomenon that the work is examining, gives the most internally consistent account of that phenomenon, and shows the compatibility of this account with the rest of the work.

Can Humanism be the Social Norm?

2020 ◽  
Author(s):  
Sharon D. Welch
Keyword(s):  
Social Norms ◽  
Social Norm ◽  
Human Cognition ◽  
Human Reasoning ◽  
Individual Freedom ◽  
Social Divisions ◽  
The Social

Assaults on truth and divisions about the nature of wise governance are not momentary political challenges, unique to particular moments in history. Rather, they demonstrate fundamental weaknesses in human reasoning and core dangers in ways of construing both individual freedom and cohesive communities. It will remain an ongoing challenge to learn to deal rationally with what is an intrinsic irrationality in human cognition and with what is an intrinsic tendency toward domination and violence in human collectivities. In times of intense social divisions, it is vital to consider the ways in which humanism might function as the social norm by, paradoxically, functioning in a way different from other social norms. Humanism is not the declaration that a certain set of values or norms are universally valid. At its best and most creative, humanism is not limited to a particular set of norms, but is, rather, the commitment to a certain process in which norms are continuously created, critically evaluated, implemented, sustained or revised. Humanism is a process of connection, perception, implementation, and critique, and it applies this process as much to itself as to other traditions.

scholarly journals When time becomes personal. Aging and personal identity

2021 ◽  
Author(s):  
Christian Sternad
Keyword(s):  
Social Norms ◽  
Personal Identity ◽  
Physical Process ◽  
Phenomenological Analysis ◽  
Human Existence ◽  
Phenomenological Method ◽  
The Social ◽  
Future Self ◽  
Social Level

AbstractAging is an integral part of human existence. The problem of aging addresses the most fundamental coordinates of our lives but also the ones of the phenomenological method: time, embodiment, subjectivity and intersubjectivity, and even the social norms that grow into the very notion of aging as such. In my article, I delineate a phenomenological analysis of aging and show how such an analysis connects with the debate concerning personal identity: I claim that aging is not merely a physical process, but is far more significantly also a spiritual one as the process of aging consists in our awareness of and conscious relation to our aging. This spiritual process takes place on an individual and on a social level, whereas the latter is the more primordial layer of this experience. This complicates the question of personal identity since it will raise the question in two ways, namely who I am for myself and who I am for the others, and in a further step how the latter experience shapes the former. However, we can state that aging is neither only physical nor only spiritual. It concerns my bodily processes as it concerns the complex reflexive structure that relates my former self with my present and even future self.

scholarly journals Composing Individuals: Ethnographic Reflections on Success and Prestige in the British New Music Network

2013 ◽  
Vol 10 (1) ◽  
pp. 115-136 ◽  
Author(s):  
HETTIE MALCOMSON
Keyword(s):  
Social Norms ◽  
Art Music ◽  
Social Processes ◽  
Ethnographic Study ◽  
New Music ◽  
Disciplinary Power ◽  
Art Worlds ◽  
The Social ◽  
Scant Attention

AbstractIn contrast to established musicians, lesser-known composers have received scant attention in art music scholarship. This article, based on an ethnographic study, considers how a group of British composers construed ideas of success and prestige, which I analyse in terms of anthropological writings on exchange, Bourdieusian symbolic economies, and Foucauldian notions of disciplinary power. Prestige was ascribed to composers who created ‘interesting’ music, a category that eclipsed novelty as an aim. Individuality, enacted within a context of individualism, was key to assessing whether music was interesting. This individuality had to be tempered, structured, and embedded in the social norms of this and related ‘art worlds’. The article examines the social processes involved in creating this individuality, musical personality, and music considered interesting.

scholarly journals Readings Behind the Early Christian Queer Experiences

2021 ◽  
Vol 58 (2) ◽  
pp. 105-124
Author(s):  
Larisa Orlov Vilimonović
Keyword(s):  
Sex Differences ◽  
Social Context ◽  
Social Norms ◽  
Early Christianity ◽  
Late Antique ◽  
Early Christian ◽  
Gender Fluidity ◽  
The Social ◽  
Gender Categories ◽  
Body Modifications

This paper deals with the ideas of queer experiences in the Early Christian movement, seen through early Christian epistemologies of gender and patristic thought focused on sex differences. The lives and passions of transgender nuns are used in discussing various aspects of gender fluidity in early Christianity. Theoretically, the paper rests on the idea of the performativity of gender, that is, on the ways gender was constructed and how body modifications enabled renegotiation of gender categories. It also focuses on the social context of queer experiences in the late antique period with regard to Roman social norms.

scholarly journals The Nomadic War Machine in Jack Kerouac’s Vanity of Duluoz and On the Road

2021 ◽  
Vol 21 (2) ◽  
Keyword(s):  
Social Norms ◽  
Gilles Deleuze ◽  
The Road ◽  
The Social ◽  
War Machine ◽  
On The Road ◽  
Post War ◽  
Alter Ego ◽  
Duluoz Legend ◽  
Iconic Figure

This study inquiries into Jack Kerouac’s Vanity of Duluoz (1968) and On the Road (1957) from the perspective of Gilles Deleuze and Félix Guattari’s nomadic war machine. It shifts from a rigorous scrutiny of Vanity of Duluoz for its general account of the Duluoz legend, Kerouac’s alter ego, to the study of On the Road for its more specific narrative of a certain period in Kerouac’s life. Being an iconic figure of rebellion and non-conformity in capitalist America during the postwar era, Kerouac’s literary works have a certain social and political magnitude that falls within the discourse of deconstructing orthodoxy and dogma. The study elucidates how Kerouac’s characters subvert the social norms and the state’s institutions in order to break free from pre-structured beliefs. The thesis of the article is to corroborate that such non-conformity and insubordination, exemplified in Kerouac’s autobiographical works, align with the nomadic characteristic of Deleuze and Guattari’s war machine. By extension, it aims at presenting Kerouac as the Deleuzeguattarian nomad who creates nomadic characters that deterritorialize post-war America from within.

scholarly journals Tattoos and IP Norms

2016 ◽  
Author(s):  
Aaron Perzanowski
Keyword(s):  
Intellectual Property ◽  
Social Norms ◽  
Creative Industries ◽  
Legal Rights ◽  
Face To Face ◽  
Law And Policy ◽  
Descriptive Account ◽  
The Social ◽  
Original Works ◽  
Music Film

The U.S. tattoo industry generates billions of dollars in annual revenue. Like the music, film, and publishing industries, it derives value from the creation of new, original works of authorship. But unlike rights holders in those more traditional creative industries, tattoo artists rarely assert formal legal rights in disputes over copying or ownership of the works they create. Instead, tattooing is governed by a set of nuanced, overlapping, and occasionally contradictory social norms enforced through informal sanctions. And in contrast to other creative communities that rely on social norms because of the unavailability of formal intellectual property protection, the tattoo industry opts for self-governance despite the comfortable fit of its creative output within the protections of the Copyright Act.This Article relies on qualitative interview data drawn from more than a dozen face-to-face conversations with professionals in the tattoo industry. Based on those interviews, it offers a descriptive account of the social norms that have effectively displaced formal law within the tattoo community, provides a set of complementary cultural and economic explanations for the development of those norms, and outlines the broader implications of this research for intellectual property law and policy.

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