Cycles
This chapter situates William Earle’s 1800 novel Obi within a network of texts—including histories, natural histories, poems, and travel narratives—that surface the novel’s engagement with the profitable business of botanical transplantation which, at the turn into the nineteenth century, depended on connections between the Atlantic and Pacific oceans. Earle aligns human bodies with plants in order to represent the slave trade as a destructive form of transplantation and amputation. Drawing from Erasmus Darwin’s poem Botanic Garden, the novel Obi advances a “vegetable economy” in which revolution is a natural, botanical response to the violent transplantation project of the Atlantic slave trade. The surprisingly transoceanic and political life of plants during this period therefore forms the backdrop for the novel’s anti-slavery argument, which aligns human bodies with the bodies of plants and understands plantation slavery in terms of botanical transplantation.