The Black Market

2018 ◽  
pp. 81-108
Author(s):  
Sharada Balachandran Orihuela
Keyword(s):  
Nineteenth Century ◽  
Slave Trade ◽  
Black Market ◽  
Frederick Douglass ◽  
Political Life ◽  
Illegal Trade ◽  
The Novel ◽  
Commercial Activities ◽  
Martin Delany ◽  
Black Subject

This chapter considers varied forms of political life made possible through the framework of theft. Recognizing that the hemispheric slave trade is a piratical act in the context of the novel, these pages argue that Martin Delany and Frederick Douglass suggest that slaves too should engage in piratical economic behaviors as a response to the illegal commercial activities undergirding the peculiar institution. By exploring the economic impact of enslaved subjects as thieves, Black participation in the market emerges as a strategy that disrupts the proper operations of exchange and doubly creates a “b/Black” market. Illegal trade, in the hands of an enslaved population, is a way for enslaved bodies to stake claims to personhood and, ultimately, freedom. Read alongside the significant historical events of the mid-nineteenth century, Frederick Douglass’s My Bondage and My Freedom (1855) and Martin Delany’s Blake, or the Huts of America (1859-1862) frame an interest in the intersections of economic freedom and liberal principles as they come to bear on the enslaved Black subject in the nineteenth century.

Cycles

2019 ◽  
pp. 153-176
Author(s):  
Michelle Burnham
Keyword(s):  
Nineteenth Century ◽  
Slave Trade ◽  
Travel Narratives ◽  
Political Life ◽  
The Novel ◽  
Botanic Garden ◽  
Plantation Slavery ◽  
Atlantic Slave Trade ◽  
Natural Histories

This chapter situates William Earle’s 1800 novel Obi within a network of texts—including histories, natural histories, poems, and travel narratives—that surface the novel’s engagement with the profitable business of botanical transplantation which, at the turn into the nineteenth century, depended on connections between the Atlantic and Pacific oceans. Earle aligns human bodies with plants in order to represent the slave trade as a destructive form of transplantation and amputation. Drawing from Erasmus Darwin’s poem Botanic Garden, the novel Obi advances a “vegetable economy” in which revolution is a natural, botanical response to the violent transplantation project of the Atlantic slave trade. The surprisingly transoceanic and political life of plants during this period therefore forms the backdrop for the novel’s anti-slavery argument, which aligns human bodies with the bodies of plants and understands plantation slavery in terms of botanical transplantation.

GLOBAL ENCOUNTERS: SLAVERY AND SLAVE LIFEWAYS ON NINETEENTH CENTURY DANISH PLANTATIONS ON THE GOLD COAST, GHANA

2004 ◽  
Vol 2 (2) ◽  
pp. 203-227 ◽  
Author(s):  
Yaw Bredwa-Mensah
Keyword(s):  
Nineteenth Century ◽  
Indigenous Peoples ◽  
Slave Trade ◽  
Gold Coast ◽  
The West ◽  
Archaeological Data ◽  
Commercial Activities ◽  
Tropical Crops ◽  
Atlantic Slave Trade ◽  
Oral Information

The global processes unleashed due to the European maritime exploration and commercial activities as from 1500 AD onwards affected indigenous peoples and cultures of the Atlantic world. In West Africa, the European presence precipitated the Atlantic slave trade, which involved the exportation of millions of Africans into slavery. In the nineteenth century a so-called legitimate trade in colonial agricultural commodities replaced the Atlantic slave trade. As a result, the Danes established agricultural plantations on the Gold Coast and exported tropical crops for processing and consumption in Denmark and the West Indies. Enslaved Africans were used by the Danes to cultivate the plantations in the foothills of the Akuapem Mountains and along the estuary of the Volta River. This paper combines information from written sources, ethnography, oral information and archaeology to investigate the living conditions of the enslaved workers on the plantations. The archaeological data was recovered from the Frederiksgave plantation at Sesemi near Abokobi in the Akuapem Mountains of southeastern Gold Coast (Ghana).

Representing the Slave Trader: Haley and the Slave Ship; or, Spain's Uncle Tom's Cabin

PMLA ◽  
2005 ◽  
Vol 120 (3) ◽  
pp. 768-782 ◽  
Author(s):  
Lisa Surwillo
Keyword(s):  
Nineteenth Century ◽  
Slave Trade ◽  
The Political ◽  
The Novel ◽  
Uncle Tom's Cabin ◽  
Slave Ship ◽  
Transatlantic Slave Trade ◽  
Abolitionist Movement ◽  
Imperial Power ◽  
The Caribbean

Uncle Tom's Cabin was one of the foremost texts of the American abolitionist movement, but its impact on politics was international. This article traces the reception of Stowe's novel in Spain, the last European empire with a slave economy, during the mid–nineteenth century. As an imperial power, Spain was the political and economic force behind the transatlantic slave trade; but as a nation of readers, it imported a narrative back across the Atlantic in order to fictionalize and contemplate the effects of its slave policies in the Caribbean. One such adaptation converted the novel into a play about a slave trader and recast Stowe's story of slavery in the Atlantic world in terms of Spain's role in the slave trade and in the imperial control of Cuba.

Hurry Up and Wait: The Nigger of the ‘Narcissus’ and the Maritime in Modernism

2017 ◽  
Vol 12 (2) ◽  
pp. 173-197 ◽  
Author(s):  
Maxwell Uphaus
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Modernist Literature ◽  
Left Behind ◽  
Late Nineteenth ◽  
Cultural Role

The burgeoning subfield of literary oceanic studies has largely neglected modernist literature, maintaining that the end of the age of sail in the late nineteenth century also marks an end to maritime literature's substantive cultural role. This essay outlines a way of reading the maritime in modernism through an analysis of the engagement with history and temporality in Joseph Conrad's sea novel The Nigger of the ‘Narcissus’ (1897). The novel depicts the sea as variously an anachronistic sphere left behind by history, an integral foundation to history, an element that eclipses history, and an archive of history's repressed violence. This article traces the interactions of these various views of the sea's relationship to history, highlighting how they are shaped and inflected by the novel's treatment of race. Based on this analysis, it proposes an approach to the sea in modernist literature that focuses on its historiographical rather than social import.

Epic and Novel

2013 ◽  
Vol 68 (3) ◽  
pp. 396-422 ◽  
Author(s):  
Natasha Moore
Keyword(s):  
Nineteenth Century ◽  
Everyday Life ◽  
Economic Life ◽  
Modern World ◽  
The Novel ◽  
Aurora Leigh ◽  
Big Picture

This essay explores a peculiarly Victorian solution to what was perceived, in the middle of the nineteenth century, as a peculiarly Victorian problem: the fragmentation and miscellaneousness of the modern world. Seeking to apprehend the multiplicity and chaos of contemporary social, intellectual, political, and economic life, and to furnish it with a coherence that was threatened by encroaching religious uncertainty, Victorian poets turned to the resources of genre as a means of accommodating the heterogeneity of the age. In particular, by devising ways of fusing the conventions of the traditional epic with those of the newly ascendant novel, poets hoped to appropriate for the novelistic complexity of modern, everyday life the dignifying and totalizing tendencies of the epic. The essay reevaluates the generic hybridity of Elizabeth Barrett Browning’s Aurora Leigh (1856) as an attempt to unite two distinct kinds of length—the microscopic, cumulative detail of the novel and the big-picture sweep of the epic—in order to capture the miscellaneousness of the age and, at the same time, to restore order and meaning to the disjointed experience of modernity.

Slavery and Class in the American South

2019 ◽  
Author(s):  
William L. Andrews
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
African Americans ◽  
American South ◽  
Frederick Douglass ◽  
Harriet Jacobs ◽  
Slave Narrative ◽  
William Wells Brown ◽  
The American South ◽  
Work Family

In this study of an entire generation of slave narrators, more than sixty mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Andrews also reveals how class awareness shaped the views and values of some of the most celebrated African Americans of the nineteenth century. Slave narrators discerned class-based reasons for violence between “impudent,” “gentleman,” and “lady” slaves and their resentful “mean masters.” Status and class played key roles in the lives and liberation of the most celebrated fugitives from US slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. By examining the lives of the most- and least-acclaimed heroes and heroines of the African American slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers’ advantage, but at other times fueling convictions among even the most privileged of the enslaved that they deserved nothing less than complete freedom.

The Novel in English in Malaya and Singapore to 1950

2018 ◽  
Author(s):  
Tamara Wagner
Keyword(s):  
Nineteenth Century ◽  
East Asia ◽  
English Language ◽  
Joseph Conrad ◽  
Civil Servant ◽  
Civil Servants ◽  
East India Company ◽  
South East Asia ◽  
The Novel ◽  
English East India Company

This chapter looks at the representations of the former British Straits Settlements in English fiction from 1819 to 1950, discussing both British literary works that are located in South East Asia and English-language novels from Singapore and Malaysia. Although over the centuries, Europeans of various nationalities had located, intermarried, and established unique cultures throughout the region, writing in the English language at first remained confined to travel accounts, histories, and some largely anecdotal fiction, mostly by civil servants. English East India Company employees wrote about the region, often weaving anecdotal sketches into their historical, geographical, and cultural descriptions. Civil servant Hugh Clifford and Joseph Conrad are the two most prominent writers of fiction set in the British Straits Settlements during the nineteenth century; they also epitomize two opposing camps in representing the region.

Thérèse Raquin

2008 ◽  
Author(s):  
Émile Zola
Keyword(s):  
Nineteenth Century ◽  
Moral Values ◽  
Second Empire ◽  
The Novel ◽  
Founding Father ◽  
Realist Novel ◽  
Scientific Ideas

Thérèse Raquin is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola's dispassionate dissection of the motivations of his characters, mere ‘human beasts’ who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece. Many readers were scandalized by an approach to character-drawing which seemed to undermine not only the moral values of a deeply conservative society, but also the whole code of psychological description on which the realist novel was based. Together with the important ‘Preface to the Second Edition’ in which Zola defended himself against charges of immorality, Thérèse Raquin stands as a key early manifesto of the French Naturalist movement, of which Zola was the founding father. Even today, this novel has lost none of its power to shock. This new translation is based on the second edition of 1868. The Introduction situates the novel in the context of Naturalism, medicine, and the scientific ideas of Zola's day.

Resurrection

2009 ◽  
Author(s):  
Leo Tolstoy
Keyword(s):  
Nineteenth Century ◽  
Social Life ◽  
The Novel ◽  
Recent Scholarship ◽  
The Social ◽  
The World

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

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