scholarly journals Slaves and Slavery in Kingston, 1770–1815

2020 ◽  
Vol 65 (S28) ◽  
pp. 39-65
Author(s):  
Trevor Burnard

AbstractHistorians have mostly ignored Kingston and its enslaved population, despite it being the fourth largest town in the British Atlantic before the American Revolution and the town with the largest enslaved population in British America before emancipation. The result of such historiographical neglect is a lacuna in scholarship. In this article, I examine one period of the history of slavery in Kingston, from when the slave trade in Jamaica was at its height, from the early 1770s through to the early nineteenth century, and then after the slave trade was abolished but when slavery in the town became especially important. One question I especially want to explore is how Kingston maintained its prosperity even after its major trade – the Atlantic slave trade – was stopped by legislative fiat in 1807.

1964 ◽  
Vol 5 (2) ◽  
pp. 185-208 ◽  
Author(s):  
Philip D. Curtin ◽  
Jan Vansina

A large proportion of the slaves captured at sea by the British Royal Navy during the early nineteenth century were landed at Sierra Leone. Statistical data on the make-up of the Sierra Leonean population at this period is available from several sources, and it provides some interesting clues to the scope and size of the slave trade from different parts of Africa.


1966 ◽  
Vol 7 (1) ◽  
pp. 79-93 ◽  
Author(s):  
Leslie Bethell

As a contribution to the history of Britain's campaign for the abolition of the transatlantic slave trade in the nineteenth century this article examines, first, the creation of various mixed commissions for the adjudication of vessels captured on suspicion of trading in slaves after the trade had been declared illegal; secondly, the composition of these mixed commissions and the way in which they functioned, with special reference to the several commissions sitting in Sierra Leone which for 25 years dealt with the majority of captured slave vessels; and thirdly, the reasons why after 1839, and especially after 1845, captured ships were increasingly taken before British vice-admiralty courts with the result that the mixed commissions were gradually allowed to run down, although most of them were not abolished until the Atlantic slave trade had been finally suppressed.


Author(s):  
O. M. Obchenko

The study of local communities is important in modern history. Local history helps to understand the peculiarities of the historical development of the regions and their inhabitants. The article examines statistical and socio-cultural information about the small town of Zmiiv in the early nineteenth century. The article analyzes the plan of the town of Zmiiv and the seal of the town of Zmiiv. The composition of the city’s residents is also analyzed and compared with the Chuhuiv town. Town Zmiiv is located in the Kharkiv region. In the XIX century Zmiiv was the district (povit) center. Analysis of the town’s development shows that gradual processes of modernization have begun in Zmiiv. Beyond to statistics, the ideas of the local gentleman Fedir Krychevsky about the town and its history are analyzed. Krychevsky lived in Zmiv in the early nineteenth century. Krychevsky’s reasoning helps us to understand how provincial nobles imagined an ideal city in the early nineteenth century. The local nobility formed the local urban identity. It was a premodern town in reality and in their imagination as well. He was the head of the local nobility. It is possible to reconstruct the stereotypes of this nobleman about the town of Zmiiv. The province is a place where urban and rural cultures interact. Nowhere is this more visible than in province town. Zmiiv is a typical town in eastern Ukraine. Exploring its features will help to better understand the history of this region.


1979 ◽  
Vol 6 ◽  
pp. 109-153 ◽  
Author(s):  
J.D.Y. Peel

This is an essay in conjectural history. Its subject is Ilesha, the capital of Ijesha, one of the larger Yoruba kingdoms, founded probably in the early sixteenth century roughly midway between the larger regional centers of Oyo and Benin. Except for some cursory references to Ijesha rescued from slavery in Sierra Leone in the early nineteenth century, there is absolutely no positive contemporary evidence, whether documentary or archeological, until Europeans first visited the town in 1858. Thereafter, since Ilesha was the leading member of the Ekitiparapo alliance which fought Ibadan to a standstill in the 1880s, contemporary documentation becomes fairly abundant. But my concern here is with the evolution of Ilesha's socio-political structure, with what has since come to be considered its “traditional” constitution, over roughly three centuries up to the third quarter of the nineteenth century. For that, virtually all our evidence lies in what people have said and done since the 1880s.African historians have perforce relied greatly on such evidence and since Vansina's Oral Tradition they have been able to use it both more confidently and more critically, especially in the area of Bantu Africa. My fellow sociologists, however, remain more radically sceptical. Despite their admission of the need for history, they have learned too well how dynastic tradition and legends of origin tend to serve as “characters” for contemporary arrangements and need primary interpretation in the light of this -- and have often concretely illustrated the point with devastating and, for those desirous of using oral traditions for historical ends, depressing effect.


Africa ◽  
2021 ◽  
Vol 91 (2) ◽  
pp. 205-225
Author(s):  
John Parker

AbstractThis article examines the history of voluntary death on the Gold Coast in present-day Ghana. Its focus is the suicide of a young woman named Adwoa Amissa (or Adumissa), who took her own life in dramatic fashion in the town of Cape Coast in the early nineteenth century. Adumissa killed herself in response to the earlier suicide of a thwarted suitor, who declared his own self-destruction to be ‘on her head’, thereby transferring the responsibility to her. These events, which were recorded by Sarah Bowdich, an English resident of Cape Coast in 1816–18, made Adumissa a legendary figure in the Fante region of the Gold Coast and beyond. Despite the interpretive complexities of Bowdich's text, two aspects of the episode reveal themselves as central to an understanding of its cultural context: the impact of the spoken word and the practice of aggressive ‘revenge suicide’ among the Akan and their neighbours. It is within this culturally meaningful and contingent framework that questions about Adumissa's emotional impulses, motivations and agency must be situated.


1984 ◽  
Vol 26 (2) ◽  
pp. 229-250 ◽  
Author(s):  
Richard Roberts

A history of the Maraka textile industry provides a glimpse into the fitful and uneven social and economic changes taking place during the nineteenth century in the area of the Western Sudan that is now part of Mali. Although the major historical events of this period are well understood, historians know very little about the social and economic history of the West African interior. Exactly how the abolition of the Atlantic slave trade, renewed Islamic militancy, and European territorial encroachment influenced African societies remains poorly understood. This is even more apparent for the Middle Niger valley, located near the geographical center of continental West Africa. Paradoxically, the gradual end of the Atlantic slave trade and the coincident expansion of the so-called legitimate trade in agricultural crops increased the use of slaves within Africa to meet demand for all types of African goods. The nineteenth century was thus an era of commodity production and market activity which was probably unparalleled in the history of West Africa prior to this period. The inhabitants of the Middle Niger participated in these changes, and this study describes what these changes meant to one group of African men and women.


2015 ◽  
Vol 33 (4) ◽  
pp. 839-885
Author(s):  
Simon Devereaux

For most historians, William Wilberforce is not immediately associated with the history of capital punishment, at least not beyond his occasional efforts to solicit mercy for individuals sentenced to death, and his distinctly subaltern role in the decisive early nineteenth century parliamentary debates over the abolition of the death penalty in England. Most scholars concern themselves with the first of the two “great objects” of which, in a diary entry for October 28, 1787, Wilberforce declared that “God Almighty has set before me … the suppression of the slave trade and the reformation of manners.” That concern is easily justified: the abolition of the slave trade quickly became the central preoccupation of Wilberforce's public life, and its implications were of global significance. His second professed mission of 1787 onwards—to help launch and sustain the Society for Giving Effect to His Majesty's Proclamation against Vice and Immorality—has inspired a smaller, although no less rich, body of scholarship. Our broad perspective on Wilberforce's public life remains that which was first laid down half a century ago, and which has subsequently been reinforced by historians of gender such as Leonore Davidoff and Catherine Hall. Wilberforce and his associates are principally seen as the progenitors of nineteenth century moral earnestness and spiritual idealism, as well as the feminine ideal of “the Angel in the House.” They were, as Ford K. Brown suggested in 1961, the “Fathers of the Victorians.”


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


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