Vladimir Nabokov’s Identity Papers
This chapter examines the disciplinary power of “identity papers,” such as passports and citizenship cards, in Nabokov’s fiction. The loss of such documents does more than alienate so many of Nabokov’s characters from their homelands: it estranges them from their very selves. To be without papers in Nabokov’s fiction is not just to be stateless, but to be without any identity at all. Passports and citizenship cards both reflect their holders and supplant them, becoming papery doubles that, in mirroring the self, take its place. In “fictitious biographies” like The Real Life of Sebastian Knight, Nabokov depicts lives that rely entirely on documentation and paperwork—selves quite literally made out of paper.