Lévi-Strauss’s Critique of Durkheim

Author(s):  
Jing Xie

Lévi-Strauss’s critique of Durkheim is considered an important one for two reasons. First, it is a discussion about the nature of social reality, and it therefore raises questions about the philosophical foundations of Durkheimian sociology. Second, it is regarded as a turning point in the French tradition of social anthropology, Lévi-Strauss’s purpose being to put forward structuralism as a solution to Durkheimian difficulties. In this chapter, first I outline Lévi-Strauss’s core arguments, and then I reassess the significance of his critique in light of the recent debates about his structuralist program in France. I will show that the orthodox view on the relation between the Durkheim school and Lévi-Strauss’s structuralism is oversimplified because it relies heavily on Lévi-Strauss’s own claims, and as a consequence, also oversimplifies Durkheim’s account of social reality. By examining concepts such as “symbolism,” “obligation,” “institution,” “norm,” and “action” in both Durkheim’s and Lévi-Strauss’s theory, I will show that Lévi-Strauss’s structuralist turn is in fact a cognitivist one, which, instead of offering solutions to Durkheimian questions, dismisses those questions.

In trying to show you the character of social anthropology as an academic discipline, I might try to sketch some substantive and perhaps intriguing findings in the field, or the history of its development, or some of its major intellectual problems today. I have chosen the last of these alternatives, because by showing the general problems we are grappling with I hope to reveal to you, in part no doubt inadvertently, the ways that anthropologists think, and also how our difficulties in part arise from the character of the social reality itself, which we confront and try to understand. The fundamental questions which social anthropology asks are about the forms, the nature, and the extent of order in human social life, as it can be observed in the different parts of the world. There is no need to prejudge the extent of this order; as members of one society we know how unpredictable social life can be. But concretely, human life varies greatly around the world, and it seems possible to characterize its forms to some extent. We seek means systematically to discover, record and understand these forms.


Author(s):  
Прокопович Л. В.

The purpose of the study is to identify and comprehend the socio- philosophical foundations of the theatricality of modern museum communications. The methodological research strategy is based on the concept of theatricality of sociocommunicative manifestations of culture (using the methodological apparatus of sociocultural analysis). This approach made it possible to find out that the museum space is communicative in its goals, objectives and forms of existence. This space is not closed, because museum communication is not only the exchange of information within the museum. The exit of museum communication into social reality is facilitated by the theftricalization of museum space and the formation of on appropriate information and semantic field (environment) using works of fiction.


Animation ◽  
2017 ◽  
Vol 12 (2) ◽  
pp. 138-155 ◽  
Author(s):  
Greg Sharzer

Although many fans have identified the end of The Simpsons’ golden era in 1997, at the beginning of season nine, there has been little critical analysis of what that shift signified for the show and for popular culture as a whole. For The Simpsons, this shift signifies two important qualitative changes: first, in the changing definition of work, from a Fordist model of employment to a precarious one, and second, as a result of the first, in its mode of realism, moving from an internally coherent to a fractured portrayal of the characters’ lives. The first sign of this transformation comes in season eight through the character of Frank Grimes. His relationship to Homer marks a turning point, after which characters and viewers alike are no longer able to inhabit a stable Fordist universe. If the task of realism, as a mode of expression is to approach social reality then The Simpsons’ failure to provide consistent characterizations reflects neoliberalism’s own dislocations.


2001 ◽  
Vol 60 (2) ◽  
pp. 89-98 ◽  
Author(s):  
Alain Clémence ◽  
Thierry Devos ◽  
Willem Doise

Social representations of human rights violations were investigated in a questionnaire study conducted in five countries (Costa Rica, France, Italy, Romania, and Switzerland) (N = 1239 young people). We were able to show that respondents organize their understanding of human rights violations in similar ways across nations. At the same time, systematic variations characterized opinions about human rights violations, and the structure of these variations was similar across national contexts. Differences in definitions of human rights violations were identified by a cluster analysis. A broader definition was related to critical attitudes toward governmental and institutional abuses of power, whereas a more restricted definition was rooted in a fatalistic conception of social reality, approval of social regulations, and greater tolerance for institutional infringements of privacy. An atypical definition was anchored either in a strong rejection of social regulations or in a strong condemnation of immoral individual actions linked with a high tolerance for governmental interference. These findings support the idea that contrasting definitions of human rights coexist and that these definitions are underpinned by a set of beliefs regarding the relationships between individuals and institutions.


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