The Politics of Chiefs and Commoners before the 1830s

Author(s):  
Raevin Jimenez

The field of pre-1830 South African history has been subject to periodic interrogations into conventional narratives, sources, and methods. The so-called mfecane debates of the 1980s and 1990s marked a radical departure from characterizations of warfare in the interior, generally regarded in earlier decades as stemming solely or mostly from the Zulu king Shaka. Efforts to reframe violence led to more thorough considerations of political elites and statecraft from the late eighteenth to the early nineteenth century but also contributed to new approaches to ethnicity, dependency, and to some extent gender. A new wave of historiographical critique in the 2010s shows the work of revision to be ongoing. The article considers the debates around the wars of the late precolonial period, including unresolved strands of inquiry, and argues for a move away from state-level analysis toward social histories of women and non-elites. Though it focuses on the 1760s through the 1830s, the article also presents examples highlighting the importance of recovering deeper temporal context for the South African interior.

2020 ◽  
Vol 61 (1) ◽  
pp. 89-110 ◽  
Author(s):  
LINELL CHEWINS ◽  
PETER DELIUS

AbstractThis article, largely on the basis of in-depth research in archives in Lisbon, provides an account of the trading systems linking Delagoa Bay to its southern hinterland. Within this framework we argue that the role of the slave trade has been previously underestimated. There is evidence that the booming demand for slaves in Brazil and on the Mascarene Islands hit this region with force. The scale of that trade is difficult to establish because it was, by and large, illicit and so not systematically recorded. There are indications of a significant trade prior to 1823 and a substantial one after that date. There is also evidence that northern Nguni groups, including the Zulu kingdom, were deeply involved in this trading system. The main sources of captives, however, were militarily weak societies, like the Tembe, which lived closer to the Bay.


1997 ◽  
Vol 38 (2) ◽  
pp. 261-281 ◽  
Author(s):  
ANDREW BANK

The fundamental preoccupation with race in later historical writing in South Africa has its origins in the Great Debate between liberals and their enemies in the early nineteenth century. Standard overviews of South African historiography date the emergence of racially structured histories to the second half of the nineteenth century. For Saunders, the making of the South African past and its thematic ordering in terms of race only began in the 1870s ‘when the first major historian [G. M. Theal] began to write his history’. Prior to Theal's monumental efforts, ‘only a few amateur historians had turned their hands to the writing of the history of particular areas or topics’. Likewise, in Smith's analysis, also published in 1988, the construction of South African history in terms of race is seen almost exclusively as the product of the late nineteenth and twentieth centuries. In a very brief introductory section, Smith suggests that what little historical writing there was before the middle of the nineteenth century is scarcely to be taken seriously, and his study offers no more than a bare outline of historiographical developments before Theal and his heirs.


1995 ◽  
Vol 22 ◽  
pp. 359-368 ◽  
Author(s):  
Timothy J. Stapleton

There is a disturbing trend emerging in South African history. Unquestioning acceptance of African oral tradition threatens to become a requirement of politically correct scholarship. The African voice knows all. Julian Cobbing has been sharply criticized for ignoring oral evidence in his revision of early nineteenth-century South African history. Cobbing claims that African migration and state formation in the 1820s was caused by the illegal activities of colonial slave raiders who covered up their operations by claiming that the Zulu kingdom under Shaka had laid waste to the interior of southern Africa. This cover story was incorporated into South African history as the mfecane (or crushing) and served to justify white supremacy by portraying blacks as inherently violent. Carolyn Hamilton attacks Cobbing for ignoring the African voice which allegedly supports the orthodox mfecane by placing Shaka at the center of events. In response, Cobbing claims that the largest record of Zulu oral evidence was distorted by James Stuart, the colonial official who collected it at the turn of the last century. Although Elizabeth Eldredge rejects the Zulucentric mfecane in favor of a broad compromise theory based on environmental and trade factors plus the activities of a few Griqua labor-raiders on the High veld, she accused Cobbing of developing a Eurocentric hypothesis which robs Africans of initiative within their own history. More critically, Jeffrey Peires, whose work on the Xhosa is deeply rooted in the conventional mfecane, describes Cobbing as “a reactionary wolf dressed up in the clothing of a progressive sheep” and implies that his ideas are nothing short of racist.


Author(s):  
Ritchie Robertson

Ritchie Robertson situates Lessing’s text within debates over the proper depiction of extreme suffering in art, focusing on Goethe’s essay on the Laocoon group (1798), as well as other late eighteenth- and early nineteenth-century works on the representation of pain. The issue of suffering in art was of utmost significance to Goethe’s ideology of the classical, Robertson explains; more than that, the themes introduced in Lessing’s essay—above all, its concerns with how suffering can be depicted in words and images—proved pivotal within Goethe’s prescriptions about the relationship between idealism and individuality (or ‘the characteristic’) in art. As part of a larger campaign against what he called ‘naturalism’ in art, Goethe argued that the ancients did not share the false notion that art must imitate nature. For Goethe, responding to Lessing, the power of the Laocoon group lay precisely in its depiction of bodily suffering as something not just beautiful, but also anmutig (‘sensuously pleasing’).


2010 ◽  
Vol 34 (3) ◽  
pp. 301-335 ◽  
Author(s):  
Craig Calhoun

In this article I ask (1) whether the ways in which the early bourgeois public sphere was structured—precisely by exclusion—are instructive for considering its later development, (2) how a consideration of the social foundations of public life calls into question abstract formulations of it as an escape from social determination into a realm of discursive reason, (3) to what extent “counterpublics” may offer useful accommodations to failures of larger public spheres without necessarily becoming completely attractive alternatives, and (4) to what extent considering the organization of the public sphere as a field might prove helpful in analyzing differentiated publics, rather than thinking of them simply as parallel but each based on discrete conditions. These considerations are informed by an account of the way that the public sphere developed as a concrete ideal and an object of struggle in late-eighteenth- and early-nineteenth-century Britain.


2021 ◽  
pp. 1-19
Author(s):  
Cynthia Roman

Abstract Focusing on A smoking club (1793/7) by James Gillray, this essay presents satiric representations of smoking clubs in late eighteenth- and early nineteenth-century British prints, arguing that they reflect and mediate contemporary understandings of tobacco as an intoxicant in British associational life. The breadth of potential cultural connotations – from political and social parody to light-hearted humour – is traced through the content and imagery of selected prints. These prints rely on the familiarity of contemporary audiences with political and social knowledge, as well as a visual iconography iconically realized in William Hogarth's A midnight modern conversation (1732).


2002 ◽  
Vol 41 (3) ◽  
pp. 291-328 ◽  
Author(s):  
Kevin Gilmartin

Conservative movements have generally played a negative role in accounts of the history of political expression in Britain during the period of the French Revolution. Where E. P. Thompson and others on the Left tended to identify radicalism with the disenfranchised and with a struggle for the rights of free expression and public assembly, conservative activists have been associated with state campaigns of political repression and legal interference. Indeed, conservatism in this period is typically conceived in negative terms, as antiradicalism or counterrevolution. If this has been the view of hostile commentators, it is consistent with a more sympathetic mythology that sees nothing novel about the conservative principles that emerged in late eighteenth- and early nineteenth-century Britain. They represent an establishment response to alien challenges. Even where conservatives set about mobilizing the resources of print, opinion, and assembly in a constructive fashion, the reputation for interference has endured. John Reeves's Association for Preserving Liberty and Property against Republicans and Levellers is a useful case in point, since it managed in its brief but enterprising history to combine fierce anti-Jacobinism with the later eighteenth century's rising tide of voluntary civic activism. The association came together at the Crown and Anchor Tavern when a group of self-professed “private men” decided “to form ourselves into an Association” and announced their intentions through the major London newspapers in November and December of 1792. The original committee then called on others “to make similar exertions in their respective neighbourhoods,” forming energetic local associations that would be linked by regular correspondence with the central London committee. In this way, the loyalist movement grew with astonishing speed.


While the twenty-first century has brought a wealth of new digital resources for researching late eighteenth- and early nineteenth-century serials, the subfield of Romantic periodical studies has remained largely inchoate. This collection sets out to begin tackling this problem, offering a basic groundwork for a branch of periodical studies that is distinctive to the concerns, contexts and media of Britain’s Romantic age. Featuring eleven chapters by leading experts on the subject, it showcases the range of methodological, conceptual and literary-historical insights to be drawn from just one of the era’s landmark literary periodicals, Blackwood’s Edinburgh Magazine. Drawing in particular on the trove of newly digitised content, specific essays model how careful analyses of the incisive and often inflammatory commentary, criticism and original literature from Blackwood’s first two decades (1817–37) might inform and expand many of the most vibrant contemporary discussions surrounding British Romanticism.


Sign in / Sign up

Export Citation Format

Share Document