An Interpretation and Analysis on the Polychromy of Attic Korai from Votive and Funerary Contexts

2021 ◽  
Author(s):  
Lilly Hickox
Keyword(s):  
Spectral Data ◽  
Analytical Techniques ◽  
Surface Cleaning ◽  
Complete Evaluation ◽  
Literary Sources ◽  
History Of ◽  
Asking Questions ◽  
Colour Patterns ◽  
Greek World ◽  
Marble Surface

The characteristic woman of Archaic Greek sculpture, the kore (pl. korai) stands proud, rigid, frontal, and omnisciently smirking at her viewer with the famous Archaic smile. She has been interpreted as an attendant, goddess, or deceased maiden, wearing representations of draped diaphanous robes, jewelry, and bearing offerings. Yet where her now clean marble surface exists once was intricately illuminated with vibrant pigments, inlaid stones, metals, and often accompanied by accessories of various materials. Recent advancements in analytical techniques have enabled scholars to delve deeper into the study of these sculptures, uncovering traces of pigments which would otherwise be left undetected. However, the image that these colours paint has yet to be thoroughly analysed and a history of intentional removal and surface cleaning has postponed a complete evaluation of the sculptures. In Attica, from the sixth to the early 5th century BCE, korai reflect stylistic progression and variation within and between archaeological contexts. A palette of colours was used to display features now lost to the modern eye. This paper examines the korai, proposing meaning through colour, patterns, and representations. Using polychrome reconstructions, spectral data, pottery, archaeological evidence, and ancient literary sources, the author interpreted the polychromy and decorative elements of Attic korai from votive and funerary contexts. Asking questions on symbolism, utility, cultural connection, and identity of the sculptures; this paper explains the use of pigments in relation to the symbolism of the sculptures and to their role in the greater framework of the Archaic Greek world.

Franz Rosenthal’s Half an Autobiography

2014 ◽  
Vol 54 (1) ◽  
pp. 34-105
Author(s):  
Hinrich Biesterfeldt
Keyword(s):  
Geographical Location ◽  
The United States ◽  
Past Century ◽  
Yale University ◽  
Islamic History ◽  
Near Eastern ◽  
Literary Sources ◽  
Turbulent Times ◽  
History Of ◽  
Near Eastern Studies

Franz Rosenthal (1914-2003), one of the outstanding scholars of Semitic languages, Arabic and Islamic history of the past century, has described himself as an Orientalist, whose task is “to look beyond the culture in which one is rooted to other cultures whatever their geographical location with respect to Europe, in order to learn about and understand them and to try to spread the knowledge thus acquired”. This simple-sounding approach is qualified by a vast knowledge of the appropriate literary sources and a keen sense for the truly significant topic that characterize all of Rosenthal’s works. His memoir discusses these aspects, as well as the profile and outlook of Near Eastern Studies, particularly in relation to neighboring disciplines, and the roles of philology and language teaching. What is at least as interesting as this discussion is an autobiographical account of Rosenthal’s family, his school and university years in Berlin, of his emigration to the United States, and his career up to his arrival at Yale University – a memoir which illuminates his work and his convictions and which tells a story of “cruelly turbulent times” that changed the lives of many scholars and opened up new ways of scholarship.


Literary Sources of the Gospel and Letters of John

2018 ◽  
Author(s):  
Michael Labahn
Keyword(s):  
New Testament ◽  
Critical Evaluation ◽  
Critical Approach ◽  
Source Criticism ◽  
Literary Sources ◽  
The Future ◽  
History Of ◽  
Future Work ◽  
Final Text ◽  
Written Sources

This chapter investigates the suspicion among New Testament scholars that the author (or the authors) of the Gospel (and Epistles) of John used already written sources which he himself (or they themselves) did not write. Various models of Johannine source criticism are sketched on the basis of selected examples. The chapter delineates the weaknesses and strengths of the source-critical approach on its own terms and to draw conclusions from them for future work. The critical evaluation shows above all that the issue of the literary and non-literary (oral) pre-history of the Johannine writings (‘diachronic’ investigation of the texts) remains an important consideration in Johannes research. Nevertheless, this approach has in the future to take into account more prominently than before the final text and its design (‘synchronic’ investigation of the texts).

Greek Record-Keeping and Record-Breaking

1949 ◽  
Vol 43 (3-4) ◽  
pp. 105-112 ◽  
Author(s):  
Marcus N. Tod
Keyword(s):  
Olympic Games ◽  
Ancient Greek ◽  
Record Keeping ◽  
History Of ◽  
Greek World

The celebration of the revived Olympic games in London in the summer of 1948 gave to ‘records’ an unusually prominent place in men's thoughts and in their speech and writing, and we instinctively turn back to the ancient Greek world, which witnessed the foundation of the Olympic festival and its long history of wellnigh twelve centuries, to seek traces of any similar phenomenon.

scholarly journals Гермотим из Клазомен и начало афинской философии

2020 ◽  
Vol 53 (3) ◽  
pp. 141-148
Author(s):  
О.А. Матвейчев
Keyword(s):  
Ancient Greece ◽  
Fundamental Principle ◽  
History Of Philosophy ◽  
Point Of View ◽  
Greek Philosophy ◽  
History Of ◽  
The Difference ◽  
Classical Greek Philosophy ◽  
Available Information ◽  
Greek World

Гермотим из Клазомен – фигура в истории греческой философии, можно сказать, маргинальная. В современной литературе он появляется разве что в ряду других колдунов и мистиков VII–VI вв. до н.э. В таком статусе он включается и в собрание Дильса. Анализируя сведения о Гермотиме, автор ставит перед собой цель найти ему место среди малоазийских философов первой величины, которых считают основателями греческой философии. Различение духа (души) и материи (тела) станет основополагающим принципом греческой философии, понятие Ума (нуса) выступит фундаментом для системы Анаксагора, первого афинского философа, с которого, собственно, и начнется история классической греческой философии. Автор разделяет точку зрения Э. Доддса и др., что появление нового для Греции представления о различии души и тела коренится в северной (гиперборейской?) ментальности, привнесенной в греческий мир во времена колонизации VII–VI вв. до н.э., а возможно – и в более ранние. Ключевые слова: история философии, Древняя Греция, Гиперборея, Гермотим из Клазомен, Анаксагор, шаманизм, нус, душа, тело Hermotimus of Clazomenae can be called a marginal figure in the history of Greek philosophy. In modern literature he is mentioned only among other sorcerers and mystics of the VIIth–VIth centuries BC. The collection of Hermann Diels describes him in the same manner. Analyzing available information about Hermotimus, the author makes an attempt to place him among the primary Anatolian philosophers who are considered the founders of Greek philosophy. The distinction between spirit (soul) and matter (body) will become the fundamental principle of Greek philosophy; the concept of Nous (cosmic Mind) will be the foundation for the system of Anaxagoras, the first Athenian philosopher, from which, in fact, the history of classical Greek philosophy begins. The author shares the point of view of E. Dodds and others that the emergence of a new concept about the difference between soul and body in Greece is rooted in the northern (Hyperborean?) mentality introduced into the Greek world during the colonization of the VIIth–VIth centuries BC or possibly in earlier times. Keywords: history of philosophy, Ancient Greece, Hyperborea, Hermotimus of Clazomenae, Anaxagoras, shamanism, nous, soul, body

scholarly journals A new catalogue of earthquakes in the historical Armenian area from antiquity to the 12th century

1995 ◽  
Vol 38 (1) ◽  
Author(s):  
E. Guidoboni ◽  
G. Traina
Keyword(s):  
Historical Earthquakes ◽  
Historical Seismicity ◽  
Seismic Events ◽  
Specific Nature ◽  
Present Contribution ◽  
12Th Century ◽  
Literary Sources ◽  
New Localities ◽  
History Of ◽  
Catalogue Of Earthquakes

The present contribution describes the method of work, the types of source materia] used, and the historio- graphical and historico-eismic tradition of Armenia. The catalogue' s territorial frame of reference is that of socalled historical Armenia (which included part of present Eastern Turkey, and part of present Azerbaijan). The sources belong to different languages and cultures: Armenian, Syriac, Greek, Arab, Persian and Georgian. A comparison of the local sources with those belonging to other cultures enab]es the historical and seismological I"adition of the Mediterl'anean to be "linked" with that of the Iranian p]ateau, traditionally considered as two separate areas. We analyzed historical events listed in the most recent catalogues of earthquakes in the Armenian area compiled by Kondorskaya and Shebalin (1982) and Karapetian (1991). Important and valuable though these catalogues are, they are in need of revision. We found evidence for six hitherto unrecorded seismic events. Numerous errors of dating and location have been corrected, and several new localities and seismic effects have been evidenced. Each modification of the previous catalogues has been documented on the hasis of the historiographical and literary sources and the data from the written sources have been linked with those concerning the history of Armenian cities and architecture (monasteries, churches, episcopal complexes). On the whole. the revised earthquakes seem underestimated in the previous catalogues. The aim of this catalogue is to make a contribution to the knowledge of historical seismicity in Armenia, and at the same time to underline the specific nature of the Armenian case, thus avoiding a procedure which has generally tended to place this area in a marginal position, within the wider field of other research on historical earthquakes.

scholarly journals Świętość w czasach podbojów islamskich. Męczennicy chrześcijańscy z Gazy z VII wieku

Vox Patrum ◽  
2016 ◽  
Vol 65 ◽  
pp. 497-521
Author(s):  
Mieczysław Celestyn Paczkowski
Keyword(s):  
Latin Translation ◽  
Holy Land ◽  
Literary Sources ◽  
Monastic Life ◽  
History Of ◽  
Christian History

The article focuses the story of the martyrdom of 60 Christian soldiers in Gaza who were executed for their refusal to convert to Islam during the Muslim inva­sion of Palestine. It is a final episode of varied Christian history of that region. Christian history of Gaza appears as complex and fascinating. In this region in the 4th century paganism was still strong but the monastic life developed in the vicinity of Gaza. Literary sources annotated the anti-Chalcedonian resistance of monastic circles in the wake of the council of Chalcedon. Christian history of the Gaza region ended dramatically with the Arab conquest in the 7th century. Just at that time a group of Christian soldiers refused the offer of the commander of the winners Muslims. The narrative of their martyrdom was preserved in a Latin translation of a Greek original. According to the text of the Passio, the Christian soldiers were executed in two groups: at Jerusalem and at Eleutheropolis. Bi­shop Sophronius of Jerusalem intervened in favor of these Martyrs and comforted them. He also gained the palm of martyrdom. The Passio in two different Latin recensions reveals a relatively neglected aspect in the history of the Holy Land during the period of heightened religious tension.

scholarly journals On Memory of Plates and Dishes

Fluminensia ◽  
2020 ◽  
Vol 32 (2) ◽  
pp. 117-136
Author(s):  
Krystyna Pieniążek-Marković
Keyword(s):  
Cultural Memory ◽  
Regional Identity ◽  
Literary Fiction ◽  
Western World ◽  
Individual Identity ◽  
The Past ◽  
Literary Sources ◽  
The Social ◽  
History Of ◽  
The Common

The aim of the article is to discuss how elements of food narratives meals and kitchen tools used for cooking are used in order to consolidate and shape the Croatian cultural memory, especially in the context of its Mediterranean heritage.For this reason, the texts by Veljko Barbieri, collected in the four volumes under the common and significant title Kuharski kanconijer. Gurmanska sjećanja Mediterana, are analysed. His circum-culinary narratives are a combination of encyclopaedic knowledge, references to historical and literary sources, personal memories and literary fiction. They can be easily inscribed in the Croatian (collective and individual) identity discourse since they are able to strengthen the collective (either national and supranational, or geo-regional) identity, and to construct the cultural memory. They also show Croatia's affiliation to the Western world along with its cultural-civilization rooting in antiquity, the Mediterranean region and Christianity, thus forming a part of the founding memory that develops a narrative about the very beginnings of Croatian presence on this land. The gastronomic narratives serve to create the cultural memory and this version of history which is to stabilize the social identity described by Pierre Nora and Andreas Huyssen. Through his stories, Barbieri shapes memory based on the representation of the past. In the analysed narratives, the memory carriers are dishes and plates which find reference to the oldest history of Croatia rendered by myths and other narratives. Associated with dishes, the pots enable the narrator to recall the past and the identity coded in individual dishes. They also participate in the processes of repeating, storage and remembering which generate a symbiotic relationship between man and thing. The memory carriers that is, food and plates depicted in Barbieri's culinary narratives do not convey their content in a neutral way, but construct their marked images.

scholarly journals Jusuf Mehonjić in songs of Sanjak Bosniaks

2018 ◽  
Vol 1 (1) ◽  
pp. 120-129
Author(s):  
Naka K. Nikšić ◽  
Keyword(s):  
Theoretical Analysis ◽  
20Th Century ◽  
Education System ◽  
Oral Literature ◽  
Historical Sources ◽  
Significant Figure ◽  
Musical Tradition ◽  
Literary Sources ◽  
History Of ◽  
Epic Poems

The difficult position of Bosniaks Sandžak at the beginning of the 20th century has caused the uprising of individuals from the authorities and their association with comites (rebels). According to historical sources, the most famous Sandzak rebel was Jusuf Mehonjić, a native of Šahović (village Grančarevo), which Zaimović, in one of his work, called the Bosniak's Wilhelm Tell. He is mentioned in numerous epic poems called the so-called rebel opus that we find in the collections of oral literature of Bosniaks Sandžak, and from them the knowledge of his intellectual and physical potential, as well as the character of the protector of the disadvantaged and endangered Bosniaks. However, when it comes to ethnomusicological collections, we find that there is not a single song about this historical personality in them. The aim of this work is to preserve the musical tradition of Sandzak Bosniaks by finding and ethnomusicologic recording of lyrical poems about Jusuf Mehonjic, as well as pointing to the possibility of their nurturing through the education system in teaching in the Bosnian language in Serbia. The work and the work of Jusuf Mehonjić were examined in the paper by theoretical analysis of historical and literary sources. At the same time, the Finnish method recorded the only lyrical song about him, which we found by exploring the live musical tradition of the Sandzak Bosniaks. This is the song of Moj sokole pogledaj niz polje. This work should contribute to preserving the musical tradition of the Sandzak Bosniaks and getting to know Jusuf Mehonjic - a significant figure in the history of Sandzak.

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