Media

2020 ◽  
pp. 210-221
Author(s):  
Chidi Ukwu

What role does media evolution play in our understanding of authorship? And how do we conceptualize new media authors? This chapter takes us to the production studios of Nollywood in Nigeria, which, because of its size, level of specialization, and, most importantly, the speed at which it operates, is perhaps best approached as an incubator that creates a hothouse atmosphere around artistic and social pressures—pressures that are also present in Western media centres. Emerging from this environment is the ‘super-producer’. In this formidable rival to the literary author, Ukwu detects a modern-day version of the griot, the traditional African storytellers who similarly earned acclaim through their ability to adapt and improvise stories, rather than by the process of ‘authoring’ them.

2017 ◽  
Vol 4 (2) ◽  
pp. 1
Author(s):  
Annalisa Pavan

The purpose of this paper is to introduce the Anti-Islamophobia Media Strategy presented during the 11th session of the Islamic Conference of Information Ministers (Session of the New Media to Counter Terrorism and Islamophobia), which took place in Jeddah, Kingdom of Saudi Arabia, 19-21 December 2016. Built around the idea of a culture of moderation, especially taking into consideration that moderation is “the pillar of Islamic identity”, the Jeddah Declaration, issued at the end of the conference, represents the peaceful and determined commitment of the Muslim world to participate fully in the globalized world, building bridges and rejecting unfounded prejudice and generalizations. Considering that the proceedings of the Conference have gone largely unnoticed in Western media, this paper intends to bring them to the attention of the international academic community, and subsequently to offer comments and reflections that will also highlight the problematical relationship between knowledge and prejudice.


Author(s):  
Aleksandr Yefanov

Modern realities suggest a special syncretic process – the politicization of sports through the media. Despite the fact, that such determinants are dialectically characteristic of countries in conditions of international tension (including latent nature), as was the case in the 20th century during the many years of confrontation between USSR and USA, the events of 2018 forced to view this picture from the standpoint of publishing political conflict, in which there was a representation of sporting events. The Olympic (so-called «doping») scandal against the Russian National Team was actively covered by European and Western media, which operated not only with rhetoric of irony, but also with the rhetoric of imaginary justice. And the discovery in the blood of a curling expert A. Krushelnitsky, meldonium and, as a result, the deprivation of his bronze medals at the Olympics-2018 became for the Western media the main (and only) proof of dishonest behavior of the National Team. In turn, the representation of the conflict by the Russian media was a mirror reaction. The politicization of sports through media at the present stage continued in the spring and summer of 2018 during the preparation and holding of the World Cup in Russia. Despite the prevalence of negative messages in the media agenda of foreign publications on the eve of the Championship (operating with the rhetoric of unreasonableness), the representation of a sporting event by the Russian media, which worked on the principle of media solidarization (complementing the agendas of «traditional» media and «new media» — blogging, social media) in accordance with the laws of media logic, constructed the atmosphere of a universal sports festival, which manifested itself at the level of high organization of both football matches at all sports venues in the country, and out-of-stage performances (flash mobs, concerts, etc.), with an emphasis on tolerance, security, service compliance with international standards, forced a number of Western and European media controllers begin to adhere to the rhetoric of recognition.


2006 ◽  
Vol 37 (2) ◽  
pp. 57-57
Author(s):  
Bernad Batinic ◽  
Anja Goeritz

1967 ◽  
Vol 12 (10) ◽  
pp. 525-525
Author(s):  
MORTON DEUTSCH
Keyword(s):  

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