James on the Perception of Space

Author(s):  
Gary Hatfield

The perception of space was a central topic in the philosophy, psychology, and sensory physiology of the nineteenth century. William James engaged all three of these approaches to spatial perception. On the prominent issue of nativism versus empirism, he supported nativism, holding that space is innately given in sensory perception. This chapter focuses on James’s discussions of the physiology and psychology of spatial perception in his Principles of Psychology. It first examines the historical context for James’s work, guided by (and commenting on) his own account of that history. Included here are his arguments for nativism. It then examines central aspects of his theory of spatial sensation, perception, and conception. Finally, it touches on the reception of his nativism, his phenomenological holism, his characterization of perception as involving active processes of discernment and construction, and his conception of perceiving organisms as environmentally embedded.

1993 ◽  
Vol 15 (1) ◽  
pp. 90-106 ◽  
Author(s):  
John B. Davis

David Ricardo's “On Machinery” chapter continues to interest theorists and historians of economic thought (Blaug 1958, Hollander 1979, Kurz 1984, Samuelson, 1988, 1989, Morishima 1989, Negishi 1990). Yet the addition of the chapter to the third edition of Ricardo's Principles of Political Economy and Taxation arguably overturns much of the view for which Ricardo is so well known (Davis 1989). In the added chapter Ricardo allows, contrary to his original view in the first two editions, that the introduction of machinery is indeed injurious to the class of laborers. More interestingly, because machinery substitutes for labor, wages cannot rise and profits are no longer threatened by rising rents. Effectively the contest between capitalists and landlords of the first two editions of the Principles is replaced in the final edition by one between capitalists and laborers. However, not only does the “On Machinery“ chapter substantially change the distributional argument customarily attributed to the Principles, but it also permits an examination of Ricardo's thinking about distribution in two distinct, but related frameworks. The discussion here compares the distributional analysis in the first two editions with that of the third to explain the general nature of the Ricardo's theory of profit. It does so by providing a novel interpretation of Ricardo's characterization of profit as a residual, and by emphasizing the historical context in which distribution occurred in the beginning of the nineteenth century.


Author(s):  
Rowan Strong

The Introduction looks at the historical context of British and Irish Christianity in the 1840s when the Anglican emigrant chaplaincy began. It also looks at conclusions of historians examining British and Irish emigration in the nineteenth century. Scholars have known for many years that the Victorian period in Britain was one of massive religiosity. Yet, when historians describe emigrants from this highly Christian society arriving in British colonies, the settlers are often described as generally religiously indifferent, unchurched, and even hostile to religion. On this basis it becomes difficult to understand how so many churches were built by British colonists in Australia and other settler colonies; how colonial denominations became established so quickly and effectively; and how sectarianism began, let alone flourished. Finally, this Introduction provides a discussion of the strengths and weaknesses of the groups of sources that have been used in this study.


Author(s):  
Cleo Hanaway-Oakley

This chapter situates Merleau-Ponty’s phenomenology of film in its historical context through analysing its key insights—the reciprocal and embodied nature of film spectatorship—in the light of late-nineteenth and early-twentieth century philosophy and psychology, charting Merleau-Ponty’s indebtedness to thinkers as diverse as Henri Bergson, Max Wertheimer, Hugo Münsterberg, Rudolf Arnheim, Victor Freeburg, Sergei Eisenstein, and Siegfried Kracauer. The historical Bergson is differentiated from the Deleuzian Bergson we ordinarily encounter in film studies, and Merleau-Ponty’s fondness for gestalt models of perception is outlined with reference to the competing ‘persistence of vision’ theory of film viewing. The chapter ends with a consideration of some of the ways in which James Joyce could have encountered early phenomenology, through the work of the aforementioned philosophers and psychologists and the ideas of Gabriel Marcel, Franz Brentano, William James, and Edmund Husserl.


Author(s):  
Martin Loughlin

Institutionalism is a theory that maintains that law is neither norm nor command but institution. It emerges in the late-nineteenth century primarily through the work of Hauriou in France and Romano in Italy. Their innovative studies are shaped by reflecting on the effects of social and economic change on law, which manifests itself primarily in the emergence of administrative law. In this chapter the importance of institutional jurisprudence is assessed by examining its historical context and offering reflections on its continuing significance. It argues that, partly because of the lack of English translations of its leading exponents, institutionalism has been relatively neglected in Anglo-American jurisprudence, and that it continues to offer acute insights into contemporary juristic controversies.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Christoph Anderl

Abstract In the analysis of processes of sensory perception in the framework of Buddhist contemplation practices, the visual sense faculty has played a crucial role. In this paper, references to Chinese Buddhist terminology referring to visual processes will be analyzed in their historical context, with a focus on the interpretations of guān 觀 and kàn 看 by proponents of the early Chán School. Crucial questions include the notions of the “agent” (i.e., the entity engaging in the process of visualization or viewing), as well as the ontological status of the “object” to be viewed, in addition to the nature of the process of viewing and the bodily preconditions for engaging in visualization practices. The creative reinterpretations of terms such as guānxīn 觀心 “contemplate the mind” and kànxīn 看心 “view the mind” were also important devices to create a distinctive identity for this newly emerging Chinese Buddhist school. As will be shown, despite the fierce attacks on “gradualist” meditation practices by proponents of the “Southern School” of Chán during the 8th century, the concepts of guānxīn and kànxīn by no means disappeared from the discourse on meditation but continued to play an important role at least until the 10th century and beyond.


2020 ◽  
Vol 34 (3) ◽  
pp. 537-596
Author(s):  
Carlos S. Alvarado

There is a long history of discussions of mediumship as related to dissociation and the unconscious mind during the Nineteenth Century. After an overview of relevant ideas and observations from the mesmeric, hypnosis, and spiritualistic literatures, I focus on the writings of Jules Baillarger, Alfred Binet, Paul Blocq, Théodore Flournoy, Jules Héricourt, William James, Pierre Janet, Ambroise August Liébeault, Frederic W.H. Myers, Julian Ochorowicz, Charles Richet, Hippolyte Taine, Paul Tascher, and Edouard von Hartmann. While some of their ideas reduced mediumship solely to intra-psychic processes, others considered as well veridical phenomena. The speculations of these individuals, involving personation, and different memory states, were part of a general interest in the unconscious mind, and in automatisms, hysteria, and hypnosis during the period in question. Similar ideas continued into the Twentieth Century.


Author(s):  
Juliette Atkinson

Victorian readers, real and fictional, often claimed to throw immoral French novels into the fire, but their engagement with French literature was far more complex than such acts suggest. This book strives to bring clarity to the ongoing critical debate regarding the insularity and prudishness of nineteenth-century readers. The socio-historical context of Anglo-French relations, like attitudes to foreign literature, moved between attraction and distrust; politicians worked to strengthen an ‘entente cordiale’ and tourists rushed across the Channel, but there was also a wariness of French radicalism and imperial ambitions. The book explores reactions to the contemporary French fiction that circulated in England between 1830 and 1870, drawing on reviews, letters, novels, and bibliographical data to do so. It aims to challenge preconceptions about Victorian Gallophobia, reflect on complex contemporary notions of immorality, and argue that French literature was not simply ‘received’ but emerged through complex transnational networks.


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