Making Postwar Communism

Author(s):  
Mark Pittaway

The Soviet Union's victory in World War II offered both Moscow and Communists in Europe the opportunity to break out of the isolation that had afflicted them during the interwar years. With the end of the war in Europe in 1945, the Soviet front line traversed Central Europe from Germany's Baltic Coast in the north to the Yugoslav–Italian border in the south. By the mid-1950s, the enhanced influence of communism had been both consolidated and contained. Explaining the paradoxical consolidation and containment of communism's influence across the continent is fundamental to grasping the contours of politics in Europe during the postwar period. The dominant strand in the historiography that approaches such an explanation is informed by the perspective of international history. The pressures of survival during the precarious situation for the Soviet Union that persisted throughout 1942 reinforced the non-participatory, bureaucratic Stalinism which emerged during 1939–1940. The launch of Barbarossa underpinned an escalation in the radicalisation of Nazism.

1985 ◽  
Vol 45 (4) ◽  
pp. 947-954 ◽  
Author(s):  
Susan J. Linz

This paper examines the economic consequences to the Soviet Union of not participating in proposed aid programs in the immediate postwar period. The cost of World War II to the Soviet Union is compared with the value of economic aid received in the postwar period and with aid potentially available. The traditional story—which suggests that had the USSR received some combination of the proposed aid prgorams, in lieu of reparations, the postwar impact would have been significantly reduced—is rejected.


2019 ◽  
Vol 4 (XXIV) ◽  
pp. 197-208
Author(s):  
Сергей Линец

This article examines the complex political interrelations between the USSR and Poland just before and during World War II. The innocent hostages of these interstate relations proved to be thousands of Polish citizens. With the beginning of World War II from the territory of Western Ukraine and Western Belarus, refugees were displaced to different regions of the Soviet Union and they were later settled there as temporary residents. Some of Poles found themselves in the North-West Caucasus where, as ordered by the Soviet government, they were settled in towns and rural settlements. As the archive documents attest, the local administrations created quite acceptable (given the wartime conditions) circumstances of life for the Polish arrivals. They had the opportunity of getting a job and their families were provided with food, fuel, clothes and footwear. With the end of the war, the Polish citizens received the opportunity to return to their home country at their own free will.


2019 ◽  
Vol 12 ◽  
pp. 165-193
Author(s):  
Hanna VOITIV

Is submitted the part of the diary Olha Dolhun (Hryniuk) (1914–1997), who lived in the Sokal city, located in the north of Lviv oblast on the border with Volyn. She was educated at the Teachers Seminary in Sokal. Her diary is a kind of private and public coverage of Sokal in 1939 against the backdrop of a major global shift ‑ the outbreak of World War II. The first entry in the diary was made on March 17, 1939, and the last ‑ on October 17. During this time, took place the proclamation of the Carpathian Ukraine, the Molotov-Ribbentrop Pact, the invasion the Hitler's Germany and the Soviet Union to Poland and the Soviet annexation of Eastern Galicia. The author has shown a remarkable ability to correctly evaluate events, determine in them the place of their nation and own place. Has been published the part of the diary, with separate fragments from August 24 (information about the signing of the Molotov-Ribbentrop Pact) to the beginning of October (the author's first impressions about the new Soviet regime). In addition to global issues, the author draws attention to everyday life, social life, pre-war moods, national-patriotic orientation of Ukrainian youth. The diary is densely «populated» with multitude of Sokal people's names. The diary of Olha Dolhun, along with other examples of literature of this genre, make history alive, contribute to a deeper acquaintance of contemporary Ukrainians with the socio-cultural type of Galicia before and during the outbreak of World War II. Keywords Olha Dolhun, Sokal, Poland, Germany, Soviet Union, occupation.


2020 ◽  
Vol XIII ◽  
pp. 3-4
Author(s):  
Jerzy Będźmirowski

Due to its geographical location, Norway was, is and will continue to be an important component of the security system of NATO countries. Its direct border with the Soviet Union (now Russia) over a distance of over 170 km has influenced the fact that this region has been perceived as pivotal. After the end of World War II, when Europe and the world split into two political and military factions, a dynamic process of conventional and nuclear armaments began, and thus the world was heading toward an armed conflict and an extermination of civilization. Today we know that the Cold War did not turn into a hot war. This region, the North European region, was of particular importance. It offered the possibility for the Soviet nuclear fleet to leave for the Atlantic Ocean and carry out a nuclear attack on the USA and Canada. In order to prevent such a situation, the North Atlantic Theatre of War was created which included without limitation the Norwegian naval forces. The aim of this article is to present that issue


2021 ◽  
Vol 53 (4) ◽  
pp. 691-702
Author(s):  
Firoozeh Kashani-Sabet

In 1946, the entertainer and activist Paul Robeson pondered America's intentions in Iran. In what was to become one of the first major crises of the Cold War, Iran was fighting a Soviet aggressor that did not want to leave. Robeson posed the question, “Is our State Department concerned with protecting the rights of Iran and the welfare of the Iranian people, or is it concerned with protecting Anglo-American oil in that country and the Middle East in general?” This was a loaded question. The US was pressuring the Soviet Union to withdraw its troops after its occupation of the country during World War II. Robeson wondered why America cared so much about Soviet forces in Iranian territory, when it made no mention of Anglo-American troops “in countries far removed from the United States or Great Britain.” An editorial writer for a Black journal in St. Louis posed a different variant of the question: Why did the American secretary of state, James F. Byrnes, concern himself with elections in Iran, Arabia or Azerbaijan and yet not “interfere in his home state, South Carolina, which has not had a free election since Reconstruction?”


Author(s):  
Vēsma Lēvalde

The article is a cultural-historical study and a part of the project Uniting History, which aims to discover the multicultural aspect of performing art in pre-war Liepaja and summarize key facts about the history of the Liepāja Symphony Orchestra. The study also seeks to identify the performing artists whose life was associated with Liepāja and who were repressed between 1941 and 1945, because of aggression by both the Soviet Union and National Socialist Germany. Until now, the cultural life of this period in Liepāja has been studied in a fragmentary way, and materials are scattered in various archives. There are inaccurate and even contradictory testimonies of events of that time. The study marks both the cultural and historical situation of the 1920s and the 1930s in Liepāja and tracks the fates of several artists in the period between 1939 and 1945. On the eve of World War II, Liepāja has an active cultural life, especially in theatre and music. Liepāja City Drama and Opera is in operation staging both dramatic performances, operas, and ballet, employing an orchestra. The symphony orchestra also operated at the Liepāja Philharmonic, where musicians were recruited every season according to the principles of contemporary festival orchestras. Liepāja Folk Conservatory (music school) had also formed an orchestra of students and teachers. Guest concerts were held regularly. A characteristic feature of performing arts in Liepaja was its multicultural character – musicians of different nationalities with experience from different schools of the world were encountered there. World War II not only disrupted the balance in society, but it also had a very concrete and tragic impact on the fates of the people, including the performing artists. Many were killed, many repressed and placed in prisons and camps, and many went to exile to the West. Others were forced to either co-operate with the occupation forces or give up their identity and, consequently, their career as an artist. Nevertheless, some artists risked their lives to save others.


2020 ◽  
Vol 152 ◽  
pp. 142-151
Author(s):  
Uta G. Lagvilava ◽  

A few months after the fascist Germany’s attack on the USSR, under harsh wartime conditions, at the end of 1941 military industry of the Soviet Union began to produce such a quantity of military equipment that subsequently was providing not only replenishment of losses, but also improvement of technical equipment of the Red Army forces . Successful production of military equipment during World War II became one of the main factors in the victory over fascism. One of the unlit pages in affairs of the People’s Commissariat of Internal Affairs (NKVD) is displacement and evacuation of a huge number of enterprises and people to the east, beyond the Urals, which were occupied by German troops at the beginning of the war in the summer of 1941. All this was done according to the plans developed with direct participation of NKVD, which united before the beginning and during the war departments now called the Ministry of Internal Affairs, FSB, SVR, the Russian Guard, Ministry of Emergency Situations, FAPSI and several smaller ones. And all these NKVD structures during the war were headed by Lavrenty Pavlovich Beria.


1953 ◽  
Vol 5 (2) ◽  
pp. 133-167
Author(s):  
S. Bernard

The advent of a new administration in the United States and the passage of seven years since the end of World War II make it appropriate to review the political situation which has developed in Europe during that period and to ask what choices now are open to the West in its relations with the Soviet Union.The end of World War II found Europe torn between conflicting conceptions of international politics and of the goals that its members should seek. The democratic powers, led by the United States, viewed the world in traditional, Western, terms. The major problem, as they saw it, was one of working out a moral and legal order to which all powers could subscribe, and in which they would live. Quite independently of the environment, they assumed that one political order was both more practicable and more desirable than some other, and that their policies should be directed toward its attainment.


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