History and Memory of Army Women and Female Soldiers, 1770s–1870s

2020 ◽  
pp. 175-200
Author(s):  
Thomas Cardoza ◽  
Karen Hagemann
Keyword(s):  
Nineteenth Century ◽  
Collective Memory ◽  
Public Image ◽  
History And Memory ◽  
One Dimensional ◽  
Complex Picture ◽  
Female Soldiers

The chapter addresses the ways women were involved in warfare on both sides of the Atlantic in the time between the 1770s and 1880s as camp followers, officially recognized auxiliaries, nurses, and cross-dressed female soldiers and how their active war support was perceived and remembered during the nineteenth century. Collective memory of these women represents a complex picture. Camp followers and officially recognized auxiliaries were long forgotten. The small number of cross-dressed female soldiers, too, fell into obscurity, especially if they survived the wars. Yet by the latter half of the nineteenth century, some of these women were rediscovered, and their public image became more positive. Their public portrayal was, however, one dimensional: they were girls and women who rose above the limitations of their sex to defend a “nation in danger.” They now became examples of extraordinary female patriotism.

“We Should Have Maintained This Unity, Then There Would Be More Development:” Lessons from a Pop-Up Museum of the Fante Confederation

2018 ◽  
Vol 46 ◽  
pp. 195-216 ◽  
Author(s):  
Trevor R. Getz ◽  
Lindsay Ehrisman ◽  
Tony Yeboah
Keyword(s):  
Nineteenth Century ◽  
Collective Memory ◽  
Central Region ◽  
Contemporary Society ◽  
History And Memory ◽  
Museum Exhibit ◽  
History Of ◽  
Unconventional Method

Abstract:This article examines the potential of an unconventional method in applied history – the pop-up museum – for analyzing relationships between history and memory and producing meaningful histories of African pasts. Specifically, we assess our application of this tool to accounts of events surrounding the Fante Confederation of 1868–1873 in the Central Region of modern-day Ghana. By utilizing a pop-up museum exhibit in the field, we determined that the construction of a meaningful history of the Fante Confederation requires the apperception of “durable bundles” – continuities between collective memory and history that also serve as survivals from the mid-nineteenth century to contemporary society. Our original sources and interlocutors in common identified themes of “unity” and “development” as particularly meaningful durable themes. We posit that these shared themes can serve as points of attachment for contemporary Fante speakers to work with histories of the Fante Confederation, and propose them as motifs around which relevant histories can be built in this case. Finally, in reflecting on our experience, we hypothesize that this model of applied history may be useful in other situations as well.

Meïr Goldschmidt and the main currents in 19th-century Judaism

2001 ◽  
Vol 22 (1) ◽  
pp. 7-45 ◽  
Author(s):  
Kenneth Ober
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Public Image ◽  
Complete Understanding ◽  
Literary Works ◽  
European Languages ◽  
Jewish Heritage ◽  
The Arts ◽  
Phenomenal Knowledge

Although the noted nineteenth-century Danish-Jewish writer Meïr Goldschmidt (1819–1887) made his entry into literature with a novel on Jewish themes, his later novels treated non-Jewish subjects, and his Jewish heritage appeared progressively to recede into the background of his public image. Literary historians have paid little attention to his complex perception of his own Jewishness and have made no effort to discover the immense significance he himself felt that Judaism had for his life and for his literary works. Moreover, no previous study has comprehensively treated Goldschmidt’s far-reaching network of interrelationships with an astonishing number of other major Jewish cultural figures of nineteenth-century Europe. During his restless travels crisscrossing Europe, which were facilitated by his phenomenal knowledge of the major European languages, he habitually sought out and associated with the leading Jewish figures in literature, the arts, journalism, and religion, but this fact and the resulting mutually influential connections he formed have been overlooked and ignored. This is the first focused and documented study of the Jewish aspect of Goldschmidt’s life, so vitally important to Goldschmidt himself and so indispensable to a complete understanding of his place in Danish and in world literatures.

‘Each Song Was Just Like a Little Sermon’

2018 ◽  
Author(s):  
Isaac Land
Keyword(s):  
Nineteenth Century ◽  
Golden Age ◽  
Military Training ◽  
One Dimensional ◽  
National Pride ◽  
Recent Scholarship ◽  
The Relationship

This chapter is central to the volume’s chronological contentions, as its argument accounts for the specialized, one-dimensional Dibdin of ‘Tom Bowling’ that has endured into recent scholarship. Focusing on Dibdin’s posthumous reception, it examines the moral and rhetorical difficulties of repackaging Dibdin’s works for a Victorian sensibility; it explores the specifics of mid-century concert culture previously highlighted by Derek Scott and William Weber as central to changes in nineteenth-century taste and programming; and it develops the theme of nostalgia into a revelatory consideration of the relationship between new naval technologies, national pride, and military training, and the songs, people, and language of a remembered Napoleonic ‘golden age’—to which Dibdin proves to have been as central, in the Victorian imagination, as Nelson.

scholarly journals “I am rather strong on Voyages and Cannibalism”: The other Dickens and other Victorians in Richard Flanagan’s Wanting

2019 ◽  
Vol 8 (1) ◽  
pp. 161-177
Author(s):  
Bożena Kucała
Keyword(s):  
Nineteenth Century ◽  
Charles Dickens ◽  
The Other ◽  
Public Image ◽  
The Novel ◽  
Moral Norms ◽  
Critical Attitude ◽  
Victorian Fiction ◽  
Inner Self ◽  
Public Persona

Abstract This paper analyses Richard Flanagan’s novel Wanting (2008) as a narrative informed by a revisionary and critical attitude to nineteenth-century ideologies, which is common to, and, indeed, stereotypical in much neo-Victorian fiction. Drawing on the biographies of two eminent Victorians: Charles Dickens and Sir John Franklin, Flanagan constructs their fictional counterparts as split between a respectable, public persona and a dark, inner self. While all the Victorian characters are represented as “other” than their public image, the focus in the novel, and in this paper, is on Dickens’s struggle to reconcile social propriety with his personal discontent. Flanagan represents this conflict through Dickens’s response to the allegations that starving survivors of Franklin’s ill-fated Arctic expedition resorted to cannibalism. The zeal with which the Victorian writer refuted such reports reveals his own difficulty in living up to social and moral norms. The paper argues that the main link between the different narrative strands in the novel is the challenge they collectively pose to the distinction between the notions of civilization and savagery.

scholarly journals Traces of a fortified hamlet. Iconography and urban development of San Valentino in Abruzzo Citeriore

X ◽  
2020 ◽  
Author(s):  
Stefano Cecamore
Keyword(s):  
Nineteenth Century ◽  
Urban Development ◽  
Collective Memory ◽  
Urgent Problem ◽  
Architectural Heritage ◽  
Urban Fabric ◽  
Historic Center ◽  
Historic Centre ◽  
Developmental Line ◽  
Continuous Use

The paper proposes a reading of the possible urban development of the historic centre of San Valentino in Abruzzo Citerore starting from the analysis of its architectural heritage. The image of a fortified hamlet surrounded by walls, represented in a painting dating back to the mid-nineteenth century, appears in cartographic reliefs and representations accessible at the local and extra regional archives. The reading of the current architectural set of givens, which are characterized by the continuous use of building techniques related to the processing of local limestones, seeks through comparison with the historic iconography to identify persistences and alterations of the urban fabric, tracing a possible developmental line of San Valentino in Abruzzo Citeriore from medieval castrum to Farnesiano fief up to the substantial interventions of modernization and revision of the historic center operated in the last century. The requests of functional and formal changes occurring at the turn of the nineteenth and twenteeth century implicates the dismantling of the walls, the typological change of the original building and of the urban layout and the loss of the urban imagine resulting consolidated in the collective memory. An awaking context of the main features of the historic and building development of this fortified reality in the Middle Adriatic area is today an indispensable step in this path of consciousness and awareness of the society regarding the urgent problem connected to the neglect and to the conservation of the historic centres.

scholarly journals Een pasgeboren staat, of een recentelijk ontwaakte natie?

1970 ◽  
Vol 59 ◽  
pp. 5-22
Author(s):  
Nele Bemong
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Collective Memory ◽  
Cultural Memory ◽  
Crucial Role ◽  
Historical Novel ◽  
International Community ◽  
Historical Novels ◽  
The Creation

Between 1830 and 1850, practically out of nowhere there came into beinga truly 'Belgian' literature, written boch in Flemish and in French, but aimedat a single goal: the creation of a Belgian past and the conscruction of aBelgian national identity. The historical novel played a crucial role in thisconscruction and representation of a collective memory for the Belgian statejust out of the cradle. The prefaces to these historical novels are characterizedboth by the central role granted to the representacion of Flanders as the cradleof nineteenth-century Belgium, and by the organically and religiously inspiredimagery. Attempts were made to create an intimate genealogical relationshipwith the forefathers, in order to make the Belgian citizens feel closer to theirrich heritage. Through the activation of specific recollections from theimmense archive of the collective cultural memory, Belgian independencefound its legitimization both towards the international community andtowards the Belgian people.

Rethinking Conflict and Collective Memory: The Case of Nanking

2017 ◽  
Author(s):  
Barry Schwartz
Keyword(s):  
Moral Responsibility ◽  
Collective Memory ◽  
Attribution Theory ◽  
Causal Attributions ◽  
Political Conflict ◽  
Power Networks ◽  
Power Struggles ◽  
Politics Of Memory ◽  
History And Memory ◽  
Place Naming

This article examines the politics of collective memory and attribution theory by studying expert and popular beliefs in Japan about the 1937–1938 Nanking Massacre. Memory, when conceived as a product of political conflict, assumes pluralistic and centralized forms. Multiple memories emerge out of a context of cross-cutting interests, coalitions, power networks, and enterprises, as seen in the fate of artistic and presidential reputations, Holocaust commemoration, place-naming, monument-making, and the organization of museums. After discussing the assumptions underlying the politics of memory and attribution theory, the article considers two theories in light of the Nanking debates: the first relates history and memory to power struggles, whereas the second subsumes these struggles under conflicting causal attributions. It also looks at three carrier groups that participate in the Nanking memory war, and particularly in debates over Japan’s moral responsibility for crimes committed in Nanking: maximalists, revisionists, and centrists.

Civil Status and Identification in Nineteenth-Century France: A Matter of State Control?

2012 ◽  
Author(s):  
Paul-André Rosental
Keyword(s):  
Nineteenth Century ◽  
Birth Certificates ◽  
State Control ◽  
Legal Basis ◽  
Economic Relationships ◽  
Nineteenth Century France ◽  
Civil Status ◽  
Complex Picture ◽  
European Standards

Civil status, and particularly birth certificates, rather than identity papers, are the legal basis of identification in France. Its nineteenth-century history presents a complex picture, which cannot be reduced to a process of increasing state control. Far from implementing ambitious registration projects, French liberal administration left information scattered and scarce as compared to European standards. It had to find a balance between the need to provide open information in order to minimize uncertainty in social and economic relationships, and the protection of personal and family honour and reputation. Citizens' agency and consent have been determinant in this process, whose traces are still visible in contemporary France.

scholarly journals The ‘Affair of the Photographs’: Controlling the Public Image of a Nineteenth-Century Stigmatic

2017 ◽  
Vol 68 (4) ◽  
pp. 784-806
Author(s):  
TINE VAN OSSELAER
Keyword(s):  
Nineteenth Century ◽  
Public Image ◽  
Religious Perspective ◽  
The Public ◽  
Grassroots Initiatives ◽  
The Media

The article focuses on an episode concerning the photographs of the famous Belgian stigmatic, Louise Lateau. Examining the events leading up to the bishop's decision to restrict the circulation of her portrait, it becomes clear that the ‘affair’ of 1877 was as much about creating her public saintly image as it was about controlling it. Studying the ecclesiastical response to grassroots initiatives adds a more religious perspective to the young field of celebrity studies and offers a more complex view on sanctity, and the role of the media and modern techniques in its creation, use and misuse.

The Seavoyage Controversy and the Kayasthas of North India, 1901—1909

1979 ◽  
Vol 13 (2) ◽  
pp. 265-299 ◽  
Author(s):  
Lucy Carroll
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social Reform ◽  
Social Conflict ◽  
North India ◽  
One Dimensional ◽  
Early Twentieth Century ◽  
The Law ◽  
Ancient Texts

Seavoyage was a social reform issue of some concern to the Hindus of Upper India in the latter part of the nineteenth century and the early twentieth century. Clearly there were compelling incentives for seavoyage; equally clearly there was a convention which prohibited such travel in the belief that it contravened the law laid down in ancient texts. But social conflict is seldom as one-dimensional as these statements imply.

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