The Design Of Systems That Display Moving Images Based On Spatio-Temporal Vision Data

1988 ◽  
Author(s):  
William E. Glenn ◽  
Karen G. Glenn
Keyword(s):  
Moving Images ◽  
Temporal Vision ◽  
Spatio Temporal

scholarly journals Temporal Resolution Multiplexing: Exploiting the limitations of spatio-temporal vision for more efficient VR rendering

2019 ◽  
Vol 25 (5) ◽  
pp. 2072-2082 ◽  
Author(s):  
Gyorgy Denes ◽  
Kuba Maruszczyk ◽  
George Ash ◽  
Rafal K. Mantiuk
Keyword(s):  
Temporal Resolution ◽  
Temporal Vision ◽  
Spatio Temporal

Spatio-temporal vision of macaques with severe loss of Pβ retinal ganglion cells

1986 ◽  
Vol 26 (11) ◽  
pp. 1751-1761 ◽  
Author(s):  
William H. Merigan ◽  
Thomas A. Eskin
Keyword(s):  
Retinal Ganglion Cells ◽  
Ganglion Cells ◽  
Retinal Ganglion ◽  
Severe Loss ◽  
Temporal Vision ◽  
Spatio Temporal

34‐5: Adaptive Refresh Rate and Resolution: Exploiting the Limitations of Spatio‐Temporal Vision

2021 ◽  
Vol 52 (1) ◽  
pp. 465-468
Author(s):  
Rafał K. Mantiuk ◽  
Gyorgy Denes
Keyword(s):  
Refresh Rate ◽  
Temporal Vision ◽  
Spatio Temporal

scholarly journals Exploiting the limitations of spatio-temporal vision for more efficient VR rendering

2018 ◽  
Author(s):  
Gyorgy Denes ◽  
Kuba Maruszczyk ◽  
Rafał K. Mantiuk
Keyword(s):  
Temporal Vision ◽  
Spatio Temporal

scholarly journals Concrete Abstract: Exploring Tactility in Abstract Animations from Early Avant-garde Films to Contemporary Artworks

2021 ◽  
Vol 6 (2) ◽  
pp. 28-41
Author(s):  
Basak Kaptan Siray ◽  
Keyword(s):  
New Thought ◽  
Avant Garde ◽  
Moving Images ◽  
Temporal Relationships ◽  
Thought Patterns ◽  
Spatio Temporal ◽  
Visual Order ◽  
Sense Of Touch ◽  
Screening Site ◽  
Selection Of

After witnessing social chaos and the collapse of values at the beginning of the twentieth century, avant-garde artists insert new thought patterns and progressive aesthetic into the traditional perception of art. Being enthralled by the new film medium, former painters like Viking Eggeling, Walther Ruttman and Hans Richter start to experiment with light in two-dimensional film formats, they animate lines, stripes, basic shapes, play with the foreground and the background, and, most important of all, they construct a temporality within the visual order of the screen. Viking Eggeling’s Symphonie Diagonale (1921-24), Walther Ruttman’s Opus I (1921) and Hans Richter’s Rhythmus 21 (1921) show such temporality built in, which is caught by the idea of music as their titles suggest. These short abstract animation films attempt to discover the artistic possibilities of the new developing medium, film. Like the pioneer avant-garde abstract filmmakers, today’s artists still seek to stimulate a new perception for a possible embodiment that will activate the sense of touch in the audience. Tactility, enhanced by the material, opens up a new network of spatio-temporal relationships in the viewer's consciousness and subjecthood. This essay aims to bring a historical perspective to the abstract moving images of which the tactile or haptic experience is a defining characteristic. Through a selection of abstract animations, the materiality of the film image and the screening site will be elaborated upon according to the haptic features that are corporally embodied by the viewers. In the light of historical abstract animation, the aim is to dwell upon the dynamics of a continuous tendency to capture tactile instances to help bring forth the spatial resonances as well as visualize and reedify the rhythmic passing of time.

Closer to nature: A case study of the multifunctional selection of moving images in an environmental corporate video

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Carmen Daniela Maier
Keyword(s):  
Meaning Making ◽  
Environmental Communication ◽  
Semiotic Analysis ◽  
Environmental Commitment ◽  
Fine Grained ◽  
Moving Images ◽  
Corporate Discourse ◽  
Spatio Temporal ◽  
Selection Of

AbstractThis article explores how the selection of moving images in a corporate video contributes to the construction of an allegorical journey in an ideal spatio-temporal universe through which the corporate discourse communicates the company’s environmental commitment.The article is based on a social semiotic analysis which explores the discourse of renewal and belonging articulated visually in theThis article thus suggests that fine-grained analyses of the meaning-making potential of images in environmental corporate discourses can facilitate a better understanding of visual selective strategies in contemporary environmental communication in general.

scholarly journals A cortical locus for post adaptation facilitation in spatio-temporal vision

2010 ◽  
Vol 7 (9) ◽  
pp. 386-386 ◽  
Author(s):  
P. Bex ◽  
K. Langley ◽  
J. Cass
Keyword(s):  
Temporal Vision ◽  
Spatio Temporal

E3 ubiquitin ligases

2005 ◽  
Vol 41 ◽  
pp. 15-30 ◽  
Author(s):  
Helen C. Ardley ◽  
Philip A. Robinson
Keyword(s):  
Protein Complexes ◽  
Loss Of Function ◽  
Direct Role ◽  
Cellular Processes ◽  
Substrate Protein ◽  
Protein Ubiquitination ◽  
C Terminus ◽  
Full Complement ◽  
Spatio Temporal ◽  
Eukaryotic Organisms

The selectivity of the ubiquitin–26 S proteasome system (UPS) for a particular substrate protein relies on the interaction between a ubiquitin-conjugating enzyme (E2, of which a cell contains relatively few) and a ubiquitin–protein ligase (E3, of which there are possibly hundreds). Post-translational modifications of the protein substrate, such as phosphorylation or hydroxylation, are often required prior to its selection. In this way, the precise spatio-temporal targeting and degradation of a given substrate can be achieved. The E3s are a large, diverse group of proteins, characterized by one of several defining motifs. These include a HECT (homologous to E6-associated protein C-terminus), RING (really interesting new gene) or U-box (a modified RING motif without the full complement of Zn2+-binding ligands) domain. Whereas HECT E3s have a direct role in catalysis during ubiquitination, RING and U-box E3s facilitate protein ubiquitination. These latter two E3 types act as adaptor-like molecules. They bring an E2 and a substrate into sufficiently close proximity to promote the substrate's ubiquitination. Although many RING-type E3s, such as MDM2 (murine double minute clone 2 oncoprotein) and c-Cbl, can apparently act alone, others are found as components of much larger multi-protein complexes, such as the anaphase-promoting complex. Taken together, these multifaceted properties and interactions enable E3s to provide a powerful, and specific, mechanism for protein clearance within all cells of eukaryotic organisms. The importance of E3s is highlighted by the number of normal cellular processes they regulate, and the number of diseases associated with their loss of function or inappropriate targeting.

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