scholarly journals Concrete Abstract: Exploring Tactility in Abstract Animations from Early Avant-garde Films to Contemporary Artworks

2021 ◽  
Vol 6 (2) ◽  
pp. 28-41
Author(s):  
Basak Kaptan Siray ◽  
Keyword(s):  
New Thought ◽  
Avant Garde ◽  
Moving Images ◽  
Temporal Relationships ◽  
Thought Patterns ◽  
Spatio Temporal ◽  
Visual Order ◽  
Sense Of Touch ◽  
Screening Site ◽  
Selection Of

After witnessing social chaos and the collapse of values at the beginning of the twentieth century, avant-garde artists insert new thought patterns and progressive aesthetic into the traditional perception of art. Being enthralled by the new film medium, former painters like Viking Eggeling, Walther Ruttman and Hans Richter start to experiment with light in two-dimensional film formats, they animate lines, stripes, basic shapes, play with the foreground and the background, and, most important of all, they construct a temporality within the visual order of the screen. Viking Eggeling’s Symphonie Diagonale (1921-24), Walther Ruttman’s Opus I (1921) and Hans Richter’s Rhythmus 21 (1921) show such temporality built in, which is caught by the idea of music as their titles suggest. These short abstract animation films attempt to discover the artistic possibilities of the new developing medium, film. Like the pioneer avant-garde abstract filmmakers, today’s artists still seek to stimulate a new perception for a possible embodiment that will activate the sense of touch in the audience. Tactility, enhanced by the material, opens up a new network of spatio-temporal relationships in the viewer's consciousness and subjecthood. This essay aims to bring a historical perspective to the abstract moving images of which the tactile or haptic experience is a defining characteristic. Through a selection of abstract animations, the materiality of the film image and the screening site will be elaborated upon according to the haptic features that are corporally embodied by the viewers. In the light of historical abstract animation, the aim is to dwell upon the dynamics of a continuous tendency to capture tactile instances to help bring forth the spatial resonances as well as visualize and reedify the rhythmic passing of time.

Closer to nature: A case study of the multifunctional selection of moving images in an environmental corporate video

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Carmen Daniela Maier
Keyword(s):  
Meaning Making ◽  
Environmental Communication ◽  
Semiotic Analysis ◽  
Environmental Commitment ◽  
Fine Grained ◽  
Moving Images ◽  
Corporate Discourse ◽  
Spatio Temporal ◽  
Selection Of

AbstractThis article explores how the selection of moving images in a corporate video contributes to the construction of an allegorical journey in an ideal spatio-temporal universe through which the corporate discourse communicates the company’s environmental commitment.The article is based on a social semiotic analysis which explores the discourse of renewal and belonging articulated visually in theThis article thus suggests that fine-grained analyses of the meaning-making potential of images in environmental corporate discourses can facilitate a better understanding of visual selective strategies in contemporary environmental communication in general.

scholarly journals Spatio-temporal selection of reference genes in the two congeneric species of Glycyrrhiza

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Yuping Li ◽  
Xiaoju Liang ◽  
Xuguo Zhou ◽  
Yu An ◽  
Ming Li ◽  
...  
Keyword(s):  
Gene Expression ◽  
Developmental Stage ◽  
Reference Genes ◽  
Developmental Stages ◽  
Individual Factors ◽  
Congeneric Species ◽  
Spatio Temporal ◽  
The Stability ◽  
Different Tissues ◽  
Selection Of

AbstractGlycyrrhiza, a genus of perennial medicinal herbs, has been traditionally used to treat human diseases, including respiratory disorders. Functional analysis of genes involved in the synthesis, accumulation, and degradation of bioactive compounds in these medicinal plants requires accurate measurement of their expression profiles. Reverse transcription quantitative real-time PCR (RT-qPCR) is a primary tool, which requires stably expressed reference genes to serve as the internal references to normalize the target gene expression. In this study, the stability of 14 candidate reference genes from the two congeneric species G. uralensis and G. inflata, including ACT, CAC, CYP, DNAJ, DREB, EF1, RAN, TIF1, TUB, UBC2, ABCC2, COPS3, CS, R3HDM2, were evaluated across different tissues and throughout various developmental stages. More importantly, we investigated the impact of interactions between tissue and developmental stage on the performance of candidate reference genes. Four algorithms, including geNorm, NormFinder, BestKeeper, and Delta Ct, were used to analyze the expression stability and RefFinder, a comprehensive software, provided the final recommendation. Based on previous research and our preliminary data, we hypothesized that internal references for spatio-temporal gene expression are different from the reference genes suited for individual factors. In G. uralensis, the top three most stable reference genes across different tissues were R3HDM2, CAC and TUB, while CAC, CYP and ABCC2 were most suited for different developmental stages. CAC is the only candidate recommended for both biotic factors, which is reflected in the stability ranking for the spatio (tissue)-temporal (developmental stage) interactions (CAC, R3HDM2 and DNAJ). Similarly, in G. inflata, COPS3, R3HDM2 and DREB were selected for tissues, while RAN, COPS3 and CS were recommended for developmental stages. For the tissue-developmental stage interactions, COPS3, DREB and ABCC2 were the most suited reference genes. In both species, only one of the top three candidates was shared between the individual factors and their interactions, specifically, CAC in G. uralensis and COPS3 in G. inflata, which supports our overarching hypothesis. In summary, spatio-temporal selection of reference genes not only lays the foundation for functional genomics research in Glycyrrhiza, but also facilitates these traditional medicinal herbs to reach/maximize their pharmaceutical potential.

scholarly journals Bootstrap joint prediction regions for sequences of missing values in spatio-temporal datasets

2021 ◽  
Author(s):  
Maria Lucia Parrella ◽  
Giuseppina Albano ◽  
Cira Perna ◽  
Michele La Rocca
Keyword(s):  
Missing Data ◽  
Missing Values ◽  
Sample Selection ◽  
Sample Path ◽  
Temporal Relationships ◽  
Empirical Performance ◽  
Spatio Temporal ◽  
Joint Prediction ◽  
Point Forecast ◽  
Prediction Regions

AbstractMissing data reconstruction is a critical step in the analysis and mining of spatio-temporal data. However, few studies comprehensively consider missing data patterns, sample selection and spatio-temporal relationships. To take into account the uncertainty in the point forecast, some prediction intervals may be of interest. In particular, for (possibly long) missing sequences of consecutive time points, joint prediction regions are desirable. In this paper we propose a bootstrap resampling scheme to construct joint prediction regions that approximately contain missing paths of a time components in a spatio-temporal framework, with global probability $$1-\alpha $$ 1 - α . In many applications, considering the coverage of the whole missing sample-path might appear too restrictive. To perceive more informative inference, we also derive smaller joint prediction regions that only contain all elements of missing paths up to a small number k of them with probability $$1-\alpha $$ 1 - α . A simulation experiment is performed to validate the empirical performance of the proposed joint bootstrap prediction and to compare it with some alternative procedures based on a simple nominal coverage correction, loosely inspired by the Bonferroni approach, which are expected to work well standard scenarios.

Patterns of Cognitive Test Performance As Functions of the Lateral Localization of Cerebral Abnormalities in the Temporal Lobe

1957 ◽  
Vol 103 (433) ◽  
pp. 758-772 ◽  
Author(s):  
Victor Meyer ◽  
H. Gwynne Jones
Keyword(s):  
Test Performance ◽  
Right Hemisphere ◽  
Cognitive Test ◽  
Temporal Relationships ◽  
Verbal Tasks ◽  
Specific Locus ◽  
Left And Right ◽  
Spatio Temporal ◽  
Cognitive Test Performance ◽  
Lateral Localization

Various investigations into the effects of brain injury on psychological test performance (Weisenburg and McBride, 1935; Patterson and Zangwill, 1944; Anderson, 1951; McFie and Piercy, 1952; Bauer and Becka, 1954; Milner, 1954) suggest the overall conclusion that patients with left hemisphere lesions are relatively poor at verbal tasks, while those with right-sided lesions do worst at practical tasks, particularly the manipulation of spatial or spatio-temporal relationships. Heilbfun's (1956) study confirmed that verbal deficits result from left-sided lesions but his left and right hemisphere groups produced almost identical scores on spatial tests. In so far as these workers paid attention to the specific sites of the lesions, their findings indicate that the pattern of test performance is a function of the hemisphere in which the lesion occurs rather than of its specific locus.

scholarly journals Interweaving Realities: Spoken Language and Moving Images in the Sonne halt!, Experimental Film by Ferry Radax

2018 ◽  
Author(s):  
Luka Bešlagić
Keyword(s):  
Cultural Context ◽  
Narrative Structure ◽  
Spoken Language ◽  
Experimental Film ◽  
The Novel ◽  
Moving Image ◽  
Avant Garde ◽  
Moving Images ◽  
Narrative Cinema ◽  
Movie Script

This paper analyses the experimental film Sonne halt! by Ferry Radax, an Austrian filmmaker renowned for his unconventional approach to cinematic practice. Filmed and edited between the end of the 1950s and early 1960s, the film at first may appear to be a belated homage to the previous European experiments in avant-garde cinema, already carried out a few decades earlier. However, since there have been no great ‘historical avant-garde’ movements in Vienna in the period between the two world wars – according to the novel argument made by Klaus Kastberger – it was already the middle of the 20th century when the ‘original’ avant-garde strategies were finally acknowledged in Austria, and simultaneously appropriated by the ‘neo-avant-garde’. In this peculiar historico-cultural context Sonne halt!, in its fragmentary non-narrative structure which resembles Dadaist or Surrealist playfulness and openness, innovatively and radically interweaved two disparate film registers: moving image and spoken language. Various sentences arbitrarily enounced throughout the film – which have their origin in Konrad Bayer’s unfinished experimental, pseudo-autobiographical, montage novel der sechste sinn – do not constitute dialogues or narration of a traditional movie script but rather a random collection of fictional and philosophical statements. At certain moments there is a lack of rapport between moving image and speech – an experimental attempt by Ferry Radax to challenge one of the most common principles of sound and narrative cinema. By deconstructing Sonne halt! to its linguistic and cinematic aspects, this article particularly focuses on the role of verbal commentaries within the film. Article received: December 28, 2017; Article accepted: January 10, 2018; Published online: April 15, 2018; Original scholarly paper How to cite this article: Bešlagić, Luka. "Interweaving Realities: Spoken Language and Moving Images in the Sonne halt!, Experimental Film by Ferry Radax." AM Journal of Art and Media Studies 15 (2018): . doi: 10.25038/am.v0i15.228

THE ISSUE OF CONTEMPORANEITY AS CULTURAL AND HISTORICAL TOTALITY IN THE WORKS OF BORIS GROYS

2021 ◽  
pp. 5-18
Author(s):  
Elena Y. Baboshko ◽  
◽  
Dmitriy V. Galkin ◽  
Keyword(s):  
Contemporary Art ◽  
Social Dynamics ◽  
Will To Power ◽  
Avant Garde ◽  
Historical Processes ◽  
The Social ◽  
Political Forces ◽  
Definition Of ◽  
Modernist Discourse ◽  
Selection Of

The authors refer the issue of definition of contemporaneity as cultural and historical totality basing on the research results of a well-known theorist Boris Groys. Analyzing the progress of his ideas, the authors conclude, that the philosopher’s considerable contribution to the science is composed of the next phase of the development of the thesis about the art language as the base of contemporaneity construction and of the “natural selection” of contemporary art structures. The latter is not simply reduced to the postmodern “polylogue” variant, but implies a kind of contemporaneity patterns niche and “stabilization”. The patterns naturally tend to become complementary due to simple juxtaposition/ overlay in general time context. According to the authors, this circumstance does not prevent them from being turned by different political forces into locally dominating contemporaneity patterns (as in the case of Gesamkunstwerk Stalin). Contemporary art provides simple experience, that helps to retain the illusion of single and seemingly total contemporaneity. B. Groys leads us to the thought that art provides conditions for generating a significant reflective distance in relation to different social and historical situations. The distance gives an artist the opportunity to consider the reality comprehensively, given the autonomy, through the art language. However, we believe, that the most important philosopher’s achievement is not only drawing parallels between cultural and social and historical processes, based on the concept of art strategies influencing the social dynamics. He also managed to approach one of the most significant issues in culture theory and history – the opportunity to define contemporaneity as cultural and historical totality. According to his modernity theory, the origin of contemporaneity is hidden in the avant-garde art manifestation. He interprets the utopic by its nature modernist discourse, applied in art practice, through Nietzscheian will to power as redefining the new age philosophy. This article aims to analyze the progress of the issue of contemporaneity in the works of B. Groys and to explicate the complexity of considering contemporaneity as cultural and historical totality. The authors believe that the thorough study of the phenomenon of total artwork (Gesamtkunstwerk) as a soviet Stalin project and critics’ opinion analysis helps to create arguments limiting the opportunity of considering contemporaneity as totality.

The spatio-temporal evolution of groundwater dependent precipitation

2021 ◽  
Author(s):  
Cristina Passet ◽  
Lan Wang-Erlandsson ◽  
Yoshihide Wada ◽  
Agnes Pranindita ◽  
Agatha De Boer
Keyword(s):  
Temporal Evolution ◽  
Groundwater Resources ◽  
Terrestrial Ecosystems ◽  
Global Scale ◽  
Groundwater Abstraction ◽  
Groundwater Availability ◽  
Basin Scale ◽  
The Usa ◽  
Spatio Temporal ◽  
Selection Of

<div><span>A<strong> </strong>substantial portion of groundwater abstracted from aquifers is used for irrigation and evaporated to the atmosphere, potentially contributing towards downwind precipitation. While the fate of evaporation fluxes from land have been analysed, the atmospheric pathways of evaporation originating from groundwater have not yet been globally quantified. This study analysed the geographical distribution, the seasonality and the magnitude of groundwater-dependent precipitation (Pgw) </span><span>at a global scale and for a selection of countries and river basins. The Eulerian moisture tracking WAM-2layers model was used to process meteorological and groundwater abstraction input data from 1980 to 2010.  Results show considerable contributions of groundwater to precipitation downwind of the most heavily irrigated areas, leading to net groundwater losses over these areas. Globally, 40% of the Pgw </span><span>precipitates directly in the oceans, and do not contribute to biomass production in terrestrial ecosystems. Some of the countries with the highest rates of groundwater abstraction (India, the USA, Pakistan and Iran), receive low volumes of Pgw </span><span>and are net losers of groundwater resources. The countries with the highest net gain of groundwater are China, Canada and Russia. At river basin scale, the Indus, Ganges and Mississippi basins are net losers of groundwater to downwind Pgw</span><span>, while the Yangtze, Tarim and Brahmaputra basins receive more Pgw </span><span>than their groundwater withdrawals. The share of precipitation that originates from groundwater varies considerably with seasons, and can be especially high when low local precipitation levels occur in combination with high upwind groundwater abstraction. Furthermore, precipitation dependence on </span><span>groundwater (ρgw)</span><span>, has steadily increased between 1980 to 2010 in all studied areas and globally. Our study suggests that the countries and basins with a high and increasing dependency on ρgw </span><span>to support their precipitation can be vulnerable to groundwater availability upwind.</span></div>

Multimedia Databases and Data Management

2012 ◽  
pp. 1-11
Author(s):  
Shu-Ching Chen
Keyword(s):  
Data Management ◽  
Relevant Information ◽  
Multimedia Databases ◽  
Multimedia Data ◽  
Formal Structure ◽  
Multimedia Database ◽  
Storage Devices ◽  
Temporal Relationships ◽  
Spatio Temporal ◽  
Application Requirements

The exponential growth of the technological advancements has resulted in high-resolution devices, such as digital cameras, scanners, monitors, and printers, which enable the capturing and displaying of multimedia data in high-density storage devices. Furthermore, more and more applications need to live with multimedia data. However, the gap between the characteristics of various media types and the application requirements has created the need to develop advanced techniques for multimedia data management and the extraction of relevant information from multimedia databases. Though many research efforts have been devoted to the areas of multimedia databases and data management, it is still far from maturity. The purpose of this article is to discuss how the existing techniques, methodologies, and tools addressed relevant issues and challenges to enable a better understanding in multimedia databases and data management. The focuses include: (1) how to develop a formal structure that can be used to capture the distinguishing content of the media data in a multimedia database (MMDB) and to form an abstract space for the data to be queried; (2) how to develop advanced content analysis and retrieval techniques that can be used to bridge the gaps between the semantic meaning and low-level media characteristics to improve multimedia information retrieval; and (3) how to develop query mechanisms that can handle complex spatial, temporal, and/or spatio-temporal relationships of multimedia data to answer the imprecise and incomplete queries issued to an MMDB.

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