This chapter evaluates the work of two theorists who have discussed in detail the phenomenon of “projection.” Friedrich Neumann's concept of the rhythmic pair differs from this book's account of projection most obviously in its isolation of the pair as an autonomous “whole,” its separation of rhythm and meter, and its invocation of time point for the determination of an event's boundaries. Although Neumann describes the process through which a rhythmic pair might become unified as a “higher order” discrimination, he does not consider the process through which equality is produced and removes projection from meter in order to characterize an exclusively rhythmic order that in many respects resembles Hugo Reimann's dynamic, “organic” model. By contrast, Moritz Hauptmann is concerned with the process whereby determinate duration and equality are created and proposes a theory in which meter, quite apart from rhythm, is regarded as a dynamic, organic phenomenon arising from an innate human disposition for equal measure. The chapter then considers Hauptmann's analysis of the formation of duple meter.