Excellent acoustics and a low RT? A case study of the recent renovation of the Kennedy Center Concert Hall, Washington, DC

1999 ◽  
Vol 105 (2) ◽  
pp. 987-987
Author(s):  
Christopher Jaffe ◽  
Paul Scarbrough ◽  
Russell Cooper ◽  
Pamela Clements
Keyword(s):  
Washington Dc ◽  
Concert Hall

scholarly journals Interaction of landscape space and indoors in architecture of the open-air concert hall “Mitava”

2021 ◽  
Vol 17 ◽  
pp. 55-67
Author(s):  
Aija Grietena
Keyword(s):  
Interdisciplinary Collaboration ◽  
Building Structures ◽  
Acoustic Characteristics ◽  
Concert Hall ◽  
Emotional Quality ◽  
Indoor Space ◽  
The Baltic ◽  
Wooden Structures

In the search for balancing factors in the art of environmental design between architecture, landscape architecture, and interiors needed to improve interdisciplinary collaborative planning and enhance the psycho-emotional quality of the environment, the study of landscape space-indoor interaction through comparative analysis and inductive reference is continued. On the Latvian scale, the new, 21st-century technological capabilities in the design and production of wooden structures in the architecture of the open air concert hall “Mītava”, constructed in 2019 on Pasta Island. The importance of the structure on the Baltic scale is emphasized by the unique design, which resembles a shell washed on the bank of the Lielupe River, large (<60m) arched timber continuous roof structures and high acoustic characteristics. Original building structures have opened up new opportunities for interaction between landscape space and indoor space, creating a broad, spatial synthesis. The realization of an artistically stylistic concept in the open-air concert hall “Mītava”, which is subordinated to the existing landscape space and supplemented with appropriate greenery, is considered a valuable contribution to the urban environment. The specific case study analyzed in detail underlines the importance of successful interdisciplinary collaboration in the harmonious interaction between landscape space and indoor.

Acousmatic Approaches to the Construction of Image and Space in Sound Art

2015 ◽  
Vol 20 (2) ◽  
pp. 148-159 ◽  
Author(s):  
Peter Batchelor
Keyword(s):  
Current Trend ◽  
Image Space ◽  
Sound Art ◽  
Concert Hall ◽  
Spatial Sound ◽  
Alternative Means ◽  
Acousmatic Music ◽  
Relationship Of ◽  
The Relationship

This article considers ideas of image and space as they apply to acousmatic music and to sound art, establishing overlaps and compatibilities which are perhaps overlooked in the current trend to consider these two genres incompatible. Two issues in particular are considered: compositional (especially mimesis and the construction of image, and what shall be termed ‘ephemeral narrative’) and presentational (in particular multichannel speaker deployment). While exploring several relevant works within this discussion, by way of a case study the article introduces the author’s GRIDs project – a series of four multichannel sound sculptures united in their arrangement in geometric arrays of many (in some cases potentially hundreds of) loudspeakers. These permit, by virtue of being so massively (and geometrically) multichannel, the generation of extremely intricate spatial sound environments – fabricated landscapes – that emerge directly from an acousmatic compositional aesthetic. Owing to their alternative means of presentation and presentation contexts, however, they offer very different experiences from those of acousmatic music encountered in the concert hall. So the latter part of this article explores the various ways in which the listener might engage with constructed image space within these sound sculptures, along with the relationship of the audio content of each with its visual and situational setup – that is, its environment.

Source Theatre Company and the Mandate of the NEA: a Case Study

1995 ◽  
Vol 11 (42) ◽  
pp. 128-134
Author(s):  
Mary C. Resing
Keyword(s):  
Public Funding ◽  
The United States ◽  
National Endowment ◽  
Washington Dc ◽  
The Public ◽  
Chapel Hill ◽  
The Arts ◽  
Theatre Company ◽  
The University

The controversy in the United States surrounding the funding of ‘offensive‐ and ‘pornographic‐ works by the National Endowment of the Arts (NEA) has centered on whether or not the organization should espouse a morally conservative outlook in regard to the public funding of artistic works. However, the NEA arguably already pursues conservative policies rooted in its vision of the form, function, and outlook of the arts it exists to serve. The appointment of the actress Jane Alexander as chair of the NEA may have indicated that the organization would become more liberal in its moral stance, but the question remains: can government-supported art be anything but conservative? The following is a case study of one theatre's relationship to the NEA in the context of the Washington, DC, theatre community. The author, Mary C. Resing, is a former business manager of New Playwrights' Theatre in Washington, DC, and a former grant writer at the University of North Carolina at Chapel Hill. She is currently working on her dissertation on the actress-manager Vera Kommissarzhevskaia.

scholarly journals Siting Background Towers to Characterize Incoming Air for Urban Greenhouse Gas Estimation: A Case Study in the Washington, DC/Baltimore Area

2018 ◽  
Vol 123 (5) ◽  
pp. 2910-2926 ◽  
Author(s):  
K. Mueller ◽  
V. Yadav ◽  
I. Lopez‐Coto ◽  
A. Karion ◽  
S. Gourdji ◽  
...  
Keyword(s):  
Greenhouse Gas ◽  
Washington Dc

scholarly journals The Compleat Concert Hall: A Case Study in Concert/Recital Hall Acoustics

1973 ◽  
Vol 54 (1) ◽  
pp. 279-279
Author(s):  
R. Lawrence Kirkegaard ◽  
C. W. Barrow
Keyword(s):  
Concert Hall
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