Study on Utilization of Open Spaces in New Town Revitalization Based on Actual Usage

2010 ◽  
Vol 45 (0) ◽  
pp. 132-132
Author(s):  
Shigeaki TAKEDA ◽  
Fumika NISHIKAWA ◽  
Hiroyuki KAGA ◽  
Yasuhiko SHIMOMURA ◽  
Noboru MASUDA
Keyword(s):  
Open Spaces ◽  
New Town ◽  
Actual Usage

Study on Utilization of Open Spaces in New Town Revitalization Based on Actual Usage

2010 ◽  
Vol 45.3 (0) ◽  
pp. 787-792
Author(s):  
Shigeaki Takeda ◽  
Fumika Nishikawa ◽  
Hiroyuki Kaga ◽  
Yasuhiko Shimomura ◽  
Noboru Masuda
Keyword(s):  
Open Spaces ◽  
New Town ◽  
Actual Usage

scholarly journals PERUBAHAN CITRA KAWASAN KOTA BARU YOGYAKARTA

2018 ◽  
Vol 2 (3) ◽  
pp. 121
Author(s):  
Noor Suwanto
Keyword(s):  
Land Use ◽  
Research Method ◽  
Qualitative Method ◽  
Garden City ◽  
City Image ◽  
Open Spaces ◽  
New Town ◽  
Town Area ◽  
Visual Changes

Abstract:. New Town area built using the concept of Garden City is currently experiencing many changes so that the image of the Kota Baru area is difficult to recognize in accordance with the concept of Garden City. Changes experienced by Kota Baru area is changing land use, visual changes in buildings, open spaces change. This study aims to determine the image of the Kota Baru area in accordance with the concept of Garden City in the early days of established, the present, changes in the image of the region, and efforts to strengthen the image of the region. The research method used qualitative method which then analyzed descriptively. The study was conducted on the entire Kota Baru area based on Garden City's theory by Ebenezer Howard and Thomas Karsten, in the use of Kevin Lynch City image imagery with aspects of Identity, Structure, and Meaning. The result of this research is that the image of the area at the beginning was very strongly visible from all aspects of area image. But the image of surveillance at the time of now a days not all aspects look strong, the strongest aspect seen in the path element, and the sense of the enclosure (enclosure).Keyword: Garden City, image of Kota Baru, change of image Abstrak: Kawasan Kota Baru yang dibangun menggunakan konsep Garden City saat ini kondisinya sudah mengalami banyak perubahan sehingga citra dari kawasan Kota Baru sulit untuk dikenali sesuai dengan konsep Garden City. Perubahan yang dialami kawasan Kota Baru adalah tata guna lahan berubah, perubahan visual bangunan, ruang-ruang terbuka mengalami perubahan. Penelitian ini bertujuan untuk mengetahui citra kawasan Kota Baru sesuai dengan konsep Garden City pada masa awal didirikan, masa sekarang, perubahan citra kawasan, dan upaya untuk menguatkan citra kawasan. Metode penelitian menggunakan metode kualitatif yang kemudian dianalisis secara deskriptif. Penelitian dilakukan pada seluruh kawasan Kota Baru berdasarkan teori Garden City oleh Ebenezer Howard dan Thomas Karsten, di gunakan teori citra Kota Kevin Lynch dengan aspek Identitas, Struktur, dan Makna. Hasil penelitian yang didapatkan adalah citra kawasan pada awal didirikan sangat kuat terlihat dari semua aspek citra kawaan. Tetapi citra kawasan pada masa sekrang tidak semua aspek terlihat kuat, aspek paling kuat terlihat pada elemen path, dan rasa akan keterlingkupan (enclosure).Kata Kunci: konsep Garden City, citra Kota Baru, perubahan citra

scholarly journals Study on Changes in Structure of Open Spaces Due to Housing Complex Reconstruction in Senri New Town

2012 ◽  
Vol 75 (5) ◽  
pp. 503-506
Author(s):  
Akihiro TANAKA ◽  
Hiroyuki KAGA ◽  
Yasuhiko SHIMOMURA ◽  
Noboru MASUDA
Keyword(s):  
Open Spaces ◽  
New Town ◽  
Complex Reconstruction ◽  
Housing Complex

The Place of Traditional Artists in the Preservation of Nigerian Art

2018 ◽  
pp. 75-88
Author(s):  
Victoria N Osuagwu
Keyword(s):  
Belief Systems ◽  
Sacred Grove ◽  
Art World ◽  
Human Beings ◽  
Open Spaces ◽  
Economic Resource ◽  
The People ◽  
Traditional Artists ◽  
Global Art ◽  
Source Of Information

Human beings have always left signs of their activities behind them. These signs take both tangible and intangible forms, including buildings, sites, sculptural works, antiquities, rock art paintings, belief systems, and traditions. The people of this millennium have recognized the remains of our fore-bears namely archaeological, architectural monuments, sites, and cultural works as an integral part of the cultural heritage of all humanity. They also recognized the fact that heritage is an invaluable source of information about the lives and activities of human beings and their artistic and technical capabilities over the centuries. The Nigerian Ancient Art Tradition which spans eight thousand years is a product of diverse artists from Dufuna, Nok, Igbo-Ukwu, Ife, Owo, Benin, Tada, etc. Also remarkable are the sculptural works created by late Susanne Wenger (an Austrian) and her New Sacred Art Movement in Osun-Osogbo Sacred Grove, which gave meaning to open spaces within the grove. This paper examines the role played by these artworks to project Nigeria to the global art world. The benefits to Nigeria and the global art traditions and recommendations on how to revive this dwindling economic resource will also be examined. The approach used was to study the artworks produced by some of these artists. Some of the findings were that the works were carefully done with suitable materials that have withstood climate change.

James Craig: Architect of the First New Town of Edinburgh

1994 ◽  
Vol 5 (1) ◽  
pp. 39-49 ◽  
Author(s):  
ANTHONY LEWIS ◽  
JOHN LOWREY
Keyword(s):  
New Town

Breeding Better Babies in the Eugenic Garden City: ‘Municipal Darwinism’ and the (Anti)Cosmopolitan Utopia in the early Twentieth Century

2010 ◽  
Vol 5 (2) ◽  
pp. 267-290 ◽  
Author(s):  
Susan Currell
Keyword(s):  
Twentieth Century ◽  
City Planning ◽  
Comparative Approach ◽  
Core Beliefs ◽  
Garden City ◽  
New Town ◽  
Early Twentieth Century ◽  
National Body ◽  
Practical Level ◽  
The Way

Showing how ‘modernist cosmopolitanism’ coexisted with an anti-cosmopolitan municipal control this essay looks at the way utopian ideals about breeding better humans entered into new town and city planning in the early twentieth century. An experiment in eugenic garden city planning which took place in Strasbourg, France, in the 1920s provided a model for modern planning that was keenly observed by the international eugenics movement as well as city planners. The comparative approach taken in this essay shows that while core beliefs about degeneration and the importance of eugenics to improve the national ‘body’ were often transnational and cosmopolitan, attempts to implement eugenic beliefs on a practical level were shaped by national and regional circumstances that were on many levels anti-cosmopolitan. As a way of assuaging the tensions between the local and the global, as well as the traditional with the modern, this unique and now forgotten experiment in eugenic city planning aimed to show that both preservation and progress could succeed at the same time.

Sign in / Sign up

Export Citation Format

Share Document