A Book Review in the Form of a Polemic Chad Elias's Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon and the Old New World Order

ARTMargins ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 69-86
Author(s):  
Ghalya Saadawi
Keyword(s):  
Civil War ◽  
Social History ◽  
Contemporary Art ◽  
Urban Space ◽  
World Order ◽  
Memory Politics ◽  
Post Cold War ◽  
History Of ◽  
And Performance ◽  
Post War

Chad Elias' 2018 book Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon attempts to deal with the question of post-civil war representation, image-making and contemporary art from the perspective of memory studies in Lebanon. Dealing with a particular group of artists working since the 1990's in installation, video, film, and performance, the book attempts to create a relation between their artistic propositions and narratives on the one hand, and the post-war reckoning with the missing and disappeared, the history of former Leftist combatants, neglected space programs, reconstruction and urban space, on the other. The book has a series of shortcomings and structural, theoretical blind spots that this review essay attempts to redress. For instance, Posthumous Images has no framework for the notions of communities of witnessing, collective memory, or post-war amnesia that seems to underpin its claims, as they seem to figure only nominally. In these theoretical omissions, the essay argues, the book adopts and furthers the ideology human rights as this relates to the politics of remembrance, as well as to Lebanon's neoliberal post-war realities. Moreover, it lacks a rigorous art historical frame to study the given artworks formally, or theoretically, leaving the book open to a post-historical method that disavows a critical, social history of art needed for an analysis of post-civil war and post-Cold war art forms in Lebanon and beyond.

“The unity based on memories of former intimacy is an attempt to warm up at a went out fire…” The letters from V.M. Chernov to O.S. Minor and M.I. Klyaver

2021 ◽  
Vol 2021 (04-1) ◽  
pp. 4-39
Author(s):  
Olga Konovalova ◽  
Vera Fedorova ◽  
Anna Dvoretskaya
Keyword(s):  
Civil War ◽  
Social History ◽  
Russian Revolution ◽  
International Institute ◽  
Warm Up ◽  
History Of ◽  
Key Issues ◽  
Shed Light ◽  
Foreign Delegation

In the publication, O.V. Konovalova, V.I. Fedorova, A.P. Dvoretskaya presented letters 1931-1932 of the leader and theoretician of the party of socialists-revolutionaries V.M. Chernov to a prominent figure of the party O.S. Minor and a representative of Harbin socialists-revolutionaries organization M. I. Klyaver regarding the split of the Foreign delegation of the socialists-revolutionaries. They are preserved in the collection of VM. Chernov of the International Archives and Collections at the International Institute of Social History in Amsterdam. The presented letters help to clarify VM. Chernov’s position on the key issues of the history of the SR party during the Russian revolution, Civil War, and emigration of the 1920s, and also shed light on the deep reasons for the split of the ZD AKP.

Framing The Fosters: jokes, racism and Black and Asian voices in British comedy television

2017 ◽  
Author(s):  
Gavin Schaffer
Keyword(s):  
Social History ◽  
Cultural Production ◽  
Racial Politics ◽  
Black British ◽  
Stand Up Comedy ◽  
The Social ◽  
History Of ◽  
Post War ◽  
Cultural Leaders ◽  
The Relationship

This chapter interrogates the relationship between television comedy, power and racial politics in post-war Britain. In a period where Black and Asian Britons were forced to negotiate racism as a day-to-day reality, the essay questions the role played by television comedy in reflecting and shaping British multicultural society. Specifically, this chapter probes Black and Asian agency in comedy production, questioning who the joke makers were and what impact this had on the development of comedy and its reception. The work of scholars of Black and Asian comedy television such as Sarita Malik, and of Black stand-up comedy such as Stephen Small, has helped us to understand that Black- and Asian-led British comedy emerged belatedly in the 1980s and 1990s, hindered by the historical underrepresentation of these communities in British cultural production and the disinclination of British cultural leaders to address this problem. This chapter uses these scholarly frames of reference, alongside research that addresses the social and political functions of comedy, to re-open the social history of Black British communities in post-war Britain through the story of sitcom.

Introduction

Kick It ◽  
2020 ◽  
pp. 1-8
Author(s):  
Matt Brennan
Keyword(s):  
Social History ◽  
Performance Practice ◽  
New Technologies ◽  
The Social ◽  
The Status ◽  
History Of ◽  
And Performance ◽  
Creative Artists

This chapter explains the motivations for researching the social history of the drum kit. It traces the history of drummer jokes and outlines the structure of the chapters to follow. Chapter 1 traces the racist roots of linking drummers to primitive stereotypes and contrasts this against the cleverness of drummers that culminated in the invention of the drum. Chapter 2 shows how drummers in fact contributed to redefining the boundaries between noise and music. Chapter 3 reveals how drummers developed new conventions of literacy while standardizing both the components and performance practice of their instrument. Chapter 4 examines the development of the status of drummers as creative artists. Chapter 5 looks at drumming as a form of musical labour. Chapter 6 considers attempts to replace the drum kit and drummers with new technologies, and how such efforts ultimately underscored the centrality of the drum kit as part of the contemporary soundscape.

The Spanish Civil War: New Approaches and Historiographic Perspectives

2020 ◽  
Vol 29 (3) ◽  
pp. 264-267
Author(s):  
Eduardo González Calleja
Keyword(s):  
Civil War ◽  
Political Violence ◽  
Spanish Civil War ◽  
Military History ◽  
Military Operations ◽  
Cultural Perspective ◽  
History Of ◽  
War Experiences ◽  
Post War ◽  
Second World

The bibliography on the Spanish Civil War is almost unattainable, but the matter continues to elicit such interest that it remains open to new historiographic trends. For example, the ‘classic’ military history of the conflict, cultivated prominently in recent years by Gabriel Cardona, Jorge Martínez Reverte and Anthony Beevor, does not renounce the microhistory or cultural perspective. These constitute the theoretical framework of the New Military History and its corollary the New Combat History, which combine philological, anthropological, psychological and historiographical perspectives to various degrees. In the specific field of the war experiences pioneered by George L. Mosse, the concepts of brutalisation, barbarisation and demodernisation of military operations, coined by Omer Bartov to describe the particularities of the Eastern campaign during the Second World War, are being used by Spanish historians dedicated to the study of the violence and atrocities of the civil war and post-war. Focusing on the field of political history, government management or diplomacy has been studied almost exhaustively, but this is not the case for the principal phenomenon of political violence in the 1930s in Europe, namely paramilitarisation. It is surprising that the latest studies on the issue at the European level (Robert Gerwarth, John Horne, Chris Millington and Kevin Passmore) do not include any essays on the enormous incidence of paramilitary violence in Spain before, during and after the civil war.

Freud under the Acropolis: The challenging journey of psychoanalysis in 20th-century Greece (1915–1995)

2018 ◽  
Vol 31 (4) ◽  
pp. 13-37
Author(s):  
Danae Karydaki
Keyword(s):  
Civil War ◽  
English Language ◽  
Psychoanalytic Psychotherapy ◽  
Social Changes ◽  
Marie Bonaparte ◽  
History Of ◽  
Post War ◽  
The Right ◽  
Oral History Interview ◽  
The Military

Psychoanalysis was introduced to Greece in 1915 by the progressive educator Manolis Triantafyllidis and was further elaborated by Marie Bonaparte, Freud’s friend and member of the Greek royal family, and her psychoanalytic group in the aftermath of the Second World War. However, the accumulated traumas of the Nazi occupation (1941–1944), the Greek Civil War (1946–1949), the post-Civil-War tension between the Left and the Right, the military junta (1967–1974) and the social and political conditions of post-war Greece led this project and all attempts to establish psychoanalysis in Greece, to failure and dissolution. The restoration of democracy in 1974 and the rapid social changes it brought was a turning point in the history of Greek psychoanalysis: numerous psychoanalysts, who had trained abroad and returned after the fall of the dictatorship, were hired in the newly established Greek National Health Service (NHS), and contributed to the reform of Greek psychiatry by offering the option of psychoanalytic psychotherapy to the non-privileged. This article draws on a range of unexplored primary sources and oral history interview material, in order to provide the first systematic historical account in the English language of the complex relationship between psychoanalysis and Greek society, and the contribution of psychoanalytic psychotherapy to the creation of the Greek welfare state. In so doing, it not only attempts to fill a lacuna in the history of contemporary Greece, but also contributes to the broader historiography of psychotherapy and of Europe.

Black German

2017 ◽  
Author(s):  
Theodor Michael
Keyword(s):  
Social History ◽  
First Generation ◽  
Life Story ◽  
Second World War ◽  
West Germany ◽  
Pan Africanism ◽  
History Of ◽  
Post War ◽  
Key Aspects ◽  
Second World

This is the first English translation of an important document in the history of the black presence in Germany and Europe: the autobiography of Theodor Michael. Theodor Michael is the last surviving member of the first generation of ‘Afro-Germans’: Born in Germany in 1925 to a Cameroonian father and a German mother, he grew up in Berlin in the last days of the Weimar Republic. As a child and teenager he worked in circuses and films and experienced the tightening knot of racial discrimination under the Nazis in the years before the Second World War. He survived the war as a forced labourer, founding a family and making a career as a journalist and actor in post-war West Germany. Since the 1980s he has become an important spokesman for the black German consciousness movement, acting as a human link between the first black German community of the inter-war period, the pan-Africanism of the 1950s and 1960s, and new generations of Germans of African descent. His life story is a classic account of coming to consciousness of a man who understands himself as both black and German; accordingly, it illuminates key aspects of modern German social history as well as of the post-war history of the African diaspora.

THE SOCIAL HISTORY OF POST-WAR SOVIET LIFE

2012 ◽  
Vol 55 (2) ◽  
pp. 563-569
Author(s):  
MIRIAM DOBSON
Keyword(s):  
Social History ◽  
The Social ◽  
History Of ◽  
Post War
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