The Promiscuous Life of a Genre for the Dead: The Marthiya as an Instrument of Community Construction in Muslim Russia
2021 ◽
Vol 64
(4)
◽
pp. 343-376
Keyword(s):
Abstract This article explores how the Islamic elegiac genre of marthiya can shed new light on the social and cultural history of the Muslims of Russia’s Volga-Ural region in the late imperial period (1870s-1917). The marthiyas enjoyed great popularity across geographical, ethnic, and factional lines as a medium for asserting and affirming social bonds and expressing collective identities. Volga-Ural marthiyas reveal the links between Sufism and Tatar national history-writing, demonstrate the interrelation between Sufi literature and Muslim revolutionary culture, and point to historical figures and groups that were left out of the evolving Tatar national historiography.