Alternative Remembrances

2016 ◽  
Vol 9 (1) ◽  
pp. 3-27
Author(s):  
Nour K. Sacranie

Memory of the civil war in Lebanon is fractured if not completely broken, and its history remains officially unwritten. A lack of reconciliation or peace-building initiatives suggests that the causes for the conflict have simply been masked or ignored rather than cured. Existing scholarship has examined the absence of a national collective memory or unified history in Lebanon, with some speculation that the persistent fault lines in the country’s multi-factional and multi-religious society may lead to a relapse of the violence. While there have been some curatorial endeavors in the field, little popular criticism and even less academic writing focuses on contemporary visual culture in Lebanon or the wider Middle East. It is only in recent years that due attention has been paid to the vibrant art scene in the region, and the dearth in critical material has been addressed. With this in mind, this paper aims to contribute to the wider burgeoning conversation about critical art practices in the Middle East. In analyzing the work of three Lebanese ‘post-war’ artists, questions about the nature of wartime history and memory are asked in relation to visual culture. The article asks what art is doing in the context of Lebanese post-war society, and while it may not be possible to answer this question fully, there is an underlying need to re-evaluate the way the arts are viewed in contemporary discourse, as pioneered by Jacques Ranciere and Jill Bennet, among others.

2021 ◽  
Vol 46 (1) ◽  
pp. 39-52
Author(s):  
NELOUFER DE MEL

This article provides a contextual analysis of Janakaraliya (‘Theatre of the People’), a theatre company acclaimed for its excellence in theatre for social justice and peace building in Sri Lanka. It discusses the governing conditions that enable its practice and evaluates its impact, whether this be the biopower of the state and non-state actors during periods of political violence, donor funding frameworks, or the Janakaraliya archive itself as an actant shaped by donor rationalities. Drawing on a recent research project entitled The Theatre of Reconciliation, the article builds an argument for changing the terms on which the arts in peace building are evaluated, and for a shift in the dominant narrative on Janakaraliya which collapses its sophisticated aesthetics to a binary of Sinhala–Tamil ethnic relations. The logic of this revision would be fuller acknowledgement of the troupe's aesthetic forms and styles as a more robust signifier of the pluralities that constitute Sri Lankan society today and therefore of post-war reconciliation itself.


2013 ◽  
Vol 20 (2) ◽  
pp. 203-214
Author(s):  
Judy Hamilton

Dr Gertrude Langer arrived quite by chance in Brisbane in 1939 as a refugee from Hitler's Europe. She was a young, elegant Austrian refugee with a PhD in art history from the University of Vienna. After arriving in Australia, Gertrude and her husband, Dr Karl Langer, had hoped to settle in Sydney, but Karl's work as an architect moved them on to Brisbane. Gertrude Langer would become an important figure in Brisbane's post-war art scene through her salon-style lectures, art criticism and work with the Australia Council. She strongly believed that the arts were an important part of a community, and for this reason became a champion for the cause of contemporary art in Brisbane.


2021 ◽  
pp. xxx-18
Author(s):  
Ellen C. Schwartz

The introduction to this handbook explains the scope and purpose of Byzantine art, architecture and visual culture from 330 to 1453, across the Eastern Mediterranean world, including Italy and the Balkans, Russia, and the Middle East. It begins with an overview of the role of the arts in religious and secular life, and explains the periodicization of the field into Early, Middle and Late phases as a useful way to consider these artistic productions. It presents the development in scholarly approaches that flow from the beginning phase of Byzantine art history when modern scholars were first discovering the wealth of Byzantine materials, to the later analysis and interpretation of the arts in their historical roles, and finally to the contemporary use of newer (including scientific) techniques and interdisciplinary approaches often incorporating methods from other fields. Consideration of the arts after 1453 that continue to show Byzantine influence is included. Dissemination of information including publications, digital opportunities and display in collections and exhibitions is discussed. The section presents information about the authors, the use of the handbook, and offers thoughts for future exploration in the field of Byzantine art.


2019 ◽  
Vol 48 (2) ◽  
pp. 114-128
Author(s):  
Norbert Scholz

This bibliography lists articles and reviews of books relevant to Palestine and the Arab-Israeli conflict from the quarter 16 August–15 November 2018. Entries are classified under the following headings: Palestine in Global and Comparative Perspectives; Palestine and the Palestinians; Literature and the Arts; Middle East and the Arab World; Israel and Zionism; and Recent Dissertations.


2020 ◽  
pp. 56-61
Author(s):  
Rui Leão ◽  
Charles Lai

Parallel to the discourse of Tropical Architecture and the work of UK architects in the British colonial territories in the Middle East, Africa, and India after the WWII, climate adaptation designs or devices such as brise-soleil, perforated cement bricks, sun shading screens, courtyards, etc., started to emerge in modernist buildings in Asia. This article is a preliminary survey of these cases in Hong Kong and Macau since the 1950s. It discusses how tropicality was used in response to the post-war revisionism of Modern Movement that placed emphasis on local identity and culture.


2021 ◽  
Author(s):  
◽  
Bojan Jankovic

<p>This thesis focuses on the role of an international actor - United Nations (UN) - and its missions in Bosnia and Herzegovina (UNMBiH) during 1992-1995 and Kosovo (UNMIK) in the post war conflict period of peace building. It scrutinizes the tenor of UN peace building missions in these territories by analysing the scope of the policies introduced and the effectiveness (or ineffectiveness) of the international actors' activities during the times of war in Bosnia and Herzegovina (BiH) before the conflict in Kosovo and Metohija (KiM); and the current situation in these two territories. The thesis will also argue that the ethnic identities played a critical role in relation building between the UN and ethnic groups, where the one ethnic group (Serbs) was recognised as a crucial factor for the conflict's escalation and development. A further focus in this thesis is not only to provide constructive discussion of the ineffectiveness of policies and missions introduced by International Actors (IA) but also to challenge the UN and IA's decision for non-intervention in BiH and to address the consequence of subsequent humanitarian-military intervention in KiM. This paper outlines an analysis of the lack of literature relating to the historical-sociological perspective of the ethnic groups' in BiH. The lack of understanding of the complex relationships among the ethnicities is an additional gap. This is exacerbated by the lack of understanding of the complex relationships among the ethnicities, within itself, as well as the differences among the groups within each ethnic group. It appears that the literature is unable to acknowledge the structural formation of societies in BiH, and to make proper segmentation in understanding the particular group of people (Rex, 2001) as a collection of peoples with different sociological characteristics combined into something called 'ethnicity'. The handicap of such literature leads to the categorisation and generalisation of ethnicities; not at one particular area of an ethnic group's presence but to the generalisation of the peoples' ethnicities (all Serbs are barbarous, similar to the Germans after WWII). This paper argues that such generalisations developed the notion that the particular ethnic group (Serbs) has an 'evil' character, regardless of the territorial occupation (Bosnia as well as Serbia and Diaspora). In addition, the lack of recognising Serbs as a people composed of different individual (local) ethnic groups led to the global generalisation about Serbs. And yet, such generalisations, by the modern western actors, i.e. UN, EU (European Union) and USA (United States of America), led to the employment of negative assumptions about the Serbs which served as a tool for, and added impetus to, the implementation of a strategy to achieve the Western objectives of the devaluation of Serbian dominance in Bosnia and across the Balkan Peninsula. Therefore the quality of literature, in addressing the questions about the conflict in BiH and later KiM, beside its attempts to offer some sustainable answers, remains inadequate and poor. This unsubstantiated position, offered by many involved in former-Yugoslavian conflict discussions, to offer an informed conclusion, persists as a never-ending debate. Yet, the discourse about the guilty factor in BiH and KiM remains in the shape of the 'evil' Serbian nation.</p>


2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Dr. Muhidin Mulalic

Although sociology is a modern discipline, sociologists in Bosnia and Herzegovina must consider distant past and present to tackle the questions of identity, nationality, ethnicity, language and religion. Sociological prominence had gained its focus in post-war Bosnia and Herzegovina because of conflict resolution, peace building and overall social transformations and emerging challenges and issues. Such transformation of post-war Bosnian society coupled with a socio-political and economic crisis had opened the door for sociological and anthropological studies and research. Post-war society that eventually aims at a just peace, as Bosnia and Herzegovina where genocide had taken place, cannot without addressing sociological dimensions of war, justice, law and morality. Sociology as a discipline, within the institutional context, has also undergone significant changes and transformations. Using a survey approach, this paper aims to analyze why sociology is significant discipline in Bosnia and Herzegovina. Indeed, it is significant to analyze sociological and institutional transformations and their influence on the creation of new social models related to identity, nationality, religion, language, ethnicity, conflict resolution, war and justice.


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