Before the Mughals: Material Culture of Sultanate North India

2019 ◽  
Vol 36 (1) ◽  
pp. 1-39
Author(s):  
Finbarr Barry Flood

Abstract This article presents an overview of the current state of knowledge regarding the material culture of north India under the Delhi sultans and the regional sultanates that emerged in Bengal, Gujarat, Jaunpur, and Malwa during the fourteenth and fifteenth centuries. Highlighting lacunae in existing scholarship, it also draws attention to material and textual sources that underline the strong transregional filiations of Sultanate art and architecture. It suggests that negotiations between regional artistic forms and styles and those that reflect transregional connections in Sultanate art and architecture anticipate a feature often seen as characteristic of early Mughal art and architecture.

2019 ◽  
Vol 46 ◽  
pp. 184-202
Author(s):  
Noémi Beljak Pažinová ◽  
Tatiana Daráková

The article focuses on the current state of research of the first Neolithic culture in Slovakia.So far around 70 sites are known from Slovakia dated to the Early Linear Pottery Culture and the Early Eastern Linear Pottery Culture. Most of the sites are known only from surface collections, and in only four cases have dwellings been documented. Settlement features/pits have been discovered at around half the sites. Finally, we know graves from only four (and possibly five) sites. In the article we deal also with the elaboration of the Early LPC/ELPC material culture. We discuss pottery from the point of view of typology and decoration and other types of findings, such as chipped stone industry, ground and polished stones, small clay artefacts, daub, animal bones etc., are not omitted either. The goal is to evaluate the research possibilities of the Early LPC/ELPC in Slovakia.


2014 ◽  
Vol 30 (1) ◽  
pp. 1-12 ◽  
Author(s):  
Gülru Necipoğlu

In this volume marking the thirtieth anniversary of Muqarnas, the Editor reflects on the evolution of the journal over the years. To that end, the members of the Editorial and Advisory Boards were sent a questionnaire, asking them to comment on the contributions of Muqarnas and its Supplements series to the field of Islamic art and architecture studies over the past three decades, and to provide suggestions for future directions. Their observations, thoughts, and hopes for Muqarnas have been anonymously incorporated into this essay, which, in conversation with their comments, looks back on the history of the publication and offers some possibilities for the path it might take going forward.
The goal here is neither to assess the historiography nor to examine the current state of the field thirty years after the opening essay of volume 1. Instead, the focus is on the development and impact of both Muqarnas and the Supplements series in a highly specialized field with relatively few and short-lived or sporadic journals, before turning to the successes and shortcomings of these publications, as outlined by some of the board members. 



2021 ◽  
pp. 993-1028
Author(s):  
Vivian B. Mann ◽  
Shalom Sabar

Author(s):  
Ian Woodward

This article examines consumption from a cultural perspective, with particular emphasis on taste and performativity as well as the ways in which to navigate the forest of objects and their meanings. It first reviews the current state and future of consumption studies through the lens of intersecting research vectors in the fields of consumption, taste, and materiality. It then considers postmodern theories of consumption, focusing on three senses in which the concept of aestheticization has been employed. It also explains how material culture affords symbolic evidence of a person’s taste, and more broadly, is generative of their social identity. Finally, it addresses questions of individualism and hedonism, as well as the extent to which consumerism is culturally and socially divisive or constructive, and proposes a program for a cultural sociological approach to consumption.


Itinerario ◽  
2020 ◽  
Vol 44 (2) ◽  
pp. 260-286
Author(s):  
Leigh Denault

AbstractIn the 1870s, Indian news editors warned their readers of a series of crises threatening India. They saw the famines, wars, and poverty that they were describing as symptoms of the same illness: Colonial governors had failed to implement an ethical system of governance, and had therefore failed to create a healthy body politic, choosing to expend energy in punishing or censoring dissent when they should have been constructing more durable civic institutions. In North India, earlier Mughal traditions of political philosophy and governance offered a template to critique the current state. In drawing on these traditions, editors linked multiple registers of dissent, from simple ‘fables’ about emperors to more sophisticated arguments drawn from newly reinterpreted akhlaq texts, creating a print record of the multilingual, multivalent literary and oral worlds of Indian political thought. The figures of the Mughal emperors Akbar and Aurangzeb, representing the zenith and nadir of Mughal sovereignty, in turn linked popular and learned discussions on statecraft, good governance, and personal responsibility in an age of crisis. The press itself became a meeting point for multivalent discourses connecting South Asian publics, oral and literate, in their exploration of the nature of just rule in the context of empire, calling, in the process, new ‘publics’ into being.


Author(s):  
Gabriela Frischke ◽  
Roksana Wilczyńska ◽  
Wojciech Ślusarczyk

Equipment of a Prescription Room from the Polish People’s Republic Times in the Collection of Leon Wyczółkowski District Museum in Bydgoszcz. Genius loci or the Sum of Cases? In 2017, the Leon Wyczółkowski District Museum in Bydgoszcz purchased the collection of a private pharmacy museum, previously functioning in the back of the now-liquidated Pod Łabędziem (‘Under the Swan’) pharmacy in Bydgoszcz, first opened in 1853. Among the acquired museum exhibits, there is prescription room equipment from the Polish People’s Republic period. From the point of view of museum workers and researchers of pharmaceutical material culture, in order to learn more about the acquisitions, it is essential to answer the following questions: Where and when were the prescription furniture and their equipment produced? Were they used only in Pod Łabędziem (‘Under the Swan’) pharmacy? Is the room equipment complete? What can the preserved equipment tell us about the type of drugs produced there? The conducted analysis allows us to state that the prescription furniture were manufactured in Nowe nad Wisłą at the turn of the 1970s. The prescription room is an original component of the described pharmacy but preserved in a truncated form. Its location is secondary. Chaos reigns among the preserved utensils. The current state of affairs does not reflect the standards of work in the former community pharmacy. The sum of the cases prevails over the genius loci.


2021 ◽  
Vol 9 (60) ◽  

Located in the Antalya plain and the immediate northern part of this plain, Pamphylia was home to well-known ancient Anatolian cities Aspendos, Perge, Side and Sillyon. It can be claimed that these cities have been relatively well-researched archaeological settlements through archaeological excavations and surveys. Although the mentioned cities are archaeologically important elements of Pamphylia, the region also harbours numerous rural settlements and findspots. Especially, the cultural heritage registration activities in recent years have clearly revealed the dense human occupation and certain settlement trends in the region. Moreover, rescue excavations and individual findspots have revealed that the pre-Roman period of the region’s countryside can be dated back to at least the fifth century BCE. On the other hand, archaeological research in the region mainly focuses on the major cities and their material culture. With some exceptions such as Lyrboton Kome, the number of studies on the region’s countryside is much less compared to those of urban-focused ones. In addition, there is relatively little interest in regional-scale research that holistically deals with the rural settlements of the region. Based on these arguments, in this study, the current state of the countryside of Pamphylia will be evaluated in the light of current research and available evidence. Thus, this work also aims to establish a baseline study and starting point for future research on Pamphylia’s lesser-known countryside. Keywords: Pamphylia, Ancient Anatolian Countryside, Archaeology of Antalya, Mediterranean


2020 ◽  
Vol 23 ◽  
Author(s):  
Kamil Kajkowski

The spiritual culture of Western Slavs is becoming an increasingly prominent research field in archaeology. The dynamic growth of material evidence allows archaeologists not only to expand the corpus of evidence used in their work but also to formulate new hypotheses that broaden the current state of knowledge, as well as to develop new research trajectories. The study of relics of cult-places and the material remains of ritual ceremonies play a particularly significant role here. Research into material culture, including iconographic sources, is of great significance. Both these research topics can be broadened by the studies of objects commonly extracted from the earth, namely ceramic vessels.Moreover, not only the ritual behaviour that accompanies their production, or the symbolism of vessels, as such, or their forms but also about their ornamentation is of interest. Thus far, the issue of ornamentation has remained on the fringes of mainstream scholarly debates. Marek Dulinicz is among the scholars who have made the most substantial contributions to this field of research. However, since 2008, there have been no further studies on this topic. Although the corpus of completely preserved or fragmented vessels with figural depictions known today has expanded, the body of material with narrative scenes remains fairly small. New finds of vessels (or their fragments) with such imagery are found very rarely – even though numerous excavation campaigns are being undertaken – leading to the situation in which vessels with narrative scenes become rare and exceptional sources. This paper will specifically address this particular body of material. Around twenty different vessels will be considered here. Most of them are known from the area inhabited by the Baltic Slavs and the territory of modern-day Poland (Masovia and Silesia). One shard comes from Slovakia. The present paper seeks to provide answers to questions about the purpose of placing figural imagery on vessels, as well as to investigate the spatial and chronological occurrence of such finds, and the possible functions the vessels had in the everyday lives of their users.


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