Giovanni Bellini’s Madonna of the Meadow, ‘Meditational Poesia’, and the Imitatio Christi
Abstract This essay examines Giovanni Bellini’s Madonna of the Meadow as a ‘meditational poesia’, focusing upon formal aspects that differentiate between embracing landscape and figural group and upon Bellini’s approach to this landscape and its contrasting staffage that elicits contemplative reflection. I examine three treatises that may have stimulated the artist and contend that Thomas à Kempis’s Imitation of Christ (translated as Imitatione de Cristo, Venice, 1488) provides thematic structures that most closely align with those characterizing Bellini’s painting and intimate its role in articulating a meditational approach by which a viewer can effectively appraise the Madonna of the Meadow.
1972 ◽
Vol 25
(1)
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pp. 45-57
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2011 ◽
Vol 3
(2)
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pp. 125-143
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