National Style and Characterization

2021 ◽  
pp. 75-86
Keyword(s):  
National Style

RISHTAN SCHOOL OF CERAMICS

2019 ◽  
Vol 16 (2) ◽  
pp. 73-77
Author(s):  
Akmal Marozikov ◽  
Keyword(s):  
Central Asia ◽  
Building Materials ◽  
Works Of Art ◽  
The World ◽  
Ferghana Valley ◽  
History Of ◽  
Made In ◽  
National Style

Ceramics is an area that has a long history of making clay bowls, bowls, plates,pitchers, bowls, bowls, bowls, pots, pans, toys, building materials and much more.Pottery developed in Central Asia in the XII-XIII centuries. Rishtan school, one of the oldest cities in the Ferghana Valley, is one of the largest centers of glazed ceramics inCentral Asia. Rishtan ceramics and miniatures are widely recognized among the peoples of the world and are considered one of the oldest cities in the Ferghana Valley. The article discusses the popularity of Rishtan masters, their products made in the national style,and works of art unique to any region

A Design for Jacquard Wall Cloth Woven Based on National Style

2014 ◽  
Vol 1048 ◽  
pp. 281-284
Author(s):  
Xiao Lan Jin ◽  
Jin Hua Zhu ◽  
Hua Wu ◽  
Rong He ◽  
Qiong Duo He ◽  
...  
Keyword(s):  
Traditional Culture ◽  
Optimal Combination ◽  
Polyester Yarn ◽  
Modern Chinese ◽  
Starting Point ◽  
National Style

Jacquard wall cloth based on national flavor should associate with the interior designer. Jacquard wall cloth developes floral pattern as a starting point and combines traditional Chinese elements with modern fashion elements. Choosing a modern Chinese-style room as the main carrier and combining patterns, color and construction to create a jacquard wall cloth.The patten focus on traditional culture and modern geometric perfection,which should associate with each other.The color is taken from Chinese traditional color series,which is suitable for the amenity room environment.Meanwhile the weft and warp yarns are low elastic polyester yarn, which has a sense of lightless,strong and durable.The fabric is constructed with satin weave .This designs achieve an optimal combination of traditional and fashionable benefits.

A comparative Study of Chinese Traditional Folk Paper-cut Art Desigh and Modern Graphic Design Based on Visual Communication

2021 ◽  
Vol 7 (5) ◽  
pp. 1028-1035
Author(s):  
Jiaxia Cheng
Keyword(s):  
Graphic Design ◽  
Visual Communication ◽  
Folk Art ◽  
Visual Communication Design ◽  
Design Concepts ◽  
Chinese Nation ◽  
The Rich ◽  
The Times ◽  
The Aesthetic ◽  
National Style

Paper-cut, as a traditional folk art, has become a treasure of Chinese folk art in its long history of development. Paper-cut gives people artistic enjoyment visually with its unique creative techniques, full composition and vivid and interesting patterns. Methods: Traditional folk paper-cut art records the folk customs of the Chinese nation and embodies the temperament and national style of the Chinese nation. Its unique way of thinking and expression provide unique creative ideas and rich visual art resources for modern graphic design. Chinese folk paper-cut is an organic combination of decoration and practicality. Results: It can not only show the rich and colorful folk life, but also meet the aesthetic needs of a variety of situations. How to combine rich traditional culture and art with graphic design concepts and the spirit of the times to design works with national style, so as to better integrate folk paper-cut art with graphic design, is the pursuit of graphic designers. Conclusion: Based on visual communication design, this paper discusses the comparison and integration between traditional Chinese folk paper-cut art design and modern graphic design.

A Review for Research on the Sino-West Hybrid Style Buildings in Early Modern China

2013 ◽  
Vol 671-674 ◽  
pp. 2285-2289
Author(s):  
Jing Luo ◽  
Wei Min Guo ◽  
Ying Huang
Keyword(s):  
Early Modern ◽  
Vernacular Architecture ◽  
Modern China ◽  
Detailed Review ◽  
Related Research ◽  
Modern Times ◽  
Research Findings ◽  
Early Modern Times ◽  
National Style ◽  
Early Modern China

Given the research findings concerning the Sino-west hybrid style buildings in early modern China are abundant but are lack of systemic pectination, this paper analyzes the related research findings from an integrative and classified perspective, especially makes a detailed review on the early modern vernacular architecture, which possess the characteristic of local evolution, and the national style of Chinese buildings in early modern times. Furthermore, the paper points out deficiencies in previous researches in the early modern Sino-west hybrid style buildings, and puts forward the urgent problems must be solved.

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