A Design for Jacquard Wall Cloth Woven Based on National Style

2014 ◽  
Vol 1048 ◽  
pp. 281-284
Author(s):  
Xiao Lan Jin ◽  
Jin Hua Zhu ◽  
Hua Wu ◽  
Rong He ◽  
Qiong Duo He ◽  
...  
Keyword(s):  
Traditional Culture ◽  
Optimal Combination ◽  
Polyester Yarn ◽  
Modern Chinese ◽  
Starting Point ◽  
National Style

Jacquard wall cloth based on national flavor should associate with the interior designer. Jacquard wall cloth developes floral pattern as a starting point and combines traditional Chinese elements with modern fashion elements. Choosing a modern Chinese-style room as the main carrier and combining patterns, color and construction to create a jacquard wall cloth.The patten focus on traditional culture and modern geometric perfection,which should associate with each other.The color is taken from Chinese traditional color series,which is suitable for the amenity room environment.Meanwhile the weft and warp yarns are low elastic polyester yarn, which has a sense of lightless,strong and durable.The fabric is constructed with satin weave .This designs achieve an optimal combination of traditional and fashionable benefits.

scholarly journals Variations on gui and the Trouble with Ghosts in Modern Chinese Fiction

2016 ◽  
Vol 70 (3) ◽  
Author(s):  
Jessica Imbach
Keyword(s):  
Early Modern ◽  
Systematic Study ◽  
Early Modern Period ◽  
Modern Period ◽  
Modern Chinese ◽  
Starting Point ◽  
Chinese Fiction ◽  
Republican Era ◽  
Modern Chinese Fiction

AbstractGhosts appear in a great number of fictional works from the early modern period to the present. Yet, to this date no systematic study of this very heterogeneous textual corpus has been undertaken. This paper proposes as a useful starting point a review of figures and discourses of spectrality, mainly in Republican-era literary and critical texts, that focuses in particular on the different meanings and usages of the term

Research on the Protection of Yichang Traditional Dwellings and the Sustainable Development of Cultural Tourism

2014 ◽  
Vol 584-586 ◽  
pp. 2372-2377
Author(s):  
Shu Pei Wang ◽  
Jia Huang ◽  
Han Jie Zhang
Keyword(s):  
Sustainable Development ◽  
Traditional Culture ◽  
Present Situation ◽  
Cultural Tourism ◽  
Tourism Industry ◽  
Sustainable Utilization ◽  
The Sustainable Development ◽  
Cultural Connotation ◽  
Developmental Relationship ◽  
Starting Point

After analysis of yichang traditional dwellings protection present situation and the value of the development of cultural tourism，The author of this paper intends to use the protection of the traditional dwellings in Yichang and its sustainable utilization as a starting point to establish the new image of Yichang cultural tourism, which can not only promote the development of the tourism industry in Yichang, as well as play a big role in the protection of traditional houses. Due to the deficiency of Yichang, which was shown in Part of the development of traditional folk tourism . So I put forward that we should make full use of the local traditional culture and fully explore the cultural connotation of local-style dwelling houses, so as to improve the residents living facilities. Also appeal for a rational look at developmental relationship between traditional dwelling and cultural tourism, seeking the best way to protect traditional residence and its tourism sustainable development.

Inter-Subjectivity and Imagined Sovereignty: John Fryer’s New-Age Novel Contest in 1895 and the Rise of Modern Chinese Novel

2012 ◽  
Vol 17 (01) ◽  
pp. 95-119
Author(s):  
Dadui Yao
Keyword(s):  
New Age ◽  
Modern Chinese ◽  
Starting Point ◽  
Chinese Fiction ◽  
John Fryer ◽  
Modern Chinese Fiction

The concept of inter-subjectivity serves as a starting point to discuss a book-writing competition sponsored by John Fryer in 1895 and the rise of modern Chinese fiction. His departure from China the following year had two possible reasons: money and the expectations. The money issue was related to the prompt initiation and excessive expences of this contest; besides, the contest specific requirements contributed greatly to the identity awareness of the Chinese writers. The horizon of one’s expectations touches the problem of subjectivities. A fusion of the expectations of the missionary and those of Chinese literati manifested itself in The New-Age Novel as inter-subjectivity. Nevertheless, the expression of imagined sovereignty of Chinese literati in the works presented at the contest went beyond Fryer’s expectations and gave birth to not only simply a Western impact and Chinese response and a Sino-centric pattern both which served as a spur to the rise of modern Chinese novel.

The Raw Material Development and Application for Shui Nationality Traditional Costumes

2014 ◽  
Vol 952 ◽  
pp. 145-148
Author(s):  
Chao Zhang ◽  
Xiao Jun Zhu ◽  
Lin Guo ◽  
Ren Ping Xu
Keyword(s):  
Market Economy ◽  
Traditional Culture ◽  
Current Situation ◽  
Raw Material ◽  
Market Demand ◽  
World Culture ◽  
Folk Culture ◽  
Materials Development ◽  
Material Development ◽  
Starting Point

According to the traditional decorative materials of Guizhou Shui Nationality traditional costumes as the starting point, this paper explores the effect of traditional dress decoration materials faced by the current situation as well as new decorative materials development and application of the traditional culture, the conflict and decorations visual effect. Therefore, proposed in the new environment of market economy, it is necessary to make the development and application of dress traditional materials in order to meet the ever-changing market demand, and also to the protection and inheritance of traditional techniques and characteristics of the Shui Nationality decoration visual aesthetic of art and decoration materials contained in the folk culture. The purpose is to express its application value for the diversified development of world culture and art.

scholarly journals 禮的「俗化」與「宗教化」--以現代中國的婚禮與喪禮為例 台灣 高雄師範大學 杜明德/“Secularization” and “Religion” of Ceremony––Modern Chinese Wedding and Funeral

Asian Studies ◽  
2012 ◽  
pp. 99-108
Author(s):  
Ming-Te TU
Keyword(s):  
Traditional Culture ◽  
Modern Society ◽  
Religious Behavior ◽  
Funeral Rites ◽  
Modern Chinese ◽  
The Times ◽  
Contemporary Chinese

摘要中國號為「禮義之邦」，「禮」對於中國人、家族、歷史、文化、政治發展等各方面都有深遠的影響。在傳統中國，「禮」的內涵包括貴族的飲食、婚姻、喪葬、祭祀等；而其傳播的型態，則主要透過儒家三《禮》經典及儒者講授，屬於貴族之學。但「禮」做為一般人民生活的規範準則，很早就出現「俗化」的現象，此在近現代中國人的婚禮儀式中甚為明顯。從另一個角度而言，「禮」的起源，與宗教相關；而宗教理論也可以彌補「禮」在形上思想的不足，因此，「禮」也可能出現「宗教化」的現象，此在近現代中國人的喪葬儀式中亦甚為明顯。本文將針對這兩個現象加以探討。關鍵字：禮、婚禮、喪禮、俗化、宗教化Although “etiquette” is the essence of traditional culture in China, due to the development of modern society, its perspective should include the requirement of human sympathy, transformation of objects, and the role or duty associated with one’s title so that an appropriate manner can be well maintained. The times have changed and if the traditional etiquette cannot follow the steps of civilization, it will be eliminated. Contemporary Chinese weddings have become popularized and funerals religionized; however, they cannot completely meet the expectations of the Confucianists, but rather follow the development of etiquette, while conforming to the principles underlying the legislation and implementation of the rules of etiquette. Furthermore, integration can be found in the phenomenon of popularized weddings and religionized funerals, fully making it obvious that religious behavior has combined with the local wedding ceremonies. Because of the influence of Taoism and Buddhism, local folklore characteristics can be seen in funeral rites. As a result, if the connotations of the etiquette are maintained, whether it is a popularized or religionized ceremony, such etiquette can still be accepted by the society.  

scholarly journals Chinese Classical Aesthetic in the View of Inter-Subjectivity

2008 ◽  
Vol 2 (2) ◽  
pp. 211
Author(s):  
Zhang Haitao
Keyword(s):  
Qualitative Method ◽  
Traditional Culture ◽  
Aesthetic Theory ◽  
Contemporary China ◽  
Modern Chinese ◽  
Chinese Aesthetics ◽  
Classical Chinese ◽  
Contemporary Chinese ◽  
Dimensions Of Space

In contemporary China, the theory of intersubjectivity causes great significance to the construction of modern Chinese aesthetic theory but this kind of transverse dimensions of space on the outside of the transplantation of theory gave rise to some bad effects to traditional culture and classical Chinese aesthetics. Article presents a qualitative method. Its purpose to conduct research on intersubjectiveness spirit of Chinese aesthetics and literature from the dimensions of the longitudinal time. The discussion will also cause a vital significance to the building of contemporary Chinese aesthetics in this direction.

Fostering Creative Talents for an “Innovation-Oriented Nation”

2021 ◽  
pp. 1-22
Keyword(s):  
Economic Development ◽  
Problem Based Learning ◽  
Traditional Culture ◽  
Good Strategy ◽  
Rapid Progress ◽  
Chinese Universities ◽  
Starting Point ◽  
Made In China ◽  
Creativity And Innovation ◽  
Made In

This book starts with an overall background of rapid progress of economic development in recent China under a shift from ‘Made in China' to ‘Created in China'. Such a background shapes the starting point of this book and reflects a question: Why should we focus on the topic of creativity and innovation in Chinese universities? This chapter interprets the meaning of a political goal of ‘innovation-oriented nation', the link between creativity and innovation, and the barriers of traditional culture to develop innovation capability in China. All these points underpin why Chinese universities should put creativity on the top of the agenda. This will lay basis in later chapters that address problem-based learning (PBL) as a good strategy of facilitating creativity among young Chinese talents.

scholarly journals Path Dependence and the Authoritarian Regime in Traditional Chinese Culture: a Historical Institutionalism Framework of Analysis

2013 ◽  
Vol 3 (1) ◽  
pp. 1 ◽  
Author(s):  
Xuanhui Liu
Keyword(s):  
Path Dependence ◽  
Chinese Culture ◽  
Traditional Culture ◽  
Vital Role ◽  
Historical Institutionalism ◽  
Authoritarian Regime ◽  
Examination System ◽  
Chinese Traditional Culture ◽  
Starting Point ◽  
Imperial Examination System

The democratic situation in China is deeply influenced by the traditional culture. This article attempt to answer the question why there is no democracy in Chinese traditional culture from historical institutionalism perspective. Path dependence plays the vital role in this process. The starting point is set in Qin Dynasty. After that, the authoritarian regime has been strengthened from four aspects: the bureaucratic system, the Confucian theory, the imperial examination system, and rewards and punishing measures. These measures work from the institutions to people’s inner world. The authoritarian culture became the orthodox value in Chinese traditional culture. The authoritarian regime and traditional culture have been intertwined and strengthened each other. That is a process of path dependence from historical institutionalism perspective. This article shows us a framework of how to observe this process.

scholarly journals Some Observations on Modern Chinese Confucianism

2008 ◽  
Vol 2 (1) ◽  
Author(s):  
Kirsten Rønbøl Lauridsen
Keyword(s):  
Young People ◽  
Chinese Culture ◽  
Chinese Philosophy ◽  
Mao Zedong ◽  
Political Environment ◽  
National Pride ◽  
Modern Chinese ◽  
Starting Point ◽  
Way Of Thinking ◽  
Maxim Gorky

About thirty years ago Yang Mo's novel The Song of Youth was made into a movie portraying young people committed to change and revolution. In the ideological confusion one sentence rang out very clearly, as the words of Maxim Gorky were used to express the essence of Chinese culture: "In this world the most glorious thing is to be a man" (Zai shijieshang zui guangrong de shi jiu shi zuo yige ren). The death of Mao and the change of political environment was the starting point for a new way of thinking. Maols political and ideological role has been delicately dealt with by trying to preserve the legitimacy of the revolution while discardingsome of the basic elements of Mao Zedong-thought. Thenext move has been to look towards traditional Chinese philosophy to serve ideological development and national pride.

Application of Maslow's Hierarchy of Needs to Modern Chinese Furniture

2010 ◽  
Vol 37-38 ◽  
pp. 185-189
Author(s):  
Han Ning Zhang ◽  
Ji Feng Xu
Keyword(s):  
Product Design ◽  
Design Model ◽  
Industrial Product ◽  
Hierarchy Of Needs ◽  
Design Practice ◽  
Human Needs ◽  
Maslow's Hierarchy Of Needs ◽  
Modern Chinese ◽  
Starting Point ◽  
Maslow’S Hierarchy Of Needs

Based on the analysis of Maslow’s hierarchy of needs, this study explored the method of product design which takes five levels of human needs as a starting point. By combining with the dual attributes of modern Chinese furniture on industrial product and cultural product, this research proposed a design model of modern Chinese furniture based on hierarchy of needs, which can provide with cross-references to design practice.

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