BARNOUW, E. Mass Communication; tele vision, radio, film, press, the media and their practice in the United States. New York, I956, Rinehart. 280 pp

1958 ◽  
Vol 4 (1) ◽  
pp. 132-132
2021 ◽  
pp. 73-99
Author(s):  
Uta A. Balbier

This chapter defines Graham’s crusades in the United States, Germany, and the United Kingdom in the 1950s as powerful cultural orchestrations of Cold War culture. It explores the reasons of leading political figures to support Graham, the media discourses that constructed Graham’s image as a cold warrior, and the religious and political worldviews of the religious organizers of the crusades in London, Washington, New York, and Berlin. In doing so, the chapter shows how hopes for genuine re-Christianization, in response to looming secularization, anticommunist fears, and post–World War II national anxieties, as well as spiritual legitimizations for the Cold War conflict, blended in Graham’s campaign work. These anxieties, hopes, and worldviews crisscrossed the Atlantic, allowing Graham and his campaign teams to make a significant contribution to creating an imagined transnational “spiritual Free World.”


2006 ◽  
Vol 39 (2) ◽  
pp. 446-448
Author(s):  
Kim Speers

For Better or Worse: How Political Consultants are Changing Elections in the United States, David Dulio, Albany: State University of New York Press, 2004, pp. xvii, 289.During the 2004 federal election, the media shone light on the political consultants who were reportedly affiliated or somehow related to Paul Martin's election campaign. By their account, the traditional party machine, often viewed to be the primary, if not the only, actor in political campaigns in Canada, seemed to have taken a backseat to the expensive, polished and professional campaign machinery the private sector had to offer. Campaign management through consultancy was now publicly visible in Canada and reliance on the party machine, while still important, seemed to face competition in terms of expertise and proximity to power. However, the study of political campaigns and specifically, the role of political consultants within campaigns, has received sparse attention from the political science community outside of the United States. Yet even in the US, in spite of the prevalent and pervasive presence of political consultants in electoral politics, the study of this group is relatively new.


Author(s):  
Joseph Krauskopf

This chapter provides Joseph Krauskopf's discourse regarding war. It was delivered after the United States Congress's formal declaration of war against Spain. The theological underpinning of his sermon is a reassertion of a traditional providential view of God in control of history, patient with Spain despite its many sins (going back at least four centuries), yet certain to punish the unrepentant sinning nation to reassert justice in the world. Two powerful rhetorical passages build to the climax of the sermon. The first is based on a pronounced use of anaphora and parallelism. The second was apparently triggered by the media, as a New York Times article stated that women of the Spanish aristocracy were ‘organizing religious associations, under the auspices of the Bishops, for the purpose of holding, day and night, special services of prayer for the success of the Spanish arms’.


2019 ◽  
Vol 4 (1) ◽  
pp. 77-91 ◽  
Author(s):  
Krzysztof Wasilewski

The media play an important role in shaping the collective memory of their users. Popular movies, TV shows or commemorative newspaper texts influence the ways in which people remember and forget. Many scholars have attempted to describe this connection; however, little attention has so far been paid to alternative media. This article aims to analyse the features of the collective memory constructed by the media associated with the so-called alt-right (alternative right) movement in the United States. I argue that far-right media produce an ethnically exclusive collective memory, which consequently aims to counter the mainstream collective memory. The findings of this study come from the critical analysis of how the New York Times and Breitbart News engaged in a nationwide discussion on the Confederacys legacy that ensued in August 2017 after the decision to remove the Robert E. Lee monument in Charlottesville, VA and the mass protests that soon followed.


1996 ◽  
Vol 76 (4) ◽  
pp. 420-441 ◽  
Author(s):  
SUE MAHAN ◽  
RICHARD LAWRENCE

Three of the most infamous prison riots in the United States took place in Attica, New York; Santa Fe, New Mexico; and Lucasville, Ohio in 1971, 1980, and 1993, respectively. Although an examination of the three riots reveals differences in the uprisings, there are important similarities in the underlying conditions behind them. Analysis of the three riots shows the significant role played by representatives of the media both in negotiating with inmates and taking back the three institutions. In this article, the authors discuss the influence and effect of media coverage on prison riots based on what was learned from the participation of the media in the Attica, Santa Fe, and Lucasville uprisings.


Communication ◽  
2012 ◽  
Author(s):  
Silvio Waisbord

This article offers a review of key works in media sociology and identifies key themes in sociological research that have contributed to media studies. Given the interdisciplinary nature of media/communication analysis, establishing what falls within media sociology and drawing clear-cut distinctions between sociological and other approaches are not easy tasks. Here, media sociology is understood as research that situates communication and media research within the dynamics of social forces and links them to questions about order, conflict, identity, institutions, stratification, authority, community, and power. The origins of mass communication/media research are grounded in sociology. Not only was it sociologists who charted key themes in the field of communication/media studies, particularly in the United States in the 1920s, but foundational research was concerned with core sociological questions, such as the integrative role of the media in the transition from traditional to modern societies and the community-building dimensions of the media. Around the time of World War II, US media sociology experienced two transitions. Geographically, the center of studies moved from the University of Chicago to Columbia and Harvard Universities, and the research foci changed from news and media to public opinion and mass communication. Analytically, the focus shifted from the relation between media and modern society to questions about war propaganda and persuasion. Given the focus on the dynamics of public opinion, sociological questions about personal and media influence moved to the forefront, and interest in issues related to media and community faded. With financial support from the US government and private foundations, public opinion attracted considerable attention from media and communication researchers in the 1950s. However, as questions embedded in social psychology and behavioral research gained currency, sociological approaches, particularly those focused on structural issues, gradually lost centrality. This shift indicated the beginning of the rift between sociology and media/communication studies in the United States. Sociological theories and questions increasingly became less relevant for mass communication research. The historical trajectory of media sociology has been different in Europe, however. It has not had the focus on public opinion research and media effects that it has in the United States. Instead, it has been grounded in different theoretical paradigms and research questions. Traditionally, it has been more concerned with questions about class, power, institutions, and social differentiation.


Communication ◽  
2012 ◽  
Author(s):  
Judith M. Buddenbaum

Churches and other religious organizations have always conducted or commissioned media research addressing their interests. Scholarly journals have always published occasional articles dealing with religion and media. However, as a distinct area for scholarly inquiry, religion and media owes its origin in the United States to a confluence of events during the late 1970s that made religion important in a way it had not been since the 1925 Scopes trial. Questions raised by the opening of television to paid religious programming as a result of changes in broadcast law and network policies led to a flurry of scholarship on the then-new electronic church by sociologists of religion and mass communication scholars. At about the same time, the election of the born-again Jimmy Carter as president, the Iranian hostage crisis, and the rise of the New Christian Right paved the way for scholarly interest in religion as news. Since then the continuing political influence of conservative Christians in the United States, an influx of Muslim immigrants in European nations, and the events of 9/11 have sustained interest in the field and broadened it to encompass both international scholarly attention and a new emphasis on the portrayal of religions beyond Christianity in news and entertainment media. In the 1990s international research conferences on religion and the media began to appear. The American Academy of Religion, the Association for Education in Journalism and Mass Communication, and the International Communication Association all had units devoted to the subject. As a result, religion and media, although still closely identified in the United States with journalism and mass communication, developed into an eclectic, interdisciplinary field. Although European scholarly research in both the sociology of religion and communication predates that in America, the events that initially triggered the development of religion and media as an area for scholarly inquiry had little initial impact outside the United States. However, by the 1980s scholars from around the world with interest in the field had begun to find each other through organizations such as the International Association for Mass Communication Research, which scheduled a session on the subject at its 1994 conference in Seoul, South Korea, and the International Communication Association, which did the same at its Sydney, Australia, conference that year. However, the real impetus for international research came from a series of media–religion–culture conferences, the first of them in 1993 at the University of Uppsala, Sweden, and from increasingly available funding for religion and media research from the European Science Foundation and similar organizations in individual countries. While the conferences moved audience-centered research from a culturist perspective to the forefront, the major funding promoted more traditional effects-oriented social science research in the wake of 9/11, European involvement in the US-led war in Iraq, and tensions between Muslim immigrants and traditionally Christian but increasingly secular host European nations.


2021 ◽  
Vol 13(49) (1) ◽  
pp. 51-72
Author(s):  
Stanisław Jędrzejewski

Although the restrictions associated with the COVID-19 pandemic significantly reduced or completely eliminated the manifestations of artistic life, human ingenuity and simply necessity made it possible to transfer many offline cultural events and events to the online environment. Free online broadcasts from concerts such as the Berlin Philharmonic, opera performances from the New York Metropolitan, as well as theater and music concerts have gained in popularity worldwide. Film production companies have begun to make films available online. The offer of video or VOD (Netflix, YouTube, Twitch, Showmax, Paramount Play) has increased (Upper, 2020). Because, at least in the first phase of the pandemic, the revenue from the cinemas fell, VOD services could watch hits, e.g. in the United States — Emma, and in Poland — Hejter. Virtual tours were offered by well-known museums, such as the Louvre in Paris and international cultural heritage sites, including the Roman Colosseum. Since the outbreak of the epidemic there has also been a rapid increase in online gaming traffic. Finally, after the total suspension, sports competitions, e.g. football matches, came back, but without the participation of the fans, albeit like stand-ups with played recordings of the stadium’s fans’ reactions. In this way, what we call entertainment or popular culture has been domesticated and is done through the media. In this article I review the possibilities that new technologies now offer for domesticated culture in new circumstances forced by a pandemic COVID-19.


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