scholarly journals Poster Viewing Sessions PA00-A01 to PA00-A49

2019 ◽  
Vol 39 (1_suppl) ◽  
pp. 124-166
Keyword(s):  
Author(s):  
Deborah Castro ◽  
Jacob M Rigby ◽  
Diogo Cabral ◽  
Valentina Nisi

The growth of Internet-distributed TV services has transformed video consumption, enhancing the level of control that viewers have over what they watch. Along with the release of entire seasons of programming at once, this has led to the phenomenon of ‘binge-watching’, in which several episodes of a program are viewed in one sitting. This article presents the results of a novel exploratory study focused on 40 Netflix viewing sessions from 11 millennials in their homes. Methodologically, we employed a novel mixed-methods approach that combines objective data (collected through a browser extension) and subjective data (collected via questionnaires completed before and after viewing). This novel approach allowed us to describe the binge-watcher’s experience in a holistic fashion. Results suggest that binge-watching is an individual activity mainly performed at the end of the day to relax, for boredom relief purposes, or for escapism. Furthermore, a binge-watching session lasts for an average of 2 h and 10 min, and variations on binge-watchers’ affective states were identified after Netflix exposure. Participants’ levels of valence (unhappy–happy) significantly decreased after binge-watching; their positive affect values increased primarily after watching sci-fi, while their negative affect values decreased after watching comedy and slightly increased after watching drama. However, the levels of arousal (relaxed–stimulated) remained the same. This study extends our current understanding of binge-watching in terms of viewer motivations, how it affects their viewing experiences, and participants’ subjective affective states. The investigation contributes, thus, to a relatively new domain of research concerned with the understanding of binge-watching behavior of serialized TV fiction.


Author(s):  
Theodoros Giannakas ◽  
Pavlos Sermpezis ◽  
Thrasyvoulos Spyropoulos
Keyword(s):  

HortScience ◽  
1994 ◽  
Vol 29 (5) ◽  
pp. 490d-490
Author(s):  
Lois Berg Stack

Master Gardener programs were conducted through 10 of Maine's 16 county offices in 1993. In an effort to reduce the number of identical presentations given by the limited number of instructors, 5 of the 10 sessions were conducted via interactive television (ITV), while the remaining 5 sessions were held locally. Participants (n=215) were surveyed about their learning experience in fall 1993. Data compare the local ITV audience vs. 7 distant audiences viewing sessions in real time vs. 2 audiences viewing taped sessions at a later date, on test scores of material presented, and on attitudes about the program. Data also summarize the types of projects on which Master Gardener volunteer hours were applied, and participants' attitudes about how volunteer programs could be made more effective.


2019 ◽  
Author(s):  
Thomas J Billard

This study investigated the influence of television consumption patterns on changes in attitudes toward depicted social out-groups. Participants were randomly assigned to view six episodes of Amazon’s Transparent, a comedy-drama program about a family whose father comes out as a transgender woman, in either one three-hour (“binge-watching”) session or six weekly half-hour (“appointment-viewing”) sessions. Across both groups, we found exposure to the narrative reduced anti-transgender prejudice. Counter to the predictions of the Extended-Elaboration Likelihood Model and the Entertainment Overcoming Resistance Model, however, improvement of prejudice toward transgender people was not predicted by narrative or character involvement. Rather, reduction in prejudice was an outcome of viewing condition such that those who viewed the program on a schedule of one episode per week exhibited lower levels of post-exposure prejudice than those who binge-watched, and their attitudinal changes were more persistent three weeks later. Results are discussed in the context of the original Elaboration Likelihood Model, proposing mechanisms for further testing.


1988 ◽  
Vol 98 ◽  
pp. 223-223
Author(s):  
Muriel Enock

The Dominion Astrophysical arranged 20 special viewing sessions for Comet Halley, and although most of these were clouded out, some 3000 people attended. The Observatory receives 30 000 visitors annually and its display area was recently renewed. This was done on a very limited budget, but the display succeeded in providing both scale and distance models of Solar-System bodies, telescope models, and much visual material, all accompanied by bi-lingual text.


1997 ◽  
Vol 3 (4) ◽  
pp. 209-214 ◽  
Author(s):  
R. Wootton ◽  
J. Dornan ◽  
N. M. Fisk ◽  
A. Harper ◽  
C. Barry-Kinsella ◽  
...  

Six subspecialists with considerable experience in fetal ultrasound viewed a selection of pre-recorded ultrasound scans. Scans from 18 patients recorded on VHS video-tape were supplied from five centres in the UK and Ireland, each made on a high-resolution ultrasound machine by an experienced sonologist at a referral centre. Each observer viewed the scans on a large display monitor in an individual viewing booth. The scans were viewed in random order, at randomly selected bandwidths. Observers, who were blinded to both recording and bandwidth, assessed the technical quality on a five-point Likert scale. They also recorded their diagnosis. The six observers each carried out 32 viewing sessions, which gave a total of 192 viewings. There was no significant difference in the perceived technical quality of the scans between the two bandwidths used P 0.09 . Of the 84 recordings transmitted at 1920 kbit s, 71 85 were diagnosed correctly or half correctly' and 13 15 were misdiagnosed. Of the 95 recordings transmitted at 384 kbit s, 66 69 were diagnosed correctly or half correctly' and 29 31 were misdiagnosed. This difference was significant P 0.03. The results indicate that although there were no perceived differences in technical quality between recordings transmitted at 384 or 1920 kbit s, diagnostic accuracy was marginally worse at the lower bandwidth. This suggests that the higher bandwidth conveys more detail and information to the observer, which in turn enables more accurate diagnosis. However, further work is required before a definitive choice can be made about the optimum transmission bandwidth for remote fetal ultrasound studies.


2019 ◽  
Vol 96 (4) ◽  
pp. 1025-1051
Author(s):  
Thomas J Billard

This study investigated the influence of television consumption patterns on changes in attitudes toward depicted social out-groups. Participants were randomly assigned to view six episodes of Amazon’s Transparent, a comedy-drama program about a family whose father comes out as a transgender woman, in either one 3-hr (“binge-watching”) session or six weekly half-hour (“appointment-viewing”) sessions. Across both groups, we found exposure to the narrative reduced anti-transgender prejudice. Counter to the predictions of the extended elaboration likelihood model and the entertainment overcoming resistance model, however, improvement in prejudice toward transgender people was not predicted by narrative or character involvement. Rather, reduction in prejudice was an outcome of viewing condition, such that those who viewed the program on a schedule of one episode per week exhibited lower levels of postexposure prejudice than those who binge-watched, and their attitudinal changes were more persistent 3 weeks later. Results are discussed in the context of the original elaboration likelihood model, proposing mechanisms for further testing.


2013 ◽  
Vol 6 (2) ◽  
Author(s):  
Wolfgang H. Zangemeister ◽  
Claudio Privitera

Relating to G. Buswell’s early work we posed the questions: How do art-naïve people look at pairs of artful pictures and similarly looking snapshots? Does the analysis of their eye movement recordings reveal a difference in their perception? Parsing eye scanpaths using string editing, similarity coefficients can be sorted out and represented for the two measures ‘Sp’ (Similarities of position) and ‘Ss’ (Similarities of sequences). 25 picture pairs were shown 5 times to 7 subjects with no specific task, who were ‘art-naïve’ to avoid confounding of the results through specific art knowledge of the subjects. A significant difference between scanpaths of artful pictures compared to snapshots was not found in our subjects´ repeated viewing sessions. Auto-similarity (same subject viewing the same picture) and cross-similarity (different subjects viewing the same picture) significantly demonstrated this result, for sequences of eye fixations (Ss) as well as their positions (Sp): In case of global (different subjects and different pairs) sequential similarity Ss we found that about 84 percent of the picture pairs where viewed with very low similarity, in quasi random mode within the range of random values. Only in 4 out of 25 artful-picture snapshot pairs was a high similarity found. A specific restricted set of representative regions in the internal cognitive model of the picture is essential for the brain to perceive and eventually recognize the picture: This representative set is quite similar for different subjects and different picture pairs independently of their art–non art features that where in most cases not recognized by our subjects. Furthermore our study shows that the distinction of art versus non-art has vanished, causing confusion about the ratio of signal and noise in the communication between artists and viewers of art.


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